No. 1 (Lady Day, 25 March 1897) (104 pp. plus 17 of advertisements)
No. 2 (Midsummer, 24 June 1897) (118 pp. plus 15 of advertisements)
No. 3 (Michaelmas, 29 September 1897) (94 pp. plus 10; No. 3 at brown.edu)
No. 4 (1 January 1898)
No. 5 (May Day, 1898)
Vol. I No. 1 – New Series (October 1898)
Vol. I No. 2 – New Series (November 1898)
Vol. I No. 3 – New Series (December 1898)
Vol. II No. 4 – New Series (January 1899)
Vol. II No. 5 – New Series (February 1899)
Vol. II No. 6 – New Series (March 1899)
Vol. III No. 7 – New Series (April 1899)
Vol. III No. 8 – New Series (June 1899)
Vol. III No. 9 – New Series (July 1899)
Vol. IV No. 10 – New Series (August 1899)
Vol. IV No. 11 – New Series (September 1899)
Vol. IV No. 12 – New Series (October 1899)
Vol. V No. 13 – New Series (November 1899)
Vol. V No. 14 – New Series (December 1899)
Vol. V No. 15 – New Series (January 1900)
Vol. VI No. 16 – New Series (28 February 1900)
Vol. VI No. 17 – New Series (31 March 1900)
Vol. VI No. 18 – New Series (30 April 1900)
Vol. VII No. 19 – New Series (31 May 1900)
Notable prints
No. 2 (Midsummer 1897), "A Fisher", p. 87
Vol. I No. 1 (October 1898): Utamaro, "The Morning After" (colour print), p. 17, "Ladies Walking in the Garden" (colour print), p. 19; Gordon Craig, "Bussy D'Amboise" (woodcut), p. 27; Emil Orlik, "The Harvesters" (etching), p. 37, "The Mother" (lithograph), p. 39, "The Paviers" (pencil sketch), p. 41, "The Pensioners" (colour print), loose supplement; William Strang, "The Ramparts of Ypres" (photo of etching), p. 77, "The Halles at Ypres" (photo of etching), p. 79
Vol. I No. 2 (November 1898), G. Craig, "Henry Irving" (from woodblocks, loose supplement)
Vol. I No. 3 (December 1898): G. Craig, "Walt Whitman" (from a woodblock), p. 247, and "Ellen Terry" (from woodblocks, loose supplement)
Vol II No. 1 (January 1899), G. Craig, "Dumas Papa" (woodcut), p. 63
Vol II No. 6 (March 1899), G. Craig, "A Poster", p. 253, and "Portrait of Post-Card" (from woodblock), p. 255; William Strang, "The Quay of the Rosary, Bruges" (photo of etching after), loose supplement
Vol III No. 9 (July 1899), William Strang, "The Ghent Gate, Bruges" (woodcut after), p. 231.
Etchings: "The Vision of St Helena" by C. W. Sherborn after Paolo Veronese; "On the Medway" by R. S. Chattock; "Monastery Cellar", by Carl Vaditz after Eduard Grutzner