Architecture
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Interior shows stone work Adisvara temple -
Jain temple at Ranakpur -
Nagda Tempel -
Dev Somnath Temple
The rich tradition of Rajasthanis also reflect in the architecture. Māru-Gurjara Temple Architecture which originated somewhere in sixth century in and around areas of Rajasthan. Māru-Gurjara Architecture show the deep understanding of structures and refined skills of Rajasthani craftmen of bygone era. Māru-Gurjara Architecture has two prominent styles Maha-Maru and Maru-Gurjara. According to M. A. Dhaky, Maha-Maru style developed primarily in Marudesa, Sapadalaksa, Surasena and parts of Uparamala whereas Maru-Gurjara originated in Medapata, Gurjaradesa-Arbuda, Gurjaradesa-Anarta and some areas of Gujarat. [1] Scholars such as George Michell, M.A. Dhaky, Michael W. Meister and U.S. Moorti believe that Māru-Gurjara Temple Architecture is entirely Western Indian architecture and is quite different from the North Indian Temple architecture.[2] This further shows the cultural and ethnic separation of Rajasthanis from North Indian culture. There is a connecting link between Māru-Gurjara Architecture and Hoysala Temple Architecture. In both of these styles architecture is treated sculpturally.[3]
Rajasthani Paintings
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Colorful tradition of Rajasthani people reflects in art of paintings as well. This painting style is called Maru-Gurjar Painting. It throws light on the royal heritage of ancient Rajasthan. Under the Royal patronage various styles of paintings developed, cultivated and practiced in Rajasthan and reached its pinnacle of glory by 15th to 17th centuries. The major painting styles are phad paintings, miniature paintings, kajali paintings, gemstone paintings etc. There is incredible diversity and imaginative creativity found in Rajasthani paintings. Major schools of art are Mewar, Marwar, Kishangarh, Bundi, Kota, Jaipur and Alwar.
Development of Maru-Gurjar Painting[4]
- Western Indian Painting Style - 700 AD
- Mewar Jain Painting Style - 1250 AD
- Blend of Sultanate Maru-Gurjar Painting Style - 1550 AD
- Mewar, Marwar, Dhundar & Harothi Styles - 1585 AD
Phad paintings (Mewar Style of painting) is the most ancient rajasthani art form. Phad paintings, essentially a scroll painting done on cloth, are beautiful specimen of the Indian cloth paintings. These have their own styles and patterns and are very popular due to their vibrant colors and historic themes.The Phad of God Devnarayan is largest among the popular Pars in Rajasthan. The painted area of God Devnarayan Ki Phad is 170 square feet (i.e. 34' x 5').[5] Some other Pars are also prevalent in Rajasthan, but being of recent origin they are not classical in composition.[5]Another famous Par painting is Pabuji Ki Phad. Pabuji Ki Phad is painted on a 15 x 5 ft. canvas.[5]Other famous heroes of Phad paintings are Gogaji, Prithviraj Chauhan, Amar Singh Rathore etc.[6]
References
edit- ^ The sculpture of early medieval Rajasthan By Cynthia Packert Atherton
- ^ Beginnings of Medieval Idiom c. A.D. 900-1000 by George Michell
- ^ The legacy of G.S. Ghurye: a centennial festschrift By Govind Sadashiv Ghurye, A. R. Momin,p-205
- ^ Art and artists of Rajasthan by R.K. Vaśishṭha
- ^ a b c Painted Folklore and Folklore Painters of India. Concept Publishing Company.
- ^ Indian Murals and Paintings By Nayanthara S, p 15