Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Lenny Kravitz
|
298,910
|
9,963
|
B
|
Low
|
2
|
Terry Crews
|
265,852
|
8,861
|
C
|
Low
|
3
|
Nike, Inc.
|
138,309
|
4,610
|
B
|
High
|
4
|
Video game
|
91,197
|
3,039
|
C
|
Top
|
5
|
IKEA
|
81,198
|
2,706
|
C
|
Low
|
6
|
Volkswagen Beetle
|
77,526
|
2,584
|
B
|
Mid
|
7
|
Frank Lloyd Wright
|
75,916
|
2,530
|
B
|
High
|
8
|
IPod
|
64,256
|
2,141
|
B
|
Mid
|
9
|
Bauhaus
|
53,522
|
1,784
|
B
|
High
|
10
|
Ford Model T
|
52,390
|
1,746
|
B
|
Mid
|
11
|
Jony Ive
|
50,277
|
1,675
|
B
|
High
|
12
|
Virgil Abloh
|
49,912
|
1,663
|
C
|
Low
|
13
|
Mini
|
48,684
|
1,622
|
C
|
Mid
|
14
|
Jeep
|
47,499
|
1,583
|
B
|
Mid
|
15
|
Qantas
|
46,846
|
1,561
|
B
|
Mid
|
16
|
Harley-Davidson
|
43,981
|
1,466
|
B
|
Mid
|
17
|
Mac (computer)
|
41,939
|
1,397
|
GA
|
High
|
18
|
William Morris
|
39,784
|
1,326
|
GA
|
Mid
|
19
|
List of commercial failures in video games
|
38,041
|
1,268
|
List
|
Low
|
20
|
Le Corbusier
|
33,807
|
1,126
|
C
|
High
|
21
|
James Dyson
|
25,868
|
862
|
B
|
Mid
|
22
|
Frutiger Aero
|
25,845
|
861
|
C
|
Low
|
23
|
Computer-aided design
|
25,647
|
854
|
C
|
Mid
|
24
|
Ingvar Kamprad
|
24,644
|
821
|
C
|
Mid
|
25
|
Moka pot
|
23,513
|
783
|
C
|
Low
|
26
|
Frank Gehry
|
22,568
|
752
|
B
|
Low
|
27
|
Design
|
21,769
|
725
|
C
|
High
|
28
|
Carpentry
|
21,749
|
724
|
C
|
Mid
|
29
|
Citroën DS
|
21,729
|
724
|
C
|
Mid
|
30
|
Porsche 356
|
21,398
|
713
|
B
|
Low
|
31
|
Buckminster Fuller
|
21,345
|
711
|
C
|
High
|
32
|
Building information modeling
|
20,526
|
684
|
C
|
Low
|
33
|
Citroën 2CV
|
20,303
|
676
|
B
|
Mid
|
34
|
Apple I
|
20,246
|
674
|
C
|
Low
|
35
|
Walkman
|
19,482
|
649
|
C
|
Mid
|
36
|
Ludwig Mies van der Rohe
|
18,752
|
625
|
C
|
Mid
|
37
|
Neri Oxman
|
18,372
|
612
|
GA
|
Mid
|
38
|
Form factor (mobile phones)
|
18,074
|
602
|
Start
|
Low
|
39
|
IMac G3
|
17,866
|
595
|
FA
|
Mid
|
40
|
Plastic pollution
|
17,574
|
585
|
B
|
Low
|
41
|
List of countries with IKEA stores
|
17,514
|
583
|
List
|
Low
|
42
|
Product (business)
|
16,980
|
566
|
Start
|
Mid
|
43
|
Bic Cristal
|
16,473
|
549
|
GA
|
Mid
|
44
|
Ergonomics
|
16,429
|
547
|
C
|
Unknown
|
45
|
Isamu Noguchi
|
15,977
|
532
|
C
|
Mid
|
46
|
Eero Saarinen
|
15,270
|
509
|
C
|
Mid
|
47
|
Skeuomorph
|
15,050
|
501
|
Start
|
Mid
|
48
|
Injection moulding
|
14,359
|
478
|
GA
|
Mid
|
49
|
IPod Shuffle
|
14,199
|
473
|
B
|
Mid
|
50
|
Duct tape
|
14,008
|
466
|
Start
|
Unknown
|
51
|
Dieter Rams
|
13,990
|
466
|
B
|
High
|
52
|
Design thinking
|
13,200
|
440
|
C
|
High
|
53
|
SolidWorks
|
12,883
|
429
|
Start
|
Low
|
54
|
Tetra Pak
|
12,431
|
414
|
C
|
Low
|
55
|
Parsons School of Design
|
12,230
|
407
|
C
|
Low
|
56
|
Aerospike engine
|
12,183
|
406
|
C
|
Low
|
57
|
Giorgetto Giugiaro
|
12,004
|
400
|
Start
|
Low
|
58
|
Tinkercad
|
11,970
|
399
|
Start
|
Mid
|
59
|
Streamline Moderne
|
11,858
|
395
|
C
|
Top
|
60
|
Eames Lounge Chair
|
11,854
|
395
|
Start
|
Mid
|
61
|
Proof of concept
|
11,434
|
381
|
Start
|
High
|
62
|
Charles and Ray Eames
|
11,287
|
376
|
C
|
High
|
63
|
Anthropometry
|
11,131
|
371
|
C
|
Low
|
64
|
Prototype
|
11,126
|
370
|
Start
|
Low
|
65
|
Charles Rennie Mackintosh
|
11,066
|
368
|
B
|
High
|
66
|
Futon
|
10,979
|
365
|
Start
|
Low
|
67
|
Memphis Group
|
10,973
|
365
|
C
|
Mid
|
68
|
Herman Miller
|
10,773
|
359
|
B
|
High
|
69
|
Aeolipile
|
10,656
|
355
|
C
|
Low
|
70
|
Industrial design
|
10,419
|
347
|
C
|
Top
|
71
|
Zippo
|
10,310
|
343
|
Start
|
Low
|
72
|
Furniture
|
10,254
|
341
|
C
|
Low
|
73
|
Lazy Susan
|
10,243
|
341
|
Start
|
Low
|
74
|
Gottlieb Daimler
|
10,168
|
338
|
B
|
Mid
|
75
|
Motherboard form factor
|
9,986
|
332
|
C
|
Unknown
|
76
|
Braun (company)
|
9,511
|
317
|
B
|
High
|
77
|
Stock keeping unit
|
9,370
|
312
|
Stub
|
Mid
|
78
|
Tiffany lamp
|
9,344
|
311
|
Start
|
Mid
|
79
|
Concept car
|
9,343
|
311
|
Start
|
Low
|
80
|
Packaging
|
9,318
|
310
|
B
|
High
|
81
|
Adirondack chair
|
9,074
|
302
|
Start
|
Low
|
82
|
Mini Moke
|
9,034
|
301
|
B
|
Low
|
83
|
FreeCAD
|
8,998
|
299
|
C
|
High
|
84
|
Franz von Holzhausen
|
8,974
|
299
|
C
|
Low
|
85
|
Mass production
|
8,905
|
296
|
C
|
Low
|
86
|
Engineering design process
|
8,503
|
283
|
Start
|
High
|
87
|
Muji
|
8,316
|
277
|
Start
|
