Sarah Susan Yedla

Dr Gautam Ghosh - is often called the moving think tank of Asia . With his vast expertise in the field of Education / Human Resource Development / Law / Management/ Politics/ - he is one of the most demanded resource personalities of Asia . His books titled Police Accountability at the Cutting Edge Level is kept in major leading Libraries across the world - including British National Library , Library of LSE , Australian National Library , National Library of China , National Library of India , and the list continues . His voluminous ( 2 Volumes ) book titled Re Legitimising Indian Police is , a crystal clear comparative analysis of policing in India where legitimacy of Police actions and inactions has been adequately addressed for ensuring a truly transparent modern policing of India . Dr Ghosh is now working on Counter Terrorism .

Apart from being a author of international repute Dr Ghosh is the founder Chairman of Dr B G Memorial Trust in the fond memory of his mother Dr Bela Ghosh , the ex Chairperson of West Bengal Public Service Commission . Dr Ghosh is also a name to reckon with the field of Political Analysis .Dr Ghosh has also worked as Political Strategist . At present he himself has joined Politics .

Dr Ghosh is associated with various Institutions and Human Rights Organisations across the World . To know more about Dr Ghosh and to contact him Web : http://www.drgautamghosh.com/ Facebook : https://www.facebook.com/drgautamghosh25 Linkedin : https://ca.linkedin.com/in/dr-gautam-ghosh-04792ba4

Hindi

Language in India

Hindi is an Indo- Aryan language. It is the main language in India. It is the fifth most spoken language in the world with about 182 million native speakers in 1998. The Devanagari script is used to write in Hindi. Previously Hindi was Known as Hindui.

Hindi is widely written, spoken and understood in North India and some other places in India. In 1997, a survey found that 45% of Indians can speak in Hindi. It has taken words from the Dravidian Languages of South India, as well as the Arabic, Persian, Chagatai, English and Portuguese languages.

Hindi and Urdu were considered the same language but have evolved into separate dialects. However, to this day, both languages are mutually intelligible, meaning their speakers can understand each other without knowing the other language. Urdu, however, is written in the completely different Arabic alphabet.

Hindi developed from Sanskrit, the ancient language of India. Hindi started to develop in the 7th century as "Apabhramsha" and became stable by the 10th century. Some famous Hindi poets are Tulsidas and Kabir.

Dialects of Hindi include: Avadhi, Braj, Bhojpuri, Bundeli, Bagheli, Chhattisgarhi, Dogri and Marwari.

On 14th September 1949 Hindi was adopted as the Official Language of the Union of India. Later in 1950, the Constitution of India declared Hindi in the Devanagari script as the Official language of India... Later Hindi was influenced by Persian and the Mughals made their own modifications to the language along the way.

Amir Khusrau

Amir Khusrow teaching his disciples in a miniature from a manuscript of Majlis al-Ushshaq by Husayn Bayqarah. Background information Birth name Ab'ul Hasan Yamīn ud-Dīn K͟husrau Born 1253 Patiyali, Delhi Sultanate (now in Uttar Pradesh, India) Died October 1325 (aged 71–72) Delhi, Delhi Sultanate Genres Ghazal, Qawwali, Ruba'i, Tarana Occupation(s) Sufi, singer, poet, composer, author, scholar Abu'l Hasan Yamīn ud-Dīn Khusrau (1253–1325 AD), better known as Amīr Khusrau was an Indo-Persian[1] Sufi singer, musician, poet and scholar who lived under the Delhi Sultanate. He is an iconic figure in the cultural history of the Indian subcontinent. He was a mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, India. He wrote poetry primarily in Persian, but also in Hindavi. A vocabulary in verse, the Ḳhāliq Bārī, containing Arabic, Persian and Hindavi terms is often attributed to him.[2] Khusrau is sometimes referred to as the "voice of India" or "Parrot of India" (Tuti-e-Hind), and has been called the "father of Urdu literature."[3][4][5][6] Part of a series on Islam Sufism Tomb of Abdul Qadir Jilani, Baghdad.jpg Tomb of Abdul Qadir Gilani, Baghdad, Iraq Ideas Practices Sufi orders List of sufis Topics in Sufism Allah-green.svg Islam portal vte Khusrau is regarded as the "father of qawwali" (a devotional form of singing of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan.[7][8] Khusrau was an expert in many styles of Persian poetry which were developed in medieval Persia, from Khāqānī's qasidas to Nizami's khamsa. He used 11 metrical schemes with 35 distinct divisions. He wrote in many verse forms including ghazal, masnavi, qata, rubai, do-baiti and tarkib-band. His contribution to the development of the ghazal was significant.[9]

