Witherose

Bio

About me

I'm a college student in the Pacific Northwest, studying to become a mental health counselor for high schools. As someone who has struggled with mental health all my life, I wanted to become someone teenagers can freely rely on during the stressful times that are high school. Despite my goals for my career, I'm also an aspiring singer-songwriter. I mainly write in the genres of indie songs, with a general feel of spoken word poetry. I am greatly influenced by artists such as Phoebe Bridgers, Kimya Dawson, and Leith Ross. I have been writing music since April of 2021 to help with expressing and feeling my emotions and have currently finished 24 songs. I'm hoping to start releasing my music under the name "Witherose", a combination of my last name "Witherow" and my middle name "Rose". I am a big activist for LGBT rights, as I am Bisexual and identify as genderfluid; a type of nonbinary gender identity meaning there is no fixed gender, as it fluctuates between them.

My Wikipedia interests

I am a big fan of learning all I can about my favorite shows or games, as I enjoy deeply understanding media. My favorite thing to read about is my favorite game, Omori, a psychological horror RPG. You follow the main character "Sunny" as he and his dream world alter-ego "Omori" explore the real world and a surreal dream world to overcome their fears and learn "the truth". It's a game that accurately displays emotions like anxiety, depression, and trauma. This is just one example of my enjoyment of deep diving and learning about my interests.

Article Evaluation

An artist I’ve loved since childhood is the anti-folk singer Kimya Dawson, an activist, and mother who writes songs ranging from drug abuse to monsters under the bed. For my assignment, I visited the “Kimya Dawson” article on Wikipedia, and found three aspects of it worth commenting on: its poor use of sources, the little research put into their personal life, and the lack of a full career section.

Sources

There are a good number of links and citations in the article, but not enough. Many things are stated as facts instead of evidence to support the claim, such as the “Other Collaborations” section that doesn't have sources or anything backing up the “facts” that are being stated. Along with the absences of citations, the link to her ex-husband Angelo Spencer doesn’t lead to anything. It all makes the article feel amateurish and not trustworthy.

Personal Life

Speaking of Dawson’s ex-husband, the amount of research and facts in the “Personal Life” section is severely lacking. Half of it is cited at least, but even the things that have evidence have little relevance. Just a quick search of “Kimya Dawson” and I have found more relevant information about their personal life and music than what’s found in the article. There is nothing talking about their musical origins or what her actual music is about or inspired by. In an interview about the #SchoolsNotPrisons, Dawson states “For me, activism goes hand in hand with taking care of the kids and the marginalized people that need extra support. One of the ways to do that is to share our platform,” I would understand if there wasn't much information to find, but as I stated and showed, there's a lot to find about them.

Career

An easy way to have improved on this issue is to merge it with the “Career” section, as it’s also lackluster. Just five sentences and basically nothing is talked about, other than things that are already covered in the “Collaborations” section of the article. Dawson has released 7 albums from 2002 to 2011, including 2 albums from her duo group “The Moldy Peaches” with Adam Green in 2001 and 2003, before their dissolution in 2004. Although none of that is covered in the “Career” section, it is stated in the “Discography”, though not everything is linked.

Conclusion

Overall, I think this article is quite average, if not a bit below. If all you’re looking for is a basic coverage of her songs and bands she’s collaborated with, then this article will suffice. But if you’re looking for anything about her actual career, her as a person, or any quotes or descriptions about her music, then this article falls short. The lack of sources makes the article feel rushed and baseless, and the information stated repeatedly doesn’t help. Though I will applaud its use of Dawson’s pronouns, as they go by she/her and they/them, which is cited from her own Instagram account. I believe this article would greatly benefit from a thorough read-through and more time for the research done on Kimya Dawson.