Low
|
88
|
Form follows function
|
7,862
|
262
|
C
|
Low
|
89
|
Philippe Starck
|
7,760
|
258
|
B
|
High
|
90
|
Parker Pen Company
|
7,651
|
255
|
C
|
Low
|
91
|
Upholstery
|
7,411
|
247
|
Start
|
Mid
|
92
|
Fiat 600
|
7,379
|
245
|
C
|
Low
|
93
|
Alvar Aalto
|
7,281
|
242
|
C
|
Low
|
94
|
Speed tape
|
7,240
|
241
|
Start
|
Mid
|
95
|
Venetian Arsenal
|
7,174
|
239
|
B
|
Low
|
96
|
Product lifecycle
|
7,039
|
234
|
Start
|
Low
|
97
|
Clive Sinclair
|
7,012
|
233
|
B
|
Low
|
98
|
Electric aircraft
|
6,967
|
232
|
C
|
Low
|
99
|
Teenage Engineering
|
6,774
|
225
|
C
|
Low
|
100
|
Commodore PET
|
6,759
|
225
|
C
|
Low
|
101
|
Serial number
|
6,757
|
225
|
Start
|
Mid
|
102
|
Gaffer tape
|
6,734
|
224
|
Start
|
High
|
103
|
Game design
|
6,730
|
224
|
C
|
Low
|
104
|
Breville Group
|
6,626
|
220
|
Start
|
Low
|
105
|
MSCHF
|
6,572
|
219
|
Start
|
Low
|
106
|
Blohm+Voss
|
6,470
|
215
|
Start
|
High
|
107
|
Deck (ship)
|
6,325
|
210
|
Start
|
Unknown
|
108
|
ArtCenter College of Design
|
6,182
|
206
|
Start
|
Low
|
109
|
New product development
|
6,141
|
204
|
Start
|
High
|
110
|
Rolodex
|
5,921
|
197
|
C
|
Low
|
111
|
Paper clip
|
5,919
|
197
|
C
|
Low
|
112
|
Discman
|
5,897
|
196
|
C
|
Low
|
113
|
Biophilic design
|
5,887
|
196
|
C
|
Low
|
114
|
Gruppo Bertone
|
5,867
|
195
|
C
|
Unknown
|
115
|
Bubble wrap
|
5,859
|
195
|
Start
|
Mid
|
116
|
The Design of Everyday Things
|
5,850
|
195
|
Start
|
Low
|
117
|
Raymond Loewy
|
5,734
|
191
|
B
|
High
|
118
|
Upcycling
|
5,707
|
190
|
C
|
Low
|
119
|
Hoosier cabinet
|
5,525
|
184
|
GA
|
Low
|
120
|
Cigarette pack
|
5,519
|
183
|
Start
|
Low
|
121
|
Marcel Breuer
|
5,510
|
183
|
B
|
Mid
|
122
|
Laura Ashley
|
5,506
|
183
|
C
|
Mid
|
123
|
Automotive design
|
5,434
|
181
|
C
|
Mid
|
124
|
Tefal
|
5,368
|
178
|
Start
|
Low
|
125
|
Chintz
|
5,334
|
177
|
Start
|
Low
|
126
|
Memory foam
|
5,290
|
176
|
Start
|
Low
|
127
|
Olivetti
|
5,274
|
175
|
C
|
Low
|
128
|
IBM Selectric
|
5,269
|
175
|
B
|
Mid
|
129
|
Scotch Tape
|
5,239
|
174
|
C
|
Unknown
|
130
|
Motorola MicroTAC
|
5,107
|
170
|
C
|
Low
|
131
|
Throne
|
4,946
|
164
|
C
|
Low
|
132
|
Ducati 1199
|
4,939
|
164
|
B
|
Low
|
133
|
Concept art
|
4,903
|
163
|
Start
|
Low
|
134
|
Designer
|
4,898
|
163
|
Start
|
Unknown
|
135
|
ID
|
4,855
|
161
|
Disambig
|
NA
|
136
|
Human-centered design
|
4,767
|
158
|
C
|
High
|
137
|
Bedding
|
4,686
|
156
|
C
|
Unknown
|
138
|
Microlino
|
4,651
|
155
|
Start
|
Low
|
139
|
Spork
|
4,624
|
154
|
B
|
Low
|
140
|
Airline seat
|
4,558
|
151
|
Start
|
Low
|
141
|
Wassily Chair
|
4,478
|
149
|
Start
|
Mid
|
142
|
Product design
|
4,477
|
149
|
Start
|
High
|
143
|
Powertrain layout
|
4,459
|
148
|
C
|
Low
|
144
|
3D scanning
|
4,447
|
148
|
C
|
Mid
|
145
|
Ferdinand Alexander Porsche
|
4,428
|
147
|
Start
|
Low
|
146
|
Reebok Pump
|
4,401
|
146
|
Stub
|
Low
|
147
|
Ettore Sottsass
|
4,398
|
146
|
C
|
High
|
148
|
Syd Mead
|
4,385
|
146
|
C
|
Mid
|
149
|
Brompton Bicycle
|
4,352
|
145
|
C
|
Low
|
150
|
Fiskars
|
4,321
|
144
|
Start
|
Low
|
151
|
Aveva
|
4,219
|
140
|
Stub
|
Low
|
152
|
List of Harley-Davidson motorcycles
|
4,216
|
140
|
List
|
Low
|
153
|
Jacque Fresco
|
4,188
|
139
|
C
|
Low
|
154
|
Rhinoceros 3D
|
4,138
|
137
|
Start
|
Low
|
155
|
Eileen Gray
|
4,137
|
137
|
B
|
Low
|
156
|
Cradle-to-cradle design
|
4,104
|
136
|
Start
|
Low
|
157
|
Design engineer
|
4,071
|
135
|
Start
|
High
|
158
|
Terence Conran
|
4,001
|
133
|
C
|
Low
|
159
|
Apple IIc
|
3,998
|
133
|
C
|
Mid
|
160
|
Clamshell design
|
3,915
|
130
|
Start
|
Low
|
161
|
List of Polaroid instant cameras
|
3,911
|
130
|
List
|
Low
|
162
|
Flat design
|
3,907
|
130
|
Start
|
Low
|
163
|
Michael Graves
|
3,891
|
129
|
C
|
Low
|
164
|
Marc Newson
|
3,875
|
129
|
B
|
High
|
165
|
La-Z-Boy
|
3,849
|
128
|
Start
|
Low
|
166
|
Aeron chair
|
3,818
|
127
|
Stub
|
Mid
|
167
|
Countertop
|
3,817
|
127
|
C
|
Unknown
|
168
|
Carton
|
3,750
|
125
|
Start
|
Low
|
169
|
Sigvard Bernadotte
|
3,650
|
121
|
Start
|
Low
|
170
|
Barcelona chair
|
3,641
|
121
|
Start
|
Mid
|
171
|
Comparison of computer-aided design software
|
3,579
|
119
|
List
|
Low
|
172
|
Massimo Vignelli
|
3,562
|
118
|
C
|
Low
|
173
|
Robert Adam
|
3,556
|
118
|
B
|
Mid
|
174
|
Universal design
|
3,509
