Wikipedia - Roland TR-505 Code
TR-505 | |
---|---|
![]() The Roland TR-505 | |
Manufacturer | Roland |
Dates | 1986 |
Price | $318 US (1986) $150 US (2020) |
Technical specifications | |
Polyphony | 8 voices |
Oscillator | n/a |
Synthesis type | Digital Sample-based |
Velocity expression | no |
Storage memory | Patterns: 48 user, 48 preset. 6 Songs. |
Effects | No |
Hardware | Main panel features a simple LCD display, 15 buttons, 2 knobs, 16 trigger pads, 2 outputs for Left and Right/Mono, headphone jack, and tape input/output. |
Input/output | |
Keyboard | 16 Pattern Keys |
External control | Midi In/Out, Start/Stop foot pedal jack. |
Audio sample | 8-bit unsigned PCM data, with a 25.00 kHz sampling rate (non-linear DAC circuitry to simulate 12-bit resolution). |
The Roland TR-505 Rhythm Composer was released by Roland, in 1986[1][2]. It is a drum machine and MIDI sequencer from the same family as the Roland TR-909, TR-808, TR-707, and TR-606. The drum kit includes basic rock drum sounds similar to those of the TR-707, plus a complement of Latin-style drum sounds similar to those of the TR-727 (the Latin version of the TR-707)[3]
Voice synthesis
edit8-bit unsigned PCM data, with a 25.00 kHz sampling rate (non-linear DAC circuitry to simulate 12-bit resolution)[4]. The TR-505 is not a cut-down baby brother of the TR-707. Instead offers some major improvements including 16 digitally recorded PCM drum sounds (four more than the TR-7070).[5] Also including five Latin percussion voices, eliminating the need to but a 'latin version'[3] or PCM card down the road.
Summary of Drum Voices:[6]:
Low Conga | Hi Conga | Timbale | Low Cowbell | Hi Cowbell | Hand Clap | Crash Cymbal | Ride Cymbal |
Bass Drum | Snare Drum | Low Tom | Mid Tom | Hi Tom | Rimshot | Closed Hi-hat | Open Hi-hat |
Although there are 16 samples the TR-505 only 8 voice polyphonic. This means some samples are restricted from played simultaneously: Low Conga or Hi Conga; Timbale, Low Tom, Mid Tom, or Hi Tom; Low Cowbell or Hi Cowell; Hand Clap or Rim Shot; Crash Cymbal or Ride Cymbal; Closed Hi-Hat or Open Hi-Hat.[6]
There is almost no voice editing in the TR-505. The user is limited to setting the Volume, Velocity, MIDI Channel, and MIDI Note of each voice as a global parameter.[6]
Sequencer
editThe TR-505 contains 48 factory sequencer patterns, organized into 3 pattern groups (A, B, and C). The drum machine also contains 48 user created sequencer patterns, organized into 3 pattern groups (D, E, and F).[3]
The TR-505 features five basic modes, including the following[6]:
- Track Play - plays whole tracks (arrangements of patterns to form songs).
- Track Write - sequence patterns into tracks.
- Step Write - sequence patterns by stepping through each position in the pattern.
- Tap Write - sequence patterns by tapping drums sounds in real time.
- Real time - play patterns in real time by tapping the pads.
An accent can be applied to any position in a pattern and will affect all instruments triggered at that position by increasing output volume.[6]
You can Copy, Insert, or Delete one or more steps in any given pattern.You can also Copy, Insert, or Delete patterns anywhere in a track (song)[1].
Each individual pattern is a single measure long, The default time signature is 4/4 consisting of 16 steps and quarter note scale. This results in each step representing a sixteenth note. Other time signatures can be programmed by changing the Last Step (length of patterns) and the scale. This can also result in shuffle and swing rhythms.[6]
Two or more Patterns can be combined, using Pattern Chaining, to play as a single pattern. Each pattern in the chain occupies a pad, but will only trigger the whole chain, not the individual pattern.[6]
Up to six tracks (songs) can be programmed using combinations of patterns[6]. Each song can consist of up to 423 bars (patterns).[7][6]
Keyboard/ External Control
editThe TR-505 consists of 16 individual instrument/ pattern pads.[7] The pads are not velocity sensitive (pad velocity is fixed, except when modified by Accent parameter)[6].