Bihari Lal

Bihari Lal Chaube Born 1595 Gwalior, Madhya Pradesh, India Died 1663 Vrindavan, Uttar Pradesh, India Occupation Poet Nationality Indian Period Riti Kaal Literary movement Ritikaal Bihari Lal Chaube or Bihārī (1595–1663)[1] was a Hindi poet, who is famous for writing the Satasaī (Seven Hundred Verses) in Brajbhasha, a collection of approximately seven hundred distichs, which is perhaps the most celebrated Hindi work of poetic art, as distinguished from narrative and simpler styles.[2] Today it is considered the most well known book of the Ritikavya Kaal or 'Riti Kaal'(an era in which poets wrote poems for kings) [3] of Hindi literature.[4]

He was the court poet of Jaipur ruler Jai Singh and composed couplets under his patronage and inspiration.[5]

The language is the form of Hindi called Brajbhasha, spoken in the country about Mathura, where the poet lived. The couplets are inspired by the Krishna side of Vishnu-worship, and the majority of them take the shape of amorous utterances of Radha, the chief of the Gopis or cowherd maidens of Braj, and her divine lover, the son of Vasudeva. Each couplet is independent and complete in itself. The distichs, in their collected form, are arranged, not in any sequence of narrative or dialogue, but according to the technical classification of the sentiments which they convey as set forth in the treatises on Indian rhetoric.[2]

Contents 1 Biography 1.1 Early life and education Early life and education

The Poet Bihārī Offers Homage to Radha and Krishna Bihari was born in Gwalior in 1595, and spent his boyhood in Orchha in the Bundelkhand region, where his father, Keshav Rai lived. After marriage he settled with in-law's in Mathura. His father was Keshav Rai.[2]

Early in his life, he studied ancient Sanskrit texts. In Orchha state, he met the famous poet keshavdas from whom he took lessons in poetry. Later, when he had shifted to Mathura, he got an opportunity to present his in court of visiting Mughal Emperor Shah Jahan, who immediately got impressed by his work and invited him to stay in Agra.

Once at Agra, he learnt Persian language and came into contact with Rahim, another famous poet. It was also at Agra that Raja Jai Singh I (ruled. 1611-1667), of Amber, near Jaipur, happened to hear him, and invited him over to Jaipur, and it was here that he composed his greatest work, Satasai.[1] After the death of his wife Bihari followed the path of Bhakti & Vairagya. He left the court & went to Vrindavan, where he died in the year 1663.

Choudhari Mulkiram

From Wikipedia, the free encyclopedia Jump to navigationJump to search Choudhari Mulkiram Born 11 April 1910 Bhatiyana, Hapur Tehsil, Meerut, United Provinces, British India (now Hapur district, Uttar Pradesh) Died 21 August 1954 Hapur, Uttar Pradesh, India Occupation Writer, poet, social reformer Language Hindi Education B.A Alma mater Meerut College Genre Hindi literature, Dalit Literature Notable works Hridayodgar Spouse Nathodevi Choudhari Mulkiram or Mulkiram Choudhary (1910–1954) was a Hindi poet, philosopher and civil servant.

Personal life Choudhari Mulkiram was born into Chamar caste to Choudhari Dansahay at Hapur, United Provinces, British India.[1] He completed his graduation from the Meerut College (U.P) and was appointed as the Superintendent in the Dept. of Rural Development.[2]

Career In 1939 he was selected as PCS officer and was first posted as Deputy Collector of Hardoi and also been Director of Social Welfare Department in U.P govt.[3]

He entered into Hindi literary movement and chosen poetry as a mean to social reform. He befriended Krishna Dutt Paliwal and started working for Dalit movement and annhilation of castes. He also got influenced from Arya Samaj and worked for welfare of people.[4]

An anthology of his poems, 'Hridayodgar' was published posthumously by Dr.Tarachand Pal Bekal.