|
116
|
Start
|
Mid
|
175
|
Motorola ROKR
|
3,418
|
113
|
Start
|
Unknown
|
176
|
Comforter
|
3,408
|
113
|
Start
|
Unknown
|
177
|
Pilot experiment
|
3,392
|
113
|
Start
|
Low
|
178
|
IDEO
|
3,375
|
112
|
Start
|
High
|
179
|
SolidThinking
|
3,364
|
112
|
Stub
|
Low
|
180
|
Melamine resin
|
3,290
|
109
|
Start
|
Low
|
181
|
List of chairs
|
3,267
|
108
|
List
|
Mid
|
182
|
Alec Issigonis
|
3,262
|
108
|
C
|
Low
|
183
|
Moke (revival)
|
3,259
|
108
|
B
|
Low
|
184
|
Arcade cabinet
|
3,164
|
105
|
C
|
Unknown
|
185
|
Sketchpad
|
3,147
|
104
|
Start
|
Low
|
186
|
Design by committee
|
3,141
|
104
|
Start
|
Unknown
|
187
|
Label
|
3,088
|
102
|
C
|
Mid
|
188
|
Interaction design
|
3,077
|
102
|
Start
|
Mid
|
189
|
Electrical tape
|
3,039
|
101
|
Start
|
Low
|
190
|
Vitra (furniture)
|
3,030
|
101
|
Start
|
Low
|
191
|
Steelcase
|
2,994
|
99
|
B
|
Mid
|
192
|
Gerrit Rietveld
|
2,986
|
99
|
C
|
High
|
193
|
Charles Eames
|
2,966
|
98
|
Start
|
Unknown
|
194
|
De facto standard
|
2,934
|
97
|
Start
|
High
|
195
|
Lenox (company)
|
2,918
|
97
|
C
|
Mid
|
196
|
Alessi (Italian company)
|
2,897
|
96
|
C
|
Mid
|
197
|
Creative Zen
|
2,887
|
96
|
B
|
Low
|
198
|
Monobloc (chair)
|
2,875
|
95
|
Start
|
Low
|
199
|
Masking tape
|
2,839
|
94
|
Start
|
Low
|
200
|
BIC lighter
|
2,778
|
92
|
Start
|
Low
|
201
|
Tatra 603
|
2,758
|
91
|
C
|
Low
|
202
|
Norman Bel Geddes
|
2,741
|
91
|
Start
|
Low
|
203
|
Sellotape
|
2,741
|
91
|
Start
|
Low
|
204
|
Carlo Scarpa
|
2,641
|
88
|
C
|
Mid
|
205
|
OpenSCAD
|
2,638
|
87
|
Stub
|
Low
|
206
|
Red Dot
|
2,633
|
87
|
C
|
Low
|
207
|
Kitchen cabinet
|
2,626
|
87
|
Start
|
Low
|
208
|
Yinka Ilori
|
2,594
|
86
|
B
|
Low
|
209
|
George Nakashima
|
2,572
|
85
|
B
|
Mid
|
210
|
99% Invisible
|
2,553
|
85
|
C
|
Mid
|
211
|
Royal Designers for Industry
|
2,532
|
84
|
Start
|
Low
|
212
|
Interactivity
|
2,493
|
83
|
Start
|
Low
|
213
|
Arne Jacobsen
|
2,491
|
83
|
B
|
High
|
214
|
Design and Technology
|
2,459
|
81
|
Stub
|
Low
|
215
|
Trade dress
|
2,415
|
80
|
Start
|
Mid
|
216
|
Boundary representation
|
2,390
|
79
|
Stub
|
Low
|
217
|
Peter Behrens
|
2,378
|
79
|
Start
|
High
|
218
|
Frog Design
|
2,375
|
79
|
Start
|
High
|
219
|
Suzuki Alto Lapin
|
2,372
|
79
|
Start
|
Low
|
220
|
Robert Thompson (designer)
|
2,356
|
78
|
Stub
|
Low
|
221
|
IO-Link
|
2,351
|
78
|
Start
|
Unknown
|
222
|
William Kent
|
2,349
|
78
|
B
|
Low
|
223
|
Flavio Manzoni
|
2,335
|
77
|
C
|
Mid
|
224
|
Predicta
|
2,310
|
77
|
Start
|
Low
|
225
|
Staffordshire Potteries
|
2,308
|
76
|
Start
|
Mid
|
226
|
Banker's lamp
|
2,300
|
76
|
Start
|
Mid
|
227
|
Xerox 914
|
2,271
|
75
|
Stub
|
Low
|
228
|
Alex Tremulis
|
2,259
|
75
|
Start
|
Low
|
229
|
Privacy by design
|
2,251
|
75
|
C
|
Low
|
230
|
IKEA Billy
|
2,223
|
74
|
Start
|
Low
|
231
|
M+
|
2,208
|
73
|
B
|
Low
|
232
|
Parasolid
|
2,194
|
73
|
Stub
|
Low
|
233
|
Personalization
|
2,175
|
72
|
Start
|
Mid
|
234
|
History of CAD software
|
2,144
|
71
|
Start
|
Low
|
235
|
Nikon F4
|
2,119
|
70
|
Start
|
Low
|
236
|
Karim Rashid
|
2,108
|
70
|
B
|
Low
|
237
|
Design for manufacturability
|
2,091
|
69
|
Start
|
Low
|
238
|
KEF
|
2,079
|
69
|
C
|
Low
|
239
|
Display case
|
2,073
|
69
|
Start
|
Low
|
240
|
Combination eating utensils
|
2,073
|
69
|
B
|
Low
|
241
|
Gae Aulenti
|
2,060
|
68
|
B
|
High
|
242
|
Knoll, Inc.
|
2,058
|
68
|
C
|
High
|
243
|
Ready-to-assemble furniture
|
2,046
|
68
|
Start
|
Mid
|
244
|
Margaret Calvert
|
2,002
|
66
|
Start
|
Low
|
245
|
Atomic Age (design)
|
1,998
|
66
|
C
|
Mid
|
246
|
Henry Dreyfuss
|
1,988
|
66
|
Start
|
Low
|
247
|
Sony Watchman
|
1,967
|
65
|
Start
|
Low
|
248
|
Verner Panton
|
1,950
|
65
|
Start
|
Low
|
249
|
Coso artifact
|
1,935
|
64
|
Start
|
Low
|
250
|
Design language
|
1,913
|
63
|
Stub
|
Low
|
251
|
Gustav Stickley
|
1,905
|
63
|
Start
|
Low
|
252
|
Porsche Design
|
1,897
|
63
|
Start
|
Low
|
253
|
Tulip chair
|
1,882
|
62
|
Start
|
Low
|
254
|
Land Camera
|
1,865
|
62
|
Start
|
Low
|
255
|
Ora Ito
|
1,853
|
61
|
Stub
|
Low
|
256
|
Béla Barényi
|
1,828
|
60
|
B
|
Low
|
257
|
No. 14 chair
|
1,814
|
60
|
Start
|
Low
|
258
|
Apple Industrial Design Group
|
1,813
|
60
|
Start
|
Mid
|
259
|
Cesca chair
|
1,799
|
59
|
Stub
|
Low
|
260
|
Edgar Kaufmann Jr.
