Warner Sogefilms was a film distribution label in Spain active from 1998 to 2005.
| Company type | Joint venture |
|---|---|
| Industry | Film distribution |
| Founded | 1998 |
| Defunct | 2005 |
It was created in January 1998 as a joint venture of Sogecable (Prisa) and Warner Bros., bringing the demise of Sogepaq Distribución (a previous joint venture of Prisa and Polygram) and Warner Española (the former Spanish subsidiary of Warner Bros.).[1][2] It took the legal form of Economic Interest Grouping (AIE).[3] 1998 Warner Sogefilms titles include Barrio, The Miracle of P. Tinto, and The Stolen Years.[4] It split up in 2005.[5][6] Already in liquidation, Warner Sogefilms was handed a €2.4 million fine by the CNMC for having coordinated with other film majors to standardize their commercial policies.[7]
Filmography
edit| Release Date | Title | Notes |
|---|---|---|
| September 11, 1998 | The Stolen Years | |
| October 8, 1998 | Barrio | produced by Elías Querejeta P.C., Mact Productions, Sogetel and MGN Filmes |
| December 18, 1998 | The Miracle of P. Tinto | produced by Sogetel and Películas Pendelton |
| April 16, 1999 | All About My Mother | produced by El Deseo and Renn Productions |
| September 3, 1999 | Jealousy | |
| September 24, 1999 | Butterfly's Tongue | |
| November 26, 1999 | Nobody Knows Anybody | |
| February 11, 2000 | Cascabel | |
| September 29, 2000 | Plenilune | |
| October 6, 2000 | Fugitives | |
| October 18, 2000 | 800 Bullets | |
| December 1, 2000 | Kisses for Everyone | |
| April 20, 2001 | The Devil's Backbone | |
| August 24, 2001 | Sex and Lucia | produced by Sogecine |
| September 28, 2001 | Mad Love | |
| November 9, 2001 | Intacto | |
| March 1, 2002 | In the City Without Limits | |
| March 15, 2002 | Talk to Her | |
| August 23, 2002 | Box 507 | |
| September 27, 2002 | Mondays in the Sun | |
| January 10, 2003 | South from Granada | |
| February 7, 2003 | Mortadelo & Filemon: The Big Adventure | |
| February 21, 2003 | Nobody's Life | |
| August 22, 2003 | Chill Out! | |
| November 7, 2003 | Flying Saucers | |
| March 19, 2004 | Bad Education | |
| May 7, 2004 | Héctor | |
| September 3, 2004 | The Sea Inside | |
| September 24, 2004 | Hours of Light | |
| October 22, 2004 | Crimen Ferpecto | |
| December 3, 2004 | The Amazing World of Borjamari and Pocholo | |
| September 2, 2005 | Princesas | |
| November 4, 2005 | The Hidden |
References
edit- ^ Ansola, Txomin (1999). "Mucho ruido y pocas nueces. El cine español no va muy bien" (PDF). Banda Aparte (14): 71–81. hdl:10251/42345. ISSN 1138-1981.
- ^ Álvarez, José María; López, Javier (1999). "La virtual recuperación del cine español". Zer: Revista de estudios de comunicación = Komunikazio ikasketen aldizkaria (6). Bilbao: Universidad del País Vasco/Euskal Herriko Unibertsitatea. ISSN 1137-1102.
- ^ Ansola, Txomin (2012), "Muchas sombras y pocas luces. La comercialización de las películas españolas durante la década de los noventa", ZER: Revista de Estudios de Comunicación = Komunikazio Ikasketen Aldizkaria, 8 (15), Bilbao: Universidad del País Vasco/Euskal Herriko Unibertsitatea: 13–14, doi:10.1387/zer.5369 (inactive 1 November 2024), hdl:10810/40838
{{citation}}: CS1 maint: DOI inactive as of November 2024 (link) - ^ Ansola 1999, p. 77.
- ^ Pardo, Alejandro; Sánchez-Tabernero, Alfonso (2012). "Concentración de la distribución cinematográfica en España" (PDF). Anàlisi. 47. Bellaterra: Universitat Autònoma de Barcelona: 52. ISSN 0211-2175.
- ^ De Vinck, Sophie; Lindmark, Sven (2012). Statistical, Ecosystems and Competitiveness Analysis of the Media and Content Industries: The Film Sector (PDF). Luxembourg: Publications Officeof the European Union. p. 61. doi:10.2791/79427. ISBN 978-92-79-22541-3.
- ^ Gil, Ricard (2021). "La política de competencia y antimonopolio en el ámbito de la cultura en España" (PDF). Funcas. p. 289.
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