== Dharamvir Bharati ==

Dr. Dharamvir Bharati

Born 25 December 1926 Allahabad, United Provinces, British India Died 4 September 1997 (aged 70) Mumbai, Maharashtra, India Occupation Writer (essayist, novelist, poet) Nationality Indian Education M.A. Hindi, PhD Alma mater Allahabad University Notable works Gunahon Ka Devta (1949, novel) Suraj ka Satwan Ghoda (1952, novel) Andha Yug (1953, play) Notable awards 1972: Padmashree 1984: Valley Turmeric Best Journalism Award 1988: Best Playwright Maharana Mewar Foundation Award 1989: Sangeet Natak Akademi Rajendra Prasad Shikhar Samman Bharat Bharati Samman 1994: Maharashtra Gaurav Kaudiya Nyas Vyasa Samman Spouse Kanta Bharti (married 1954) (first wife), Pushpa Bharti (second. wife) Children daughter Parmita (first wife); son Kinshuk Bharati and a daughter Pragya Bharati (second wife) Dharamvir Bharati (25 December 1926 – 4 September 1997) was a renowned Hindi poet, author, playwright and a social thinker of India. He was the chief editor of the popular Hindi weekly magazine Dharmayug,[1] from 1960 till 1987.[2]

Bharati was awarded the Padma Shree for literature in 1972 by the Government of India. His novel Gunaho Ka Devta became a classic. Bharati's Suraj ka Satwan Ghoda is considered a unique experiment in story-telling and was made into a National Film Award-winning movie by the same name in 1992 by Shyam Benegal. Andha Yug, a play set immediately after the Mahabharata war, is a classic that is frequently performed in public by drama groups[3].

He was awarded the Sangeet Natak Akademi Award in Playwriting (Hindi) in 1988, given by Sangeet Natak Akademi, India's National Academy of Music, Dance and Drama.[3]

Dushyant Kumar

Dushyant Kumar Tyagi Dushyant Kumar Kumar on a 2009 stamp of India Born 1 September 1931 Rajpur Navada, United Provinces, British India Died 30 December 1975 (aged 44) Bhopal, Madhya Pradesh, India Occupation Poet, dramatist, Litterateur, Gazal, translator Nationality Indian Alma mater MA (Hindi), Allahabad Genre Hindi poems [1] Notable works Saaye mein Dhoop, Ek Kanth Vishpayi Mann Ke Kon, published in 1963 Dushyant Kumar (1 September 1931 – 30 December 1975) was an Indian poet of modern Hindi literature. He is famous for writing Hindi Ghazals, and is generally recognised as one of the foremost Hindi poets of the 20th century.[1]

Personal life Dushyant Kumar was married to Rajeshwari Tyagi.[2]

Legacy Parts of Dushyant Kumar's poem ""Ho Gayi hai Peer Parvat Si"(हो गई है पीर पर्वत-सी)" were used in the popular 2017 India film Irada. The film showcases the sorry state of the people of Bhatinda (Punjab) due to corruption, and cancer caused by pesticides left from the Green revolution and uranium contamination of ground water due to fly ash from thermal power plants.[3] The poem "Ho Gayi hai Peer Parvat Si"(हो गई है पीर पर्वत-सी) was sung often by Arvind Kejriwal during the Anti Corruption Movement (2011–2012) in India.[4][5] Lines Dushyant Kumar from his Ghazal 'Saye Me Dhoop' are often used in many programmes, and the Hindi film "Halla Bol" मेरे सीने में नहीं तो तेरे सीने मे सही, हो कहीं भी आग, लेकिन आग जलनी चाहिए. Star Plus used the lines "Sirf hungaama khada karna mera maqsad nahin, saari koshish hai, ki yeh soorat badalni chahiye" in promos for its show Satyameva Jayate.[6][7] The Indian Department of posts issued a commemorative stamp with Dushyant Kumar's image on it, in September 2009.[8][9] A museum dedicated to Dushyant Kumar exists in C. T. T. Nagar, Bhopal, Madhya Pradesh.[10][11] The poem "Tu kisi rail si guzarti hai" line was taken from his poem and used as a song in the movie Masaan. ABP News and the Hindi poet Kumar Vishwas made an episode on Dushyant Kumar in their program Mahakavi which was aired on 12 and 13 November 2016. The house of Dushyant Kumar was broken by the administration of Smart City Project. This was criticised by several leading people.[12] Explaining the inclusion of Kumar's poems in the 2015 Hindi film Masaan, the lyricist Varun Grover explained that he wanted to show Shaalu (played by Shweta Tripathi) as a person whose hobby is to read Hindi poetry and shaayari, as this is a common hobby of millennial and generation x youngsters in Northern India, especially when in love, but this aspect is rarely shown in Hindi films.

