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Military Hair Politics

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Military Regulations to Discrimination based on hair texture and beauty products used. There is no explanation of discrimination of hair, and the overall hair politics in the military mentioned on the page. I am interested in the language revolved around African-American hair, specifically in regards to the Military haircut... and why this is male-centric, only redirecting to the Crew cut articles.

African American women are perceived to work mainly in low-wage work. These working class women frequently experience a lack of social and economic capital, and are often subjected to stereotyping that include appearance: hair, makeup, dress. The stereotyping of ethnic appearance happens across varying fields in the workforce. 2014 hairstyle regulations in the military banned twists, dreadlocks, and large cornrows. The Army began reviewing its policies on female hairstyles soon after releasing the March 28, 2014, version of the regulation. Currently, females must have hair at least 1/4 inch from the scalp, but there is no maximum length as long as it can be tucked into a bun of required size. The authorized hairstyles and haircuts are enforced so that all soldiers are able to securely wear headgear and other protective equipment.

The Gendered Haircut

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Male-centric Military Hairstyles There is no reference to women in Military haircut. It automatically redirects to Crew cut.

The army has certain rules and regulations[1] surrounding the "professionalism"-stigmas surrounding black female hair[2] and the social constructs created around African American hair. [3]

References

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  1. ^ "Army releases latest policies on female hairstyles, tattoos". Retrieved 2016-09-23.
  2. ^ Harvey, Adia M. (2008-01-01). "Personal Satisfaction and Economic Improvement: Working-Class Black Women's Entrepreneurship in the Hair Industry". Journal of Black Studies. 38 (6): 900–915.
  3. ^ Ashe, Bertram D. (1995-01-01). ""Why don't he Like My Hair?": Constructing African-American Standards of Beauty in Toni Morrison's Song of Solomon and Zora Neale Hurston's Their Eyes were Watching God". African American Review. 29 (4): 579–592. doi:10.2307/3042151.