Veervijay
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Pandit Veervijayji Maharaj (Gujarati: વીરવિજયજી મહારાજ; 1773–1851), also known as Virvijayji Maharaj, was a Śvetāmbara Jain monk of the Tapa Gaccha, scholar, poet and composer of devotional literature in Gujarati and Sanskrit. He is regarded as one of the leading Jain literary figures of nineteenth-century Gujarat. His compositions, including the Snatra Puja, Aṣṭaprakārī Pūjā, Śīyalvel, and numerous stavans, rasas, and chaityavandanas, continue to be used in Śvetāmbara Jain temples.[1][2]
Early life
[edit]Veervijayji was born as Keshavram in Vikram Samvat 1829 (1773 CE) in the Ghee Kanta locality of Ahmedabad to an Audichya Brahmin family. Following the death of his father and a family dispute, Keshavram renounced worldly life and became a disciple of the Jain monk Shubhvijayji Maharaj. After undertaking a pilgrimage to Shatrunjaya, he accepted initiation into the Śvetāmbara monastic order.[3]
Monastic life
[edit]Keshavram was initiated into the Śvetāmbara Mūrtipūjaka monastic order of the Tapa Gaccha by Shubhvijayji at Pansar in Vikram Samvat 1848, receiving the monastic name Muni Veervijayji. Following his initiation, he studied Jain scriptures, Sanskrit grammar, philosophy, poetics, the Pañca Pratikramaṇa, and the Karma Granthas. His scholarship earned him the title of Panyas, a senior scholarly distinction within the Śvetāmbara tradition.[4][5]
In Vikram Samvat 1865, members of the Jain community constructed an upashraya at Bhathi-ni-Bari in Ahmedabad where Veervijayji regularly stayed during his visits. The monastery subsequently became known as the Veervijayji Upashraya.[6]
Historical accounts also record that Veervijayji participated in a religious disputation in Ahmedabad concerning members of the Viśā Śrīmāl Jain community and successfully defended the Mūrtipūjaka tradition.[7]
Literary works
[edit]Veervijayji composed numerous devotional hymns, narrative poems, ritual manuals, and philosophical works in Gujarati together with the Sanskrit treatise Praśna Chintāmaṇi. His writings became widely used within the Śvetāmbara Mūrtipūjaka tradition and many continue to form part of contemporary Jain liturgy.[8][9]
His known works include:
- Snatra Puja
- Aṣṭaprakārī Pūjā
- Navāṇu Prakārī Pūjā
- Chauṣaṭha Prakārī Pūjā
- Pañcakalyāṇaka Pūjā
- Bāra Vrat Pūjā
- Pistālīsa Āgama Pūjā
- Śīyalvel
- Surasundarī Rāsa
- Dhammilla Rāsa
- Candraśekhara Rāsa
- Mahāvīra Svāmīnā 27 Bhava nu Stavan
- Adhyātmasāra
- Hitaśikṣā Chhattrīśī
- Praśna Chintāmaṇi[10]
Among these works, Śīyalvel became particularly popular throughout Gujarat, while his ritual compositions such as the Snatra Puja and Aṣṭaprakārī Pūjā remain in regular use in Śvetāmbara Jain temples.[11][12]
Legacy
[edit]Veervijayji died in Vikram Samvat 1908 (1851 CE). His padukas were installed the following year at the Bhathi-ni-Bari Upashraya in Ahmedabad, where they continue to be commemorated.[13]
Veervijayji is regarded as one of the principal contributors to nineteenth-century Gujarati Jain devotional literature. His ritual compositions continue to be recited in Śvetāmbara temples, while works such as Śīyalvel, the Snatra Puja, and the Aṣṭaprakārī Pūjā remain among the best-known examples of Gujarati Jain liturgical literature.[14]
Selected works
[edit]- Snatra Puja
- Aṣṭaprakārī Pūjā
- Navāṇu Prakārī Pūjā
- Chauṣaṭha Prakārī Pūjā
- Pañcakalyāṇaka Pūjā
- Śīyalvel
- Hitaśikṣā Chhattrīśī
- Dhammilla Rāsa
- Candraśekhara Rāsa
- Praśna Chintāmaṇi
See also
[edit]References
[edit]- ↑ Devluk, Nandlal B. Shramana Bhagwanto, Part 1, pp. 346–348.
- ↑ Atha Pandit Shri Veervijayji Maharajno Tunko Prabandh. Ahmedabad, 1920.
- ↑ Devluk, pp. 346–347.
- ↑ Devluk, p. 347.
- ↑ Atha Pandit Shri Veervijayji Maharajno Tunko Prabandh.
- ↑ Devluk, p. 347.
- ↑ Devluk, p. 348.
- ↑ Devluk, pp. 347–348.
- ↑ Pandit Shri Veervijayji Maharaj Jivancharitra.
- ↑ Devluk, pp. 347–348.
- ↑ Devluk, p. 347.
- ↑ Veervijayji Krut Ashtaprakari Puja.
- ↑ Devluk, p. 348.
- ↑ Atha Pandit Shri Veervijayji Maharajno Tunko Prabandh.