== == Gopal Singh Nepali ==

Gopal Singh Nepali (11 August 1911 – 17 April 1963) was an Indian poet of Hindi literature and a lyricist of Bollywood. He was the son of Rel Bahadur Singh and Saraswoti. He was born on birthday of Lord Krishna (Krishna Janmashtami). His association with Bollywood spanned around two decades, beginning in 1944 and ended with his death in 1963.[1][2]

He was a poet of post-Chhayavaad period, and he wrote several collections of Hindi poems including "Umang" (published in 1933).[3] The names of famous poetry collections such as Umang, Ragini, panchhi, Neelima, Himalaya ne Pukara etc. are notable in their important works. He also wrote collections of Nepali poem as 'Kalpana'.[4] He was also a journalist and edited at least four Hindi magazines, namely, Ratlam Times, Chitrapat, Sudha, and Yogi.[2]

He was very respected along with his contemporaries Mahadevi Verma, Sumitranandan Pant, Suryakant Tripathi, Ramdhari Sigh Dinkar etc. His works have been included in course of different universities of India. He was born in Bettiah in the state of Bihar. During Sino-Indian War of 1962, he wrote many patriotic songs and poems which include Savan. He died on 17 April 1963 in Bhagalpur platform no. 2.

Harivansh Rai Bachchan

Harivansh Rai Bachchan's potrait on a 2003 stamp of India Bachchan on a 2003 stamp of India Born Harivansh Rai Srivastava 27 November 1907 Babupatti, United Provinces of Agra and Oudh, British India (present-day Uttar Pradesh, India) Died 18 January 2003 (aged 95) Mumbai, Maharashtra, India Pen name Bachchan Occupation PoetWriter Language Awadhi and Hindi Alma mater Allahabad University Cambridge University (PhD) Notable awards Padma Bhushan (1976) Spouse Shyama Bachchan ​ ​(m. 1926; died 1936)​ Teji Bachchan ​ ​(m. 1941; his death 2003)​ Children 2 (including Amitabh Bachchan)[1] Parents Pratap Narayan Srivastava (father) Saraswati Devi Srivastava (mother) Relatives Bachchan family Member of Parliament, Rajya Sabha[2] In office 3 April 1966 – 2 April 1972 Constituency Nominated Signature Harivansh Rai Bachchan (née Srivastava; 27 November 1907 – 18 January 2003) was an Indian poet and writer of the Nayi Kavita literary movement (romantic upsurge) of early 20th century Hindi literature. He was also a poet of the Hindi Kavi Sammelan. He is best known for his early work Madhushala.[3] He is also the husband of social activist, Teji Bachchan, father of Amitabh Bachchan and Ajitabh Bachchan, and grandfather of Abhishek Bachchan. In 1976, he received the Padma Bhushan for his service to Hindi literature.[4]

Indra Bahadur Khare

Indra Bahadur Khare Born 16 December 1922 Gadarwara, India Died 13 April 1953 (aged 30) Prayag, India Occupation Poet, Writer, Professor Alma mater Hitkarini City College, Nagpur University, Robertson College Jabalpur Spouse Vidyawati Khare Children Amiya Ranjan Khare, Khanjan Sinha, Dr Malaya Ranjan Khare Indra Bahadur Khare (16 December 1922 – 13 April 1953) was an Indian Hindi-language poet, a participant in Kavi-Sammelan, and a professor of 20th century Hindi literature.

Contents 1 Personal life and education 2 Career 3 Research work on Khare 4 Collections 5 Music CDs 6 Tributes and events 7 References 7.1 Bibliography Personal life and education Born in the village of Gadarwara, Narsinghpur district in Madhya Pradesh, Khare developed a taste for literature at a very young age. He received his primary school education at Sohagpur, Itarasi and from Katni in Madhya Pradesh. He received his middle school education at Mahoba Uttar Pradesh and his secondary school education at Kishori Raman Vidyalay Mathura, Uttar Pradesh. He then entered the University of Allahabad where he studied for a BA, living at the Shyam Sundar Hostel. Because of financial constraints, he was unable to complete his education at the time. After working odd jobs in Jabalpur he attended Hitkarini City College there and completed his BA. In 1949 he joined the college as a professor.

