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Horyuji Kondo

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The kondo, also known as the Golden Hall is located within the gates of the Horyuji temple complex. The structure sits near the center next to the Horyuji Pagoda.The two structures are significant, yet for very different reasons. The Kondo was built with the intention of being used for Buddhist worship [1]. On the outside, the Kondo appears to the viewer as a two story structure. However, only the first floor is operative (Mizuno, 92)[2]. The roof of the Kondo displays the hip and gable style that is frequently seen in East Asian architecture (Cartwright, Ancient History Encyclopedia). The exterior of the wooden structure has also been decorated with images of dragons and the water deity (Cartwright, Ancient History Encyclopedia). Upon entering the building, the viewer is faced with a magnificent sight: The Shaka Triad and the Yakushi sculptures.

 
Horyjui Kondo

The Shaka Triad

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The Shaka Triad is located within the Horyuji Kondo building. The sculpture has been placed on a raised platform so that when the viewer enters the building, they will have to look up in order to observe the piece. Shaka sits between his two attendants in the mediation position.[1] The skirt that Shaka wears falls over his legs and the platform that he sits on in a style known as waterfall drapery [1]. His hands are positioned in two different mudras. The right hand is positioned in the reassurance mudra and the left hand is in that of the wish granting mudra. [1] Behind the Shaka is an intricately decorated mandorla with a lotus flower directly in the center. Right above the head of shaka is a raised circle that is meant to stand as a representation of the Buddhist jewel of wisdom [1]. On the outer parts of the mandorla are seven small Buddha figures. These figures are intended to represent the seven Buddhas that came before Shaka [1]. The two attendants have been placed on lotus flowers. Each figure holds a jewel in their hand [2].

Horyuji Pagoda

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Next to the Horyuji kondo stands the Horyuji Pagoda. The Kondo functions as a space for Buddhist worship, but the pagoda severs an entirely different purpose. The five storied structure stands at Horyuji as a sort of reliquary or memorial site. The structure was was also built to represent a diagram of the universe[1]. If you stop and look at the building, you will notice that the roofs on each story get smaller and smaller the closer they get to the top. The center center post of the pagoda is built into a stone foundation that actually holds buddhist treasures and relics inside. These relics were put inside of vessels made out of glass, gold, and silver [2].

The Tamamushi Shrine

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The Tamamushi Shrine is located within the Treasure House at Horyuji. The shrine is made up of a small Kondo that has been placed on top of a rectangular base.[1] SImilar to that of the Horyuji Kondo, the miniature kondo on the shrine has a hip and gabled roof and exhibits many architectural features of the Asuka period.[2] The shrine has been elaborately decorated with many extensive details. Inside of the shrine is a small statue of Kannon, a buddhist Bodhisattva.[2] The interior walls have also been lined with many small Buddha figures.[2] On the front of the rectangular base are images of the four guardian kings[1] and on the side panels are images of bodhisattvas standing on lotus flowers.[2] The back panel shows Mount Ryoju, the location in which Shaka preached the Lotus Sutra.[2] On the upper pedestal of the shrine, the front has paintings that depict representations of Buddhist relics.[2] The back of the pedestal has an image of location that is known to be the center of the universe. This location holds the heavens, the oceans and the earth apart from each other. [1] This place is known as Mount Sumeru. The right panel shows a picture of the Buddha in a previous life and the left panel shows the scene of "The Hungry Tigress Jataka."[1]

The Hungry Tigress Jataka

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The Hungry Tigress Jataka is a tale in the theme of self sacrifice.[1] In this story, the Bodhisattva is walking through the forest when he encounters a tigress and her starving cubs.[1] In order to save the lives of the starving animals, the bodhisattva hikes to the top of mountain located nearby and jumps off.[1] The smell of the blood coming from the Bodhisattva's body is enough to rouse the weak tigress and her starving cubs so that they may eat.[1]


It is good to see that you have gotten a substantial amount of work done for this article, considering how barren it is, and how little information is easily accessible for it. It is also great that you are starting with the key Buddhist monuments of Horyuji, such as the Kondo, Pagoda, and the Shaka Triad, three things which are the most important and most relevant to your article. Although your citations haven’t changed, it is good that you used your initial citations to their fullest extent. From what you have now, I would try to find any more information at all regarding any other monuments at Horyuji, as well as information to the monuments you have already mentioned. One thing that I have noticed on Wikipedia is some sections of articles are only one to three sentences long, so if you find any other information on any of the other monuments there, you can always make another section for it, no matter how small! The information you have right now, however, is very good and very insightful. Any editing to what is in your current sandbox will be mostly grammatical, and not significant, unless you find substantial information somewhere that can further improve what you already have. My last suggestion would be to potentially build your citations further. If you cannot find anything further, however, I understand completely. Even for my article which is Ise Grand Shrine, I have trouble finding new citations. It can get frustrating! Overall, I see that you are on track with your article, and although I couldn’t give too much review during the first peer review process, your article has come a long way. Just a few more edits and some reading over and polishing and you should be good to publish!

- Colin

Reference

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  1. ^ a b c d e f g h i j k l m n o Cite error: The named reference :0 was invoked but never defined (see the help page).
  2. ^ a b c d e f g h i Cite error: The named reference :1 was invoked but never defined (see the help page).

[1][2][3][4][5][6][7]

The article that I have selected has a very limited amount of information. My goal is to expand the information available.

  1. ^ 1905-1971., Mizuno, Siichi (1974). Asuka Buddhist Art : Horyu-ji. Weatherhill/Heibonsha. ISBN 0834810204. OCLC 912223923. {{cite book}}: |last= has numeric name (help)CS1 maint: multiple names: authors list (link)
  2. ^ Walley, Akiko (2013). "Inscribing and Ascribing Merit: Buddhist Vows and the Hōryūji Shaka Triad". Harvard Journal of Asiatic Studies. 73 (2): 299–337. doi:10.1353/jas.2013.0023. ISSN 1944-6454. S2CID 191327638.
  3. ^ S., Rawson, Philip ([©1963]). Japanese paintings from Buddhist shrines and temples. Introd. by Philip S. Rawson. OCLC 1066932196. {{cite book}}: Check date values in: |date= (help)CS1 maint: multiple names: authors list (link)
  4. ^ Inoue, Mitsuo (May 1969). "The Baroque Tendencies in the Hōryūji Style of Architecture". Journal of the Society of Architectural Historians. 28 (2): 124–132. doi:10.2307/988509. ISSN 0037-9808. JSTOR 988509.
  5. ^ Moran, Sherwood (1957). "The Yumedono Kannon of Horyuji". Archives of the Chinese Art Society of America. 11: 59–68. JSTOR 20066992 – via JSTOR.
  6. ^ Yiengpruksawan, M (January 1, 2003). "Hōryūji". Oxford Art Online. Retrieved March 4, 2019.
  7. ^ Mason, Penelope (2005). History of Japanese Art. Upper Saddle River, New Jersey: Pearson Education.
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