The TR-505 can transmit and receive on MIDI channels 1 -16 and Notes numbers 25 to 99. It also contains a MIDI Omni mode allowing it to receive all MIDI data. The TR-505 responds to the following MIDI messages[3]:
- Key message - trigger signal for the individual voice.
- Velocity message - Note-on velocity is both transmitted and received allowing more expressive.[6]
- Track Number message - track/song select
- Bar Number message - Song position
- Clock message - tempo synchronization, start, stop, etc..
Storage Memory
editStoring 48 ROM patterns, 48 RAM patterns, 6 tracks, and a maximum of 423 measures.[4]
The Tape interface (in/out) allow the Tracks and Patterns in internal memory to be stored on external tape.[5] Data can be Saved, Verified, and Loaded from tape.[6]
Modifications/ Circuit Bending
editThere are companies, websites, and magazine articles documenting a DYI process for circuit bending and modifying the factory setting of the Roland TR-505. An example of a few modifications include: changing audio samples[8], voice circuit bending[9], adding individual audio outputs[10], adding CV outputs[11], adding pitch change to each voice[9], and adding circuits to randomize sequences[9].
Notable users/Endorsers
editReferences
edit- ^ a b Gilchrist, Trevor (May 1986). "Drumatix Goes Digital". Electronics & Music Maker. 6 (3): 38.
- ^ Lockwood, Hannah. "ROLAND DRUM MACHINE HISTORY: 1964 – 2016". Roland Australia Blog. Roland Corporation. Retrieved June 16, 2020.
{{cite web}}
: CS1 maint: url-status (link) - ^ a b c d Reed, Tony. "Roland TR 505 Rhythm Composer". RhythmCheck. International Musician. 12 (6): 102–103.
- ^ a b TR-505 Service Notes. (Jun 1986). Osaka, Japan: Roland Corporation.
- ^ a b Gilby, Ian (April 1986). "Beat Box". Sound on Sound. 1 (6): 24.
- ^ a b c d e f g h i j k l Roland TR-505 Owner Manual, Osaka Japan: Roland Corporation.
- ^ a b "Roland TR505". Making Music. 1 (1): 27–28. Apr 1986.
- ^ "Roland TR-505 ROM Expansion". HKA Design. Retrieved June 16, 2020.
{{cite web}}
: CS1 maint: url-status (link) - ^ a b c "TR-505". Burnkit 2600. Retrieved June 16, 2020.
{{cite web}}
: CS1 maint: url-status (link) - ^ "Project: Separate out for the Roland 505". International Musician. 13 (4). Mar 1987.
- ^ "Roland TR505". Polymonial. Retrieved June 16, 2020.
{{cite web}}
: CS1 maint: url-status (link) - ^ Perna, Alan Di (Feb 1990). "Vince Clark". Keyboard Magazine. 16 (2): 41.
Further reading
edit- Roland TR-505 Owners Manual, Osaka, Japan: Roland Corporation
- Roland TR-505 Service Manual, Osaka, Japan: Roland Corporation
- Gilby, Ian. "Beat Box". Sound On Sound. April 1986. p. 24. ISSN 0951-6816. OCLC 925234032.
- Gilchrist, Trevor. "Drumatix Goes Digital". Electronics & Music Maker. May 1986. p. 38-39.
- Reed, Tony. "Roland TR 505 Rhythm Composer". International Musician. May 1986. p. 102-103
- "Roland TR505". Making Music. April 1986. p. 27-28
- Alex Grahm. Rhythm Machines 2. self-published. 2018. ISBN 978-1983552588.
External links
edit- Roland TR-505 Rhythm Composer | Encyclotronic - Review, Tech Specs, Images, Media, and Purchase Links
- Roland TR-505 ROM Expansion | HKA Design - Sample modification kit for TR-505
- Roland TR-505 | Burnkit2600 - Circuit bending and modding the TR-505
- Roland TR-505 | Polynominal - Review, mp3 demos, and manual
- Roland TR-505 | Vintage Synth Explorer - Review and media
Category:Drum machines TR-505 TR-505 Category:Musical instruments invented in the 1980s Category:Japanese inventions