In 1946 he married Vidyawati Shrivastav, a school teacher who had an MA Degree in Sanskrit and M Ed. She was a teacher for more than thirty years and got blessed with three children namely Amiya Ranjan Khare, Khanjan Sinha, and Dr. Malaya Ranjan Khare.

Khare was admitted to Robertson College, Jabalpur, to study for an MA degree but was forced to withdraw because of his financial circumstances.

Among the notable individuals Khare taught during his career are: Acharya Shri Rajneesh Osho, Hari Krushna Tripathee, Professor Dr Uma Shankar Pathak, Prof Dr Jawahar Chourasiya Tarunh, and Gargee Sharan Mishra Maral, Prof Bharatdwaj.

An award, Aditya, was created in his honour at Maharashtra High School, for the student with the highest marks in Hindi studies.

Career For ten months in 1946 Khare taught at the Government Model High School in Jabalpur. While there he co-wrote Harinda with Harishankar Parsai who was a fellow teacher at the school. In 1947 he moved to Maharashtra High School. He received an MA degree from Nagpur University in 1948. He was then, along with well-known the writer Dr. Ramkumar Verma, associated with Prakash, a magazine produced by the Social Welfare Department of the Government of the Central Province of Nagpur in the Berar region. He also served as an approved Geetkar and Kahanikar at Akashvani in Nagpur from 1947 to 1952.

Since 2009, his book entitled Bhor ke Geet[1] has been included as a part of the academic curriculum in the MA program at Pandit Ravishankar Shukla University, Raipur and, since 2013, at St Aloysius College Jabalpur for its BA programme in Hindi literature.

His works have also been included in the curricula of: Nagpur University, Indore, Gwalior, Agra, Ranchi, Bhopal, Jabalpur, Kolkata, Shantiniketan, Sagar, Rewa and Surguja.

Research work on Khare In the late 2000s, those interested in Hindi literature began to rediscover Khare's writings. They began to be regarded as a valuable contribution to the world of Hindi literature. Currently, there are students across the India doing research on the Khare's contributions to Hindi literature.[citation needed] Ms Bhavna Sharma at Rani Durgavati University, Jabalpur researched her work from 1993 to 1997 under the guidance of Hindi writer Dr. Sushma Dubey.

Collections List of works (Kavita, Kahaani, Upanyaas and Music CDs)

Kavita

One of Khare's first books was Bhor ke geet(भोर के गीत) written between 1939-1942 at the age of 18. The book was later re-printed by Vani Prakashan Book Publishers in New Delhi in 2009. The book's publication was celebrated by parliamentarian Shri Balram Jakhar, former governor of Madhya-Pradesh, on 20 April 2009. The book is widely available for Hindi readers within India and is in libraries at MGI Mauritius and North Carolina State University, USA. In 2015 Bhor ke Geet Sameeksha pustak was released by Arunoday Prakashan, New Delhi.(ISBN 81-88473-24-3)

At the age of 20, 25 Jan 1943 he had written a poem ' Hemu Kalani' just after his hanging 21 Jan 1943, and it is published in 2017 after a span of 74 years. At the age of 23, Khare wrote another well known title, Vijan ke Phool(विजन के फूल), between 1944 and 1946. The book was originally published in 1955 by Jabalpur Sahitya Sangh. In 2011, this book, as well as Surbala, written between 1943–44, was re-published by Vani Prakashan Book Publishers. On 5 May 2011, the books were celebrated by Shri Rameshawar Thakur.

Rajani ke pal, another poetic collection, was written between 1941 and 1942. Vani Prakashan re-published the title in 2012.[2]

Another of Khare's collections is Azaadee ke pahle Azaadee ke baad highlighting pre- and post-Independence India. It is a collection of more than 120 poems highlighting the struggle for Indian independence. Some 14,000+ school students in Bhilai, Chhattisgarh, and a few thousands nationwide sing the lines of Shri Khare song "Sir Par Shobhit Mukut Himalaya" during morning assembly and "Prabhat-Pheri" on 15 August and 26 January every year. Fifteen or more artists recite the same song in Mumbai on 9 August every year, at August Kranti Maidan in front of the Chief Minister of Maharashtra State and thousands of other patriots.