|
1,795
|
59
|
Stub
|
Low
|
261
|
International Exhibition of Modern Decorative and Industrial Arts
|
1,790
|
59
|
C
|
Unknown
|
262
|
Hans Wegner
|
1,788
|
59
|
B
|
Low
|
263
|
Chief design officer
|
1,767
|
58
|
Start
|
Mid
|
264
|
Binder clip
|
1,764
|
58
|
C
|
Low
|
265
|
Barcalounger
|
1,753
|
58
|
Stub
|
Low
|
266
|
Gio Ponti
|
1,748
|
58
|
Start
|
Mid
|
267
|
Solid modeling
|
1,733
|
57
|
Start
|
Low
|
268
|
Sheaffer
|
1,726
|
57
|
Start
|
Low
|
269
|
Charlotte Perriand
|
1,692
|
56
|
C
|
Low
|
270
|
John Hoke III
|
1,691
|
56
|
C
|
Mid
|
271
|
Coke bottle styling
|
1,681
|
56
|
C
|
Mid
|
272
|
John Vassos
|
1,677
|
55
|
Start
|
Low
|
273
|
Design patent
|
1,632
|
54
|
Start
|
High
|
274
|
Design Museum
|
1,607
|
53
|
Start
|
Mid
|
275
|
Quink
|
1,604
|
53
|
Stub
|
Low
|
276
|
Electric blanket
|
1,600
|
53
|
C
|
Low
|
277
|
Sleep pod
|
1,599
|
53
|
Start
|
Unknown
|
278
|
Ashtray
|
1,574
|
52
|
Start
|
Low
|
279
|
Design methods
|
1,571
|
52
|
C
|
High
|
280
|
Tetra Brik
|
1,565
|
52
|
Start
|
Low
|
281
|
Trevor Baylis
|
1,540
|
51
|
C
|
Low
|
282
|
Enzo Mari
|
1,539
|
51
|
Start
|
Mid
|
283
|
IGES
|
1,523
|
50
|
Start
|
Low
|
284
|
Architectural rendering
|
1,522
|
50
|
Start
|
Low
|
285
|
Video games in the United Kingdom
|
1,498
|
49
|
B
|
Low
|
286
|
Michael Thonet
|
1,492
|
49
|
Start
|
Low
|
287
|
Red and Blue Chair
|
1,475
|
49
|
Stub
|
Low
|
288
|
Bean bag chair
|
1,475
|
49
|
Start
|
Mid
|
289
|
Anglepoise lamp
|
1,473
|
49
|
Start
|
Low
|
290
|
Design for X
|
1,469
|
48
|
Start
|
Mid
|
291
|
La Rinascente
|
1,464
|
48
|
C
|
Low
|
292
|
Ford 021C
|
1,462
|
48
|
B
|
Low
|
293
|
Bench (furniture)
|
1,452
|
48
|
Start
|
Unknown
|
294
|
George Nelson (designer)
|
1,449
|
48
|
C
|
Mid
|
295
|
Alfonso Bialetti
|
1,444
|
48
|
Stub
|
Low
|
296
|
Kenneth Grange
|
1,438
|
47
|
Start
|
Mid
|
297
|
Preferred number
|
1,430
|
47
|
Start
|
Low
|
298
|
Self-amalgamating tape
|
1,409
|
46
|
Stub
|
Low
|
299
|
Crippleware
|
1,399
|
46
|
Start
|
Low
|
300
|
Bruno Munari
|
1,398
|
46
|
C
|
Mid
|
301
|
Design history
|
1,397
|
46
|
Start
|
Mid
|
302
|
AutoLISP
|
1,377
|
45
|
Start
|
Low
|
303
|
Deutscher Werkbund
|
1,370
|
45
|
Start
|
Low
|
304
|
Yves Béhar
|
1,361
|
45
|
Start
|
Low
|
305
|
Piet Hein (scientist)
|
1,347
|
44
|
Start
|
Low
|
306
|
E. Fay Jones
|
1,342
|
44
|
Start
|
Low
|
307
|
Ulm School of Design
|
1,333
|
44
|
C
|
Low
|
308
|
Sam Maloof
|
1,315
|
43
|
Start
|
Low
|
309
|
Tom Dixon (industrial designer)
|
1,307
|
43
|
C
|
Mid
|
310
|
Damro
|
1,305
|
43
|
Start
|
Low
|
311
|
Corrugated box design
|
1,294
|
43
|
C
|
Mid
|
312
|
Aluminum Christmas tree
|
1,290
|
43
|
Start
|
Low
|
313
|
Modern furniture
|
1,278
|
42
|
Stub
|
Low
|
314
|
Luigi Colani
|
1,276
|
42
|
C
|
Low
|
315
|
Florence Knoll
|
1,276
|
42
|
B
|
Low
|
316
|
Olivetti Valentine
|
1,250
|
41
|
B
|
Mid
|
317
|
Programma 101
|
1,235
|
41
|
C
|
Low
|
318
|
Chest (furniture)
|
1,219
|
40
|
Start
|
Unknown
|
319
|
Wah Chang
|
1,218
|
40
|
C
|
Low
|
320
|
Prime Computer
|
1,214
|
40
|
Start
|
Low
|
321
|
Eames Fiberglass Armchair
|
1,204
|
40
|
B
|
Mid
|
322
|
Design system
|
1,203
|
40
|
C
|
Low
|
323
|
FIRST Championship
|
1,202
|
40
|
Start
|
Low
|
324
|
Danish modern
|
1,199
|
39
|
C
|
Mid
|
325
|
David M. Kelley
|
1,192
|
39
|
Start
|
High
|
326
|
Air-augmented rocket
|
1,189
|
39
|
C
|
Low
|
327
|
Handle
|
1,188
|
39
|
Start
|
Low
|
328
|
History of anthropometry
|
1,179
|
39
|
C
|
Low
|
329
|
ACIS
|
1,177
|
39
|
Start
|
Low
|
330
|
Soybean car
|
1,174
|
39
|
Start
|
Low
|
331
|
Pete Brock
|
1,172
|
39
|
Start
|
Low
|
332
|
Joe Colombo (designer)
|
1,166
|
38
|
C
|
Mid
|
333
|
Juicy Salif
|
1,165
|
38
|
Start
|
Mid
|
334
|
List of adhesive tapes
|
1,163
|
38
|
List
|
Low
|
335
|
Photographic lens design
|
1,148
|
38
|
Start
|
Low
|
336
|
Poul Henningsen
|
1,139
|
37
|
C
|
Low
|
337
|
Class A surface
|
1,136
|
37
|
Stub
|
Low
|
338
|
C. F. A. Voysey
|
1,136
|
37
|
Start
|
Low
|
339
|
Model-based definition
|
1,119
|
37
|
Stub
|
Low
|
340
|
Industrial design right
|
1,113
|
37
|
Start
|
Mid
|
341
|
Christopher Dresser
|
1,106
|
36
|
Start
|
High
|
342
|
Marshmallow sofa
|
1,104
|
36
|
Start
|
Unknown
|
343
|
Mike Sinyard
|
1,102
|
36
|
Stub
|
Low
|
344
|
Brooks Stevens
|
1,096
|
36
|
Start
|
Low
|
345
|
LoveSac
|
