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|100px |Portrait of [1] |c. 15 – |on paper | × cm |Kunstmuseum Basel Royal Collection, Windsor Castle |-

Portrait drawings

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Work Description Date Medium Size Location
  Portrait of Jakob Meyer zum Hasen[2] 1516 Silverpoint, red chalk, and traces of black pencil on white-coated paper 28.1 × 19 cm Kunstmuseum Basel
  Portrait of Dorothea Meyer, née Kannengiesser[3] 1516 Silverpoint, red chalk, traces of black crayon on paper 28.6 (left), 29.3 (right) × 20.1 cm Kunstmuseum Basel Royal Collection, Windsor Castle
  Portrait of Jakob Meyer zum Hasen[4] c. 1525–26 Black and coloured chalks, lead point, background coloured light green 38.3 × 27.5 cm Kunstmuseum Basel
  Portrait of Dorothea Meyer, née Kannengiesser[5] c. 1525–26 Black and coloured chalks on white-primed paper, and lead point 39.5 × 28.1 cm Kunstmuseum Basel
100px Portrait of [6] c. 15 – on paper × cm Kunstmuseum Basel Royal Collection, Windsor Castle
  Portrait of Anna Meyer[7] c. 1526 Black and coloured chalks, lead point, background coloured light green 39.1 × 27.5 cm Kunstmuseum Basel
  Portrait of Sir Thomas More[8] c. 1527 Black and coloured chalks on paper 40.2 × 30.1 cm Royal Collection, Windsor Castle
  Portrait of Sir Thomas More[9] c. 1527 Black and coloured chalks on paper 38 × 25.8 cm Royal Collection, Windsor Castle
  Portrait of Sir John More, father of Sir Thomas More[8] c. 1527 Black and coloured chalks on paper 35.4 × 27.6 cm Royal Collection, Windsor Castle
  Portrait of Margaret Giggs[10] c. 1527 Black and coloured chalks on paper 38.5 × 27.3 cm Royal Collection, Windsor Castle
  Portrait of John More, son of Sir Thomas More[11] c. 1527 Black and coloured chalks on paper 38.1 × 28.1 cm Royal Collection, Windsor Castle
  Portrait of Elizabeth Dauncey[12] c. 1527 Black and coloured chalks on paper 37.1 × 28.2 cm Royal Collection, Windsor Castle
  Portrait of Cicely Heron[12] c. 1527 Black and coloured chalks on paper 38.4 × 28.3 cm Royal Collection, Windsor Castle
  Portrait of Anne Cresacre[11] c. 1527 Black and coloured chalks on paper 37.5 × 26.8 cm Royal Collection, Windsor Castle
  Study for the Family Portrait of Sir Thomas More[13] c. 1527 Pen and brush in black on top of chalk sketch 38.9 × 52.4 cm Kunstmuseum Basel
  Portrait of Sir Thomas Elyot[14] c. 1532–34 Black and coloured chalks, bodycolour, ink with pen and brush on pink-primed paper 28.6 × 20.6 cm Royal Collection, Windsor Castle
  Portrait of Margaret à Barow, Lady Eliot[15] c. 1532–34 Black and coloured chalks, bodycolour, ink with pen and brush on pink-primed paper 28 × 20.9 cm Royal Collection, Windsor Castle
  Portrait of George Neville, Lord Abergavenny[16] c. 1533 Black and coloured chalk on pink prepared paper, reinforced with pen and black ink 27.3 × 24.1 cm Wilton House, Salisbury
  Portrait of Bishop John Fisher[17] c. 1532–35 Coloured chalks, watercolour, brush, pen and ink on pink primed paper 35.3 × 23.4 cm Royal Library, Windsor
  Portrait of a Woman, inscribed "Anna Bollein Queen"[18] c. 1532–36 Black and coloured chalks on pink primed paper 28.1 × 19.2 cm Royal Collection, Windsor
  Henry VIII and Henry VII, cartoon for a wall painting at Whitehall[19] 1537 Pen in black, with grey, brown, black, and red wash on paper mounted on canvas 257.8 × 137.1 cm National Portrait Gallery, London

Hand studies

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Work Description Date Medium Size Location
  Studies of the Hands of Erasmus[20] c 1523 Silverpoint, ruddle, and black chalks on paper 20.6 × 15.3 cm Louvre, Paris
  Study of the Right Hand of Erasmus, with a Sketch of his Face[21] c. 1523 (hand) 1532? (face) Silverpoint, ruddle, and black chalks on paper 20 × 28 cm Louvre, Paris

Notes

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  1. ^ Buck, –; Foister, ; Müller, Kemperdick, Ainsworth, et al, –; Parker, –; Wilson, –.
  2. ^ Buck, 16–17; Strong, 18; Müller, Kemperdick, Ainsworth, et al, 161.
  3. ^ Buck, 13–17; Müller, Kemperdick, Ainsworth, et al, 161–64.
  4. ^ Müller, Kemperdick, Ainsworth, et al, 333–34.
  5. ^ Müller, Kemperdick, Ainsworth, et al, 334.
  6. ^ Buck, –; Foister, ; Müller, Kemperdick, Ainsworth, et al, –; Parker, –; Wilson, –.
  7. ^ Müller, Kemperdick, Ainsworth, et al, 334.
  8. ^ a b Foister, 35.
  9. ^ Parker, 36.
  10. ^ Foister, 38; Parker, 37.
  11. ^ a b Foister, 36.
  12. ^ a b Foister, 37.
  13. ^ Buck, 53; Strong, 40.
  14. ^ Foister, 52; Parker, 40.
  15. ^ Foister, 52; Parker, 40.
  16. ^ Rowlands 1988, 233; Strong, 64.
  17. ^ Foister, 120; Parker, 39–40.
  18. ^ Parker, 53.
  19. ^ Buck, 114–15; Strong, 76.
  20. ^ Buck, 48; Müller, Kemperdick, Ainsworth, et al, 288–89; Strong, 34.
  21. ^ Müller, Kemperdick, Ainsworth, et al, 288–89.

References

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  • Bätschmann, Oskar, & Pascal Griener. Hans Holbein. London: Reaktion Books, 1997. ISBN 1861890400.
  • Foister, Susan. Holbein in England. London: Tate: 2006. ISBN 1854376454.
  • Ganz, Paul. The Paintings of Hans Holbein: First Complete Edition. London: Phaidon, 1956. OCLC 2105129.
  • Müller, Christian; Stephan Kemperdick; Maryan W. Ainsworth; et al. Hans Holbein the Younger: The Basel Years, 1515–1532. Munich: Prestel, 2006. ISBN 3791335804.
  • Parker, K. T. The Drawings of Hans Holbein at Windsor Castle. Oxford: Phaidon, 1945. OCLC 822974.
  • Rowlands, John. The Age of Dürer and Holbein. London: British Museum, 1988. ISBN 0714116394.
  • Rowlands, John. Holbein: The Paintings of Hans Holbein the Younger. Boston: David R. Godine, 1985. ISBN 0879235780.
  • Strong, Roy. Holbein: The Complete Paintings. London: Granada, 1980. ISBN 0586051449.
  • Wilson, Derek. Hans Holbein: Portrait of an Unknown Man. London: Pimlico, Revised Edition, 2006. ISBN 9781844139187.
  • Zwingenberger, Jeanette. The Shadow of Death in the Work of Hans Holbein the Younger. London: Parkstone Press, 1999. ISBN 1859954928.
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