Kahaniya

Khare also wrote numerous stories during his lifetime covering many aspects of life, poverty, love, and romance some with a patriotic flavor. One of his story collections is Sapano ki Nagaree written between 1940 and 1943 which was re-published in 2012 by Vani Prakashan, New Delhi. The same publisher also reissued Dur Path ke Rahee, originally written in 1941, and plans to release the story collection Aaratee ke Deep.

Jaishankar Prasad

Jaishankar Prasad,1889-1937.jpg Born 30 January 1889[1] Benares, Benares State, British India Died 15 November 1937 (aged 47) Benares, Benares State, British India Occupation Novelist, playwright, poet Notable works Kāmāyanī (1936) Jaishankar Prasad (30 January 1889[1] – 15 November 1937)[2] was a prominent figure in modern Hindi literature as well as Hindi theatre. Prasad was his pen name.[3]

Contents 1 Poetic style 2 Dramas and other writings 3 Major works 3.1 Poetry 3.2 Drama 3.3 Story collections 3.4 Novels 4 Legacy 4.1 Neo-romanticism in Hindi Literature 5 Critical reception 6 References 7 Sources 8 External links Poetic style Prasad started writing poetry with the pen name of ‘Kaladhar’. The first collection of poem that Jai Shankar Prasad penned, named, Chitradhar, was written in Braj dialect of Hindi but his later works were written in Khadi dialect or Sanskritized Hindi.

Later on Prasad promulgated ‘Chhayavad’, a literary trend in Hindi literature.

He is considered one of the Four Pillars (Char Stambh) of Romanticism in Hindi Literature (Chhayavad), along with Sumitranandan Pant, Mahadevi Verma, and Suryakant Tripathi 'Nirala'.

His vocabulary avoids the Persian element of Hindi and mainly consists of Sanskrit (Tatsama) words and words derived from Sanskrit (Tadbhava words). The subject of his poetry spans the entire horizon of subjects of his era, from romantic to nationalistic.

Dramas and other writings His dramas are considered to be most pioneering ones in Hindi. Prasad's most famous dramas include Skandagupta, Chandragupta and Dhruvaswamini .

The majority of them revolve around historical stories of Ancient India. Some of them were also based on mythological plots.

In 1960s, Shanta Gandhi Professor of Ancient Indian Drama at while at National School of Drama, revived interest in Jaishankar Prasad's plays for modern Indian theatre, by successfully staging his most important play Skanda Gupta written in 1928, with little changes to the original script.[4][5]

Major works Poetry Kānan kusum (The Forest Flower) Mahārānā kā mahatv (The Maharana's greatness) Jharnā (The Waterfall) Ānsū (The tear) Lahar (The wave) Kāmāyanī (an epic about Manu and the flood) Prem pathik (The Love Wanderer) Aatmkathya (Autobiography) Drama Ek ghunt (A sip) Skandagupta (On Emperor Skandagupta) Chandragupta (On Emperor Chandragupta Maurya) Dhruvasvāminī Janmejay kā yagya Rajyashrī (Royal Bliss) Ajatshatru Janmejay ka Naag-Yagy Story collections Andhī Pratidhvani (The Echo) Akashdeep (Internal Lamp) Indrajāl (Hypnosis) Sandeh (Doubt) indrajaal chitra mandir Novels Kankal (The Skeleton) Titli (The Butterfly) Iravati ( not completed) Legacy Neo-romanticism in Hindi Literature Jaishankar Prasad's Kamayani (Hindi: कामायनी) (1936), a Hindi classic poem is considered as an important magnum opus of this school. The poem belongs to the Chhayavaadi school of Hindi poetry.[6]

Critical reception In her glowing tribute to Jai Shankar Prasad, the poet- critic Mahadevi Verma said:

"Whenever I remember our great poet, Prasad a particular image comes to my mind. A fir tree stands on the slope of the Himalaya, straight and tall as the proud mountain peaks themselves. Its lofty head braves the assaults of the snow, the rain, and the blazing heat of the sun. Violent storms shake its spreading branches, while a thin stream of water plays hide-and-seek amongst its root. Even under the most heavy snowfall, the most fierce heat, and the torrential rain, the fir tree holds its head high. Even in the midst of the worst thunderstorm and blizzards, it remains steady and unflinching.”