1,090
|
36
|
Stub
|
Low
|
346
|
Wishbone chair
|
1,086
|
36
|
Start
|
Unknown
|
347
|
Tianjin University Georgia Tech Shenzhen Institute
|
1,086
|
36
|
Stub
|
Low
|
348
|
Phaidon Press
|
1,085
|
36
|
C
|
Low
|
349
|
Trans-Oceanic
|
1,080
|
36
|
Start
|
Low
|
350
|
Russel Wright
|
1,078
|
35
|
C
|
High
|
351
|
Iittala
|
1,075
|
35
|
C
|
Low
|
352
|
Human factors and ergonomics
|
1,074
|
35
|
Redirect
|
High
|
353
|
Lilly Reich
|
1,074
|
35
|
C
|
Mid
|
354
|
Geometric design
|
1,065
|
35
|
Start
|
Low
|
355
|
Coop Himmelb(l)au
|
1,064
|
35
|
Start
|
Low
|
356
|
Chess in the arts
|
1,060
|
35
|
B
|
Low
|
357
|
Balustrade
|
1,059
|
35
|
Redirect
|
NA
|
358
|
Snow White design language
|
1,056
|
35
|
C
|
Low
|
359
|
Butterfly chair
|
1,055
|
35
|
Start
|
Mid
|
360
|
Bubble Wrap (brand)
|
1,054
|
35
|
Start
|
Mid
|
361
|
Hybrid electric aircraft
|
1,054
|
35
|
C
|
Low
|
362
|
Samuel Ross
|
1,044
|
34
|
C
|
Low
|
363
|
Electronic packaging
|
1,042
|
34
|
C
|
Mid
|
364
|
Victor Papanek
|
1,041
|
34
|
Start
|
Low
|
365
|
Ron Arad (industrial designer)
|
1,035
|
34
|
C
|
Low
|
366
|
Nameplate
|
1,023
|
34
|
Start
|
Mid
|
367
|
André-Charles Boulle
|
1,016
|
33
|
C
|
Low
|
368
|
David Rockwell
|
1,013
|
33
|
C
|
Low
|
369
|
Vox Phantom
|
1,010
|
33
|
Stub
|
Low
|
370
|
Industrial style
|
1,002
|
33
|
Stub
|
Low
|
371
|
Eames Lounge Chair Wood
|
1,001
|
33
|
Stub
|
Low
|
372
|
Carrel desk
|
999
|
33
|
Start
|
Low
|
373
|
Apple Design Awards
|
997
|
33
|
Start
|
Mid
|
374
|
Jean-Michel Frank
|
985
|
32
|
Start
|
Mid
|
375
|
Papasan chair
|
984
|
32
|
Stub
|
Low
|
376
|
JT (visualization format)
|
983
|
32
|
Start
|
Low
|
377
|
Mitsubishi Model A
|
978
|
32
|
Start
|
Low
|
378
|
Clocky
|
978
|
32
|
Stub
|
Low
|
379
|
Package cushioning
|
975
|
32
|
C
|
Unknown
|
380
|
Vitsœ
|
970
|
32
|
Start
|
Low
|
381
|
Lloyd Groff Copeman
|
945
|
31
|
Start
|
Low
|
382
|
Radiogram (device)
|
942
|
31
|
Start
|
Low
|
383
|
Salone del Mobile
|
941
|
31
|
B
|
Mid
|
384
|
Compasso d'Oro
|
940
|
31
|
C
|
High
|
385
|
Double-sided tape
|
940
|
31
|
Stub
|
Low
|
386
|
ALCO DL-109
|
925
|
30
|
B
|
Mid
|
387
|
Egg (chair)
|
918
|
30
|
Start
|
Low
|
388
|
Niels Diffrient
|
909
|
30
|
C
|
High
|
389
|
Afzal Kahn (automotive designer)
|
905
|
30
|
Start
|
Low
|
390
|
Design management
|
899
|
29
|
C
|
Top
|
391
|
Design research
|
891
|
29
|
Stub
|
Low
|
392
|
Naoto Fukasawa
|
889
|
29
|
C
|
High
|
393
|
Globe Wernicke
|
882
|
29
|
Start
|
Low
|
394
|
Eva Zeisel
|
878
|
29
|
C
|
Low
|
395
|
Harry Bertoia
|
876
|
29
|
C
|
Mid
|
396
|
Autodesk Alias
|
875
|
29
|
Stub
|
Low
|
397
|
Emotional Design
|
875
|
29
|
Stub
|
Mid
|
398
|
Leonardo Fioravanti (engineer)
|
872
|
29
|
Start
|
Low
|
399
|
Jan Wilsgaard
|
871
|
29
|
Start
|
Low
|
400
|
Ball Chair
|
868
|
28
|
Stub
|
Mid
|
401
|
Gebrüder Thonet
|
865
|
28
|
Stub
|
Low
|
402
|
Picnic table
|
863
|
28
|
Start
|
Unknown
|
403
|
Strandkorb
|
863
|
28
|
Stub
|
Low
|
404
|
IF Product Design Award
|
855
|
28
|
Start
|
Mid
|
405
|
Product innovation
|
851
|
28
|
Start
|
Unknown
|
406
|
George Hepplewhite
|
850
|
28
|
Start
|
Low
|
407
|
Hatstand
|
849
|
28
|
Stub
|
Unknown
|
408
|
Danish design
|
845
|
28
|
C
|
Mid
|
409
|
Le Corbusier's Furniture
|
845
|
28
|
Start
|
Mid
|
410
|
List of Motorola V series phones
|
841
|
28
|
List
|
Low
|
411
|
List of furniture designers
|
840
|
28
|
List
|
Mid
|
412
|
Action Office
|
840
|
28
|
Start
|
Unknown
|
413
|
CAD standards
|
839
|
27
|
Start
|
Low
|
414
|
BoConcept
|
838
|
27
|
C
|
Mid
|
415
|
21 21 Design Sight
|
830
|
27
|
Start
|
Low
|
416
|
Henry Petroski
|
829
|
27
|
Start
|
Low
|
417
|
Paul Philippe Cret
|
825
|
27
|
Start
|
Low
|
418
|
Marianne Brandt
|
819
|
27
|
C
|
Mid
|
419
|
Black & Decker DustBuster
|
818
|
27
|
Stub
|
Low
|
420
|
Emeco 1006
|
808
|
26
|
GA
|
Low
|
421
|
Paul László
|
807
|
26
|
Start
|
Low
|
422
|
Valextra
|
803
|
26
|
Start
|
Low
|
423
|
Rover JET1
|
800
|
26
|
Start
|
Low
|
424
|
Superstudio
|
795
|
26
|
C
|
Low
|
425
|
ShotGrid
|
792
|
26
|
Stub
|
Unknown
|
426
|
Freeform surface modelling
|
790
|
26
|
Start
|
Low
|
427
|
Virtual actor
|
790
|
26
|
Start
|
Low
|
428
|
Émile-Jacques Ruhlmann
|
785
|
26
|
Start
|
Low
|
429
|
CMF design
|
785
|
26
|
Start
|
Unknown
|
430
|
B.C. Rich Mockingbird
|
784
|
26
|
Start