Regarding his influence in Indian literature, the late scholar David Rubin wrote in The Return of Sarasvati (Oxford, 1993):- "To Jayshankar Prasad belongs the credit of making the first successful leap forward in the development of a genuine poetic art in khari boli Hindi and giving it, in Ansu, its first masterpiece." Rubin felt his lyrics regarding nature and human love helped to define the Chhayavad movement, and that his reflective nature and deep love of reading and music heavily influenced his work.

Upanyaas

Khare also contributed several Upanyaas to the world of Hindi literature such as Kashmeer written in 1948. Others worthy of mention include: Jeevan path ke raahi, Mere Jeevan Prishth na padhe, and Lekh Holi, Nadi, Natak-Our Cinema and krasnavtar. Khare also wrote a famous essay on Shri Padumlal Punnalal Baxi in 1951 titled "padumlal Punna laal baxi meri drushti main" the same lekh was published in 1972 by Shri Narmada Prasad Khare."Sahitya Jagat Ke Biniva Padumlal Punnalal Baxi" in his name . This was brought to notice of knowledgeable Hindi experts.

Kabir

Born 1398/1440 Varanasi, Sayyid dynasty Died 1448/1518 Maghar, Lodhi dynasty Main interests Mysticismtheismsyncretismpoetry Influences Influenced Part of a series on Hinduism 1 Om.svg HindusHistoryTimeline Origins Traditions Deities Concepts Practices Philosophical schools Gurus, saints, philosophers Texts Society Other topics GlossaryOutline Aum Om red.svg Hinduism portal vte Part of a series on Sikhism Khanda PeopleOutlineHistory Sikh gurus Select revered saints Philosophy Practices Scripture Places and Takhts General topics and terminology GlossarySikh Topics vte Kabir Das (IAST: Kabīr, Hindustani pronunciation: [kəbiːr d̪aːs]; 1398/1455 — 1518/1575)[1] was a 15th-century Indian mystic poet and saint, whose writings influenced Hinduism's Bhakti movement and his verses are found in Sikhism's scripture Guru Granth Sahib.[2][3][4] Kabir was born in the city of Varanasi in Uttar Pradesh.

Kabir is known for being critical of both organized religion and religions. He questioned meaningless and unethical practices of all religions primarily the wrong practices in Hindu and Muslim religion.[2][5] During his lifetime, he was threatened by both Hindus and Muslims for his views.[6]: 4  When he died, both Hindus and Muslims he had inspired claimed him as theirs.[3]

Kabir suggested that Truth is with the person who is on the path of righteousness, considered everything, living and non living, as divine, and who is passively detached from the affairs of the world.[3] To know the Truth, suggested Kabir, drop the "I" or the ego.[6]: 4  Kabir's legacy survives and continues through the Kabir panth ("Path of Kabir"), a religious community that recognises him as its founder and is one of the Sant Mat sects. Its members are known as Kabir panthis.[7]

Contents 1 Early life and background 2 Poetry 2.1 Authenticity 2.2 Philosophy 2.3 Influence of Islam 2.4 Persecution and social impact 3 Legacy 3.1 Kabir, Guru Nanak and the Guru Granth Sahib 4 Kabir's poetry today 5 Criticism 6 See also 7 References 8 Further reading 9 External links Early life and background Kabir Saheb was born in 1398 (Samvat 1455), on the full moon day of Jyeshtha month at the time of Brahmamuharta. Followers believe that Kabir came from Satlok by assuming the body of light and incarnated on a lotus flower and claim that Rishi Ashtanand Ji was the direct witness of this incident, who himself appeared on a lotus flower in the lake "Lahartara".[citation needed] In fact, there is a Kabirpanth on the Lahartara lake today which reinforces this very belief.

Kabir is widely believed to have become one of the many disciples of the Bhakti poet-sant Swami Ramananda in Varanasi, known for devotional Vaishnavism with a strong bent to monist Advaita philosophy teaching that God was inside every person, everything.[3][8][9] Early texts about his life place him with Vaishnava tradition of Hinduism as well as the Sufi tradition of Islam.[10] According to Irfan Habib, the two manuscript versions of the Persian text Dabistan-i-Mazahib are the earliest known texts with biographical information about Kabir.[11] The Dabistan-i-Mazahib states Kabir is a "Bairagi" (Vaishnava yogi) and states he is a disciple of Ramanand (the text refers to him repeatedly as "Gang").

Kabir's family is believed to have lived in the locality of Kabir Chaura in Varanasi (Banaras). Kabīr maṭha (कबीरमठ), a maṭha located in the back alleys of Kabir Chaura, celebrates his life and times.[12] Accompanying the property is a house named Nīrūṭīlā (नीरू टीला) which houses Niru and Nima graves.

About Dr. Gautam Ghosh Bcom (H) , LLB , MBA , MA (Public Admn) , Phd

"Stars do not beg the world for attention; their beauty forces us to look up" Matshona Dhliwa and perhaps Dr Gautam Ghosh is such a personality that resembles a shining star attracting attention worldwide .

Dr Ghosh is a prescient public figure, a politician by passion ,a voracious speaker, a prolific author, , and a figure to reckon with in the field of Political Analysis, Human Rights & Policing .

Dr Ghosh’s book titled Police Accountability at the Cutting Edge Level has found its place in leading Institutions & Libraries across the World including famous London School of Economics & Political Science where all collections held at LSE in the Library have been recognized for their outstanding national and international importance and awarded Designation status by the Arts Council (formerly Museums Libraries and Archives Council).

His another voluminous book titled Re Legitimising Indian Police has been kept as a prized collection in various administrative Institutions and is referred as a ready referencer when aspects of Indian Policing is taken up .

Dr Ghosh’s intellect has also has also found its place in the famous Shanghai Library of China, the Australian National Library, the Calgary University Library , to name a few , where his work has been preserved as prized collection.

Dr Ghosh, is the son of the legendary Guru of Political Science Late , Dr Ramesh Ghosh and Lt. Dr Mrs Bela Ghosh – the ex – Chairperson of West Bengal Public Service Commission.

Dr.Ghosh is often referred to as a brilliant and creative innovator and a formidable leader within the sphere of pioneering think-tanks in Asia who has acted as Political advisor, and election observer at International level His skills in knowing people, building alliances, maintaining strategic direction and aligning different interests, goals, and motives to a particular goal is highly appreciated in the highest echelons

In conclusion , “He is one who knows the way , goes the way and shows the way” - John C. Maxwell User talk : Sarah Susan Yedla 15:00, 18 September 2022 (UTC)

J.M.J COLLEGE FOR WOMEN TENALI

User talk : Sarah Susan Yedla 18:03, 20 January 2024 (UTC)

JMJ COLLEGE FOR WOMEN TENALI

JMJ believe in giving an education that promotes all round development of the students. Utmost attention is paid to extra curricular activities like sports and games, NCC, NSS, cultural and literary activities. The JMJ College has rendered its 40 years of services to the women of Andhra Pradesh in empowering to reach higher goals. We are indeed happy to celebrate Ruby Jubilee. We thank the Lord for his abundant blessings all these years. User talk : Sarah Susan Yedla 18:04, 20 January 2024 (UTC)

Jmj college for women

J.M.J. (Jesus Mary Joseph) College for Women, Tenali is one of the many educational institutions, established by the Congregation of the Sisters of Jesus Mary Joseph (Society of J.M.J.) inspired by the teachings of Jesus Christ. Rev. Fr. Mathias Wolff S.J. founded the Society of the J.M.J. in the year 1822 in the Netherlands, to meet the most felt need of the time; i.e.., education of the young girls. Spreading far and wide, the Society established its first branch in India, Andhra Pradesh, Guntur in 1904. From then onwards education is one of the major apostolate of J.M.J. Sisters.Sr. Stanislaus Swamikannu Pillai is the architect of J.M.J. apostolate of Education in India. J.M.J. College is a Catholic Christian Minority Institution, registered under the Societies Registration Act XXI of 1860.To meet the higher education needs of the Society, especially the economically, socially backward and rural girls, the J.M.J. Sisters established a Degree College in Tenali then a rural area, in July 1963. User talk : Sarah Susan Yedla 18:06, 20 January 2024 (UTC)