|
Low
|
431
|
Norwich University of the Arts
|
783
|
26
|
Start
|
Low
|
432
|
Balanced-arm lamp
|
777
|
25
|
Start
|
Low
|
433
|
IKEA pencil
|
773
|
25
|
Stub
|
Low
|
434
|
Alexander Girard
|
770
|
25
|
Start
|
Low
|
435
|
Dezeen
|
766
|
25
|
Start
|
Low
|
436
|
Marcel Wanders
|
761
|
25
|
Start
|
Low
|
437
|
Hartmut Esslinger
|
760
|
25
|
C
|
High
|
438
|
Achille Castiglioni
|
757
|
25
|
B
|
High
|
439
|
.3ds
|
754
|
25
|
Start
|
Unknown
|
440
|
Fabien Baron
|
751
|
25
|
Start
|
Low
|
441
|
Lewis (lifting appliance)
|
750
|
25
|
C
|
Low
|
442
|
Tripp Trapp
|
750
|
25
|
Stub
|
Low
|
443
|
Mental Images
|
744
|
24
|
Stub
|
Low
|
444
|
Design theory
|
742
|
24
|
Start
|
Low
|
445
|
Lemon squeezer
|
741
|
24
|
Start
|
Low
|
446
|
Utility furniture
|
739
|
24
|
C
|
Low
|
447
|
Design science
|
736
|
24
|
Start
|
High
|
448
|
Finn Juhl
|
736
|
24
|
C
|
Low
|
449
|
Design studio
|
735
|
24
|
Start
|
Unknown
|
450
|
Muntzing
|
734
|
24
|
Stub
|
High
|
451
|
Retail design
|
732
|
24
|
C
|
Low
|
452
|
Sergio Pininfarina
|
728
|
24
|
Start
|
Mid
|
453
|
Cantilever chair
|
726
|
24
|
Stub
|
Low
|
454
|
Philosophy of design
|
726
|
24
|
Stub
|
Unknown
|
455
|
Geometric modeling
|
725
|
24
|
Stub
|
Low
|
456
|
IDC School of Design
|
722
|
24
|
Start
|
Mid
|
457
|
Devon Motorworks
|
722
|
24
|
C
|
Low
|
458
|
Waterfall furniture
|
720
|
24
|
Start
|
Low
|
459
|
Thomas Hope (designer)
|
719
|
23
|
Start
|
Low
|
460
|
Porsche Type 12
|
719
|
23
|
C
|
Low
|
461
|
Paul Mayén
|
718
|
23
|
Start
|
Low
|
462
|
Artek (company)
|
709
|
23
|
Start
|
Low
|
463
|
Designworks
|
708
|
23
|
Stub
|
Low
|
464
|
National Design Centre
|
702
|
23
|
Start
|
Low
|
465
|
Strategic design
|
698
|
23
|
Start
|
High
|
466
|
G Plan
|
697
|
23
|
C
|
Unknown
|
467
|
Apple Inc. design motifs
|
696
|
23
|
C
|
Low
|
468
|
Mario Bellini
|
694
|
23
|
C
|
High
|
469
|
Ericofon
|
693
|
23
|
Start
|
Low
|
470
|
Marcel Janco
|
691
|
23
|
B
|
Low
|
471
|
Carlo Mollino
|
691
|
23
|
C
|
Mid
|
472
|
Milo Baughman
|
687
|
22
|
Start
|
Low
|
473
|
Grand Confort
|
686
|
22
|
Start
|
Mid
|
474
|
Synthetic setae
|
680
|
22
|
B
|
Low
|
475
|
Auxiliary label
|
680
|
22
|
Start
|
Low
|
476
|
Design Academy Eindhoven
|
679
|
22
|
Start
|
Low
|
477
|
Richard Sapper
|
677
|
22
|
B
|
High
|
478
|
Patricia Urquiola
|
675
|
22
|
Start
|
Low
|
479
|
Functional design
|
674
|
22
|
Stub
|
Mid
|
480
|
Massimo Tamburini
|
674
|
22
|
B
|
Low
|
481
|
Morag Myerscough
|
673
|
22
|
Stub
|
Low
|
482
|
Dominant design
|
668
|
22
|
Start
|
High
|
483
|
Isogeometric analysis
|
660
|
22
|
Stub
|
Low
|
484
|
Zaisu
|
656
|
21
|
Start
|
Low
|
485
|
Jasper Morrison
|
651
|
21
|
C
|
Mid
|
486
|
Tapio Wirkkala
|
644
|
21
|
Start
|
Mid
|
487
|
Eero Aarnio
|
643
|
21
|
Start
|
Mid
|
488
|
Vox Mark III
|
643
|
21
|
Stub
|
Low
|
489
|
Sabine Marcelis
|
641
|
21
|
C
|
Mid
|
490
|
Ini Archibong
|
640
|
21
|
B
|
Mid
|
491
|
Grillo telephone
|
637
|
21
|
Start
|
Mid
|
492
|
ISO 13567
|
635
|
21
|
Start
|
Low
|
493
|
Brno chair
|
635
|
21
|
Stub
|
Low
|
494
|
Brionvega
|
633
|
21
|
B
|
Mid
|
495
|
WildBrain CPLG
|
632
|
21
|
Stub
|
Low
|
496
|
Design studies
|
630
|
21
|
C
|
Mid
|
497
|
Goliath GP700
|
629
|
20
|
Start
|
Low
|
498
|
Sunlounger
|
628
|
20
|
Stub
|
Low
|
499
|
Gaetano Pesce
|
627
|
20
|
B
|
Mid
|
500
|
Paolo Monti
|
615
|
20
|
Start
|
Low
|
501
|
Anna Maria Niemeyer
|
612
|
20
|
C
|
Mid
|
502
|
Designmuseum Denmark
|
592
|
19
|
Start
|
Low
|
503
|
List of Italian designers
|
585
|
19
|
List
|
Mid
|
504
|
Campana brothers
|
584
|
19
|
Start
|
Low
|
505
|
Ernest Gimson
|
576
|
19
|
Start
|
Low
|
506
|
Model 3107 chair
|
574
|
19
|
Stub
|
Low
|
507
|
Eliot Noyes
|
571
|
19
|
B
|
Mid
|
508
|
Green engineering
|
568
|
18
|
C
|
Unknown
|
509
|
Design for the environment
|
566
|
18
|
C
|
Low
|
510
|
David Mellor (designer)
|
562
|
18
|
Start
|
Low
|
511
|
B&B Italia
|
558
|
18
|
C
|
Mid
|
512
|
Kenya Hara
|
554
|
18
|
C
|
Low
|
513
|
Beige box
|
552
|
18
|
Stub
|
Low
|
514
|
PH-lamp
|
548
|
18
|
Start
|
Low
|
515
|
Gorilla Tape
|
546
|
18
|
Start
|
Low
|
516
|
Kosta Boda
|
545
|
18
|
Start
|
Low
|
517
|
Jack Lenor Larsen
|
544
|
18
|
C
|
Low
|
518
|
List of industrial designers
|
543
|
18
|
List
|
High
|
519
|
Bambooworking
|
543
|
18
|
Start
|
Low
|
520
|
Robert Welch (designer)
|
538
|
17
|
Start
|
Low
|
521
|
Beswick Pottery
|
537
|
17
|
Start
|
Mid
|
522
|
Murano Glass Museum
|
533
|
17
|
Start
|
Mid
|
523
|
Kartell
|
531
|
17
|
Start
|
Low
|
524
|
Takeo Kikuchi
|
522
|
17
|
Stub
|
Low
|
525
|
Chicago Athenaeum
|
522
|
17
|
Start
|
Low
|
526
|
Robin Day (designer)
|
521
|
17
|
Stub
|
Low
|
527
|
Lloyd Loom
|
516
|
17
|
Start
|
Unknown
|
528
|
Andrew Ure
|
511
|
17
|
B
|
Low
|
529
|
Delcam
|
511
|
17
|
Stub
|
Low
|
530
|
Picquot ware
|
511
|
17
|
Stub
|
Low
|
531
|
Walter Dorwin Teague
|
509
|
16
|
Start
|
Low
|
532
|
Lingerie tape
|
508
|
16
|
Stub
|
Low
|
533
|
Shiro Kuramata
|
504
|
16
|
Stub
|
Low
|
534
|
Chaise Longue (Le Corbusier)
|
504
|
16
|
Stub
|
Low
|
535
|
Louis Majorelle
|
502
|
16
|
C
|
Mid
|
536
|
Corradino D'Ascanio
|
502
|
16
|
C
|
Low
|
537
|
Packaging and packaging waste directive
|
494
|
16
|
Stub
|
Mid
|
538
|
Design Council
|
490
|
16
|
Start
|
Mid
|
539
|
Doccia porcelain
|
489
|
16
|
C
|
Low
|
540
|
Hague Agreement Concerning the International Deposit of Industrial Designs
|
488
|
16
|
Start
|
Low
|
541
|
The HON Company
|
485
|
16
|
Start
|
Low
|
542
|
Museum of Applied Arts (Budapest)
|
483
|
16
|
Start
|
Low
|
543
|
Lean product development
|
483
|
16
|
Start
|
High
|
544
|
Timothy Oulton
|
482
|
16
|
Stub
|
Low
|
545
|
Shurtape Technologies
|
482
|
16
|
C
|
Unknown
|
546
|
Simplexity
|
481
|
16
|
Start
|
Low
|
547
|
Djinn chair
|
481
|
16
|
Start
|
Mid
|
548
|
Blenko Glass Company
|
476
|
15
|
C
|
Mid
|
549
|
Virtual design and construction
|
476
|
15
|
Stub
|
Low
|
550
|
Behavioural design
|
474
|
15
|
C
|
High
|
551
|
Ronan & Erwan Bouroullec
|
473
|
15
|
Start
|
Low
|
552
|
Lucienne Day
|
471
|
15
|
Start
|
Low
|
553
|
African Regional Intellectual Property Organization
|
471
|
15
|
Stub
|
Low
|
554
|
Trimphone
|
469
|
15
|
Start
|
Low
|
555
|
Emeline King
|
469
|
15
|
Start
|
Low
|
556
|
Tugendhat chair
|
468
|
15
|
Stub
|
Low
|
557
|
Thomas Sheraton
|
467
|
15
|
Stub
|
Low
|
558
|
Computer desk
|
464
|
15
|
Start
|
Low
|
559
|
Rick Dickinson
|
464
|
15
|
C
|
Mid
|
560
|
Product and manufacturing information
|
461
|
15
|
Stub
|
Low
|
561
|
Ligne Roset
|
461
|
15
|
Stub
|
Low
|
562
|
Tom Karen
|
461
|
15
|
Start
|
Low
|
563
|
Zig-Zag Chair
|
459
|
15
|
Stub
|
Low
|
564
|
Point of difference
|
457
|
15
|
Start
|
Mid
|
565
|
James Krenov
|
455
|
15
|
Start
|
Low
|
566
|
Maison et Objet
|
455
|
15
|
Stub
|
Low
|
567
|
Laurens van den Acker
|
451
|
15
|
Start
|
Low
|
568
|
Jean Dunand
|
451
|
15
|
Stub
|
Low
|
569
|
Jerry Manock
|
445
|
14
|
B
|
Low
|
570
|
Børge Mogensen
|
443
|
14
|
Start
|
Low
|
571
|
D. J. De Pree
|
440
|
14
|
Stub
|
Low
|
572
|
Cassina S.p.A.
|
439
|
14
|
Start
|
Low
|
573
|
Injection mold construction
|
439
|
14
|
Start
|
Unknown
|
574
|
Design life
|
435
|
14
|
Start
|
Low
|
575
|
Celery vase
|
434
|
14
|
Start
|
Low
|
576
|
Teak furniture
|
433
|
14
|
Start
|
Unknown
|
577
|
Wells Coates
|
430
|
14
|
C
|
Low
|
578
|
Kvadrat (company)
|
428
|
14
|
Start
|
Low
|
579
|
Diego Giacometti
|
426
|
14
|
Start
|
Low
|
580
|
Box-sealing tape
|
425
|
14
|
Start
|
Low
|
581
|
Friction tape
|
424
|
14
|
Stub
|
Low
|
582
|
Clay modeling
|
423
|
14
|
Stub
|
Low
|
583
|
Thomas Day (cabinetmaker)
|
421
|
14
|
B
|
Low
|
584
|
London Design Festival
|
420
|
14
|
C
|
Mid
|
585
|
Pierre Paulin
|
419
|
13
|
Start
|
Low
|
586
|
Director's chair
|
418
|
13
|
Stub
|
Low
|
587
|
Carl Hansen & Søn
|
415
|
13
|
Start
|
Unknown
|
588
|
Gordon Russell (designer)
|
414
|
13
|
Start
|
Low
|
589
|
IKEA Klippan
|
411
|
13
|
Start
|
Low
|
590
|
Ingo Maurer
|
408
|
13
|
B
|
Low
|
591
|
Olivetti Elea
|
407
|
13
|
B
|
Low
|
592
|
Draw sheet
|
406
|
13
|
Start
|
Low
|
593
|
Bill Moggridge
|
404
|
13
|
B
|
High
|
594
|
Mart Stam
|
402
|
13
|
Start
|
Low
|
595
|
Knole Settee
|
401
|
13
|
Start
|
Unknown
|
596
|
Winged edge
|
398
|
13
|
Stub
|
Low
|
597
|
Kaare Klint
|
397
|
13
|
C
|
Mid
|
598
|
Jens Risom
|
396
|
13
|
Start
|
Low
|
599
|
Jock Kinneir
|
395
|
13
|
Start
|
Low
|
600
|
Empathic design
|
393
|
13
|
Start
|
Mid
|
601
|
Productionisation
|
392
|
13
|
Stub
|
Mid
|
602
|
Tensor lamp
|
392
|
13
|
Start
|
Unknown
|
603
|
10 Downing Street Guard Chairs
|
389
|
12
|
Start
|
Low
|
604
|
Kem Weber
|
388
|
12
|
Start
|
Low
|
605
|
Ant (chair)
|
384
|
12
|
Stub
|
Mid
|
606
|
Wendell Castle
|
384
|
12
|
C
|
Low
|
607
|
Vertical form fill sealing machine
|
384
|
12
|
Start
|
Low
|
608
|
F. Schumacher & Co.
|
384
|
12
|
Start
|
Mid
|
609
|
Nebiolo Printech
|
384
|
12
|
Start
|
Low
|
610
|
Digital mockup
|
383
|
12
|
Stub
|
Low
|
611
|
Transitional Style
|
382
|
12
|
Start
|
Unknown
|
612
|
Gooseneck lamp
|
381
|
12
|
Stub
|
Low
|
613
|
Metal furniture
|
380
|
12
|
Start
|
Unknown
|
614
|
Subaru Suiren
|
380
|
12
|
Start
|
Unknown
|
615
|
World Design Capital
|
375
|
12
|
Stub
|
Low
|
616
|
Widdicomb Furniture Company
|
374
|
12
|
Start
|
Mid
|
617
|
Vico Magistretti
|
373
|
12
|
C
|
High
|
618
|
Eames Aluminum Group
|
373
|
12
|
Start
|
Unknown
|
619
|
ASME Y14.41
|
372
|
12
|
Stub
|
Low
|
620
|
Knowledge-based engineering
|
370
|
12
|
Start
|
Low
|
621
|
Edgar Miller (artist)
|
370
|
12
|
C
|
Unknown
|
622
|
Ellen's Next Great Designer
|
369
|
12
|
Start
|
Low
|
623
|
Timo Sarpaneva
|
367
|
12
|
C
|
Mid
|
624
|
Robert Brunner
|
367
|
12
|
Start
|
Mid
|
625
|
Oki Sato
|
366
|
12
|
Start
|
Low
|
626
|
Moholy-Nagy University of Art and Design
|
365
|
12
|
Start
|
Low
|
627
|
Design classic
|
365
|
12
|
Start
|
Low
|
628
|
ANSA pre-processor
|
364
|
12
|
Stub
|
Unknown
|
629
|
Salamander heater
|
363
|
12
|
Stub
|
Unknown
|
630
|
Product structure modeling
|
363
|
12
|
Start
|
Low
|
631
|
Viktor Schreckengost
|
362
|
12
|
Start
|
Low
|
632
|
Rover chair
|
361
|
12
|
B
|
Mid
|
633
|
Musgrave Pencil Company
|
360
|
12
|
Start
|
Unknown
|
634
|
Lella Vignelli
|
359
|
11
|
B
|
Mid
|
635
|
ICAD (software)
|
355
|
11
|
Start
|
Low
|
636
|
I.D. (magazine)
|
355
|
11
|
Start
|
Mid
|
637
|
James Dyson Award
|
355
|
11
|
Start
|
Low
|
638
|
Charles Eastlake
|
354
|
11
|
Stub
|
Low
|
639
|
VDA 6.1
|
354
|
11
|
Stub
|
Low
|
640
|
Samuel Abraham Marx
|
353
|
11
|
Stub
|
Low
|
641
|
Peter Opsvik
|
352
|
11
|
C
|
Low
|
642
|
Design Museum of Barcelona
|
351
|
11
|
C
|
Low
|
643
|
Transgenerational design
|
351
|
11
|
C
|
Mid
|
644
|
Michael Young (industrial designer)
|
351
|
11
|
C
|
Mid
|
645
|
Christopher Guy Harrison
|
350
|
11
|
Stub
|
Low
|
646
|
Central Institute of Tool Design
|
346
|
11
|
Start
|
Low
|
647
|
Maarten Baas
|
345
|
11
|
Stub
|
Low
|
648
|
Donald Deskey
|
344
|
11
|
Start
|
Low
|
649
|
Marco Zanuso
|
344
|
11
|
C
|
Mid
|
650
|
Piet Zwart
|
342
|
11
|
Start
|
Low
|
651
|
Radical period
|
342
|
11
|
Stub
|
Mid
|
652
|
Paul McCobb
|
341
|
11
|
C
|
Low
|
653
|
Ugo Zagato
|
340
|
11
|
Start
|
Low
|
654
|
Icon design
|
339
|
11
|
Start
|
Unknown
|
655
|
Drop-leaf table
|
339
|
11
|
Stub
|
Unknown
|
656
|
Computer-automated design
|
339
|
11
|
Stub
|
Low
|
657
|
James T. Baldwin
|
338
|
11
|
Start
|
Low
|
658
|
Solid sorbents for carbon capture
|
338
|
11
|
C
|
Unknown
|
659
|
CAD data exchange
|
336
|
11
|
Start
|
Low
|
660
|
Design museum
|
335
|
11
|
Start
|
Low
|
661
|
Typewriter desk
|
333
|
11
|
Start
|
Unknown
|
662
|
Rico Daniels
|
333
|
11
|
Stub
|
Low
|
663
|
Jean-Michel Wilmotte
|
333
|
11
|
C
|
Low
|
664
|
Robert Propst (inventor)
|
330
|
11
|
Stub
|
Low
|
665
|
Paolo Venini
|
330
|
11
|
C
|
Low
|
666
|
Herter Brothers
|
329
|
10
|
Start
|
Low
|
667
|
Piero Portaluppi
|
329
|
10
|
C
|
Low
|
668
|
Pipsan Saarinen Swanson
|
328
|
10
|
Start
|
Low
|
669
|
Ross Lovegrove
|
327
|
10
|
Start
|
Mid
|
670
|
Design paradigm
|
326
|
10
|
Start
|
Low
|
671
|
Bill Stumpf
|
325
|
10
|
Start
|
Low
|
672
|
Gufram
|
325
|
10
|
C
|
Mid
|
673
|
Design education
|
324
|
10
|
Stub
|
Low
|
674
|
Enrico Fumia
|
321
|
10
|
Start
|
Low
|
675
|
Design Research Unit
|
320
|
10
|
Stub
|
Low
|
676
|
Organosolv
|
320
|
10
|
C
|
Low
|
677
|
Weltron
|
320
|
10
|
C
|
Low
|
678
|
Folding seat
|
319
|
10
|
Stub
|
Low
|
679
|
Antonio Citterio
|
317
|
10
|
Start
|
Mid
|
680
|
Virtual prototyping
|
317
|
10
|
Start
|
Low
|
681
|
List of awards and nominations received by Jony Ive
|
316
|
10
|
List
|
Low
|
682
|
Isophote
|
315
|
10
|
Stub
|
Unknown
|
683
|
Swan (chair)
|
314
|
10
|
Stub
|
Mid
|
684
|
Matteo Thun
|
313
|
10
|
Start
|
Low
|
685
|
Franco Albini
|
313
|
10
|
Start
|
Mid
|
686
|
École cantonale d'art de Lausanne
|
313
|
10
|
C
|
Mid
|
687
|
Wilhelm Wagenfeld
|
311
|
10
|
Start
|
Low
|
688
|
Barber Osgerby
|
311
|
10
|
C
|
Low
|
689
|
Nendo (design firm)
|
306
|
10
|
C
|
Low
|
690
|
Dutch Design Week
|
303
|
10
|
Stub
|
Mid
|
691
|
Sixten Sason
|
301
|
10
|
Start
|
Low
|
692
|
Benjamin Bowden
|
301
|
10
|
Start
|
Unknown
|
693
|
Gooseneck (fixture)
|
300
|
10
|
Start
|
Low
|
694
|
EPA WaterSense
|
298
|
9
|
Stub
|
Mid
|
695
|
MEDUSA
|
298
|
9
|
Start
|
Unknown
|
696
|
S1 MP3 player
|
296
|
9
|
Stub
|
Low
|
697
|
Martine Bedin
|
294
|
9
|
C
|
Low
|
698
|
Ikepod
|
289
|
9
|
Start
|
Low
|
699
|
Paul T. Frankl
|
288
|
9
|
Start
|
Low
|
700
|
Xanti Schawinsky
|
288
|
9
|
Start
|
Unknown
|
701
|
John Makepeace
|
287
|
9
|
Stub
|
Low
|
702
|
Changing table
|
287
|
9
|
Stub
|
Low
|
703
|
Don Chadwick
|
287
|
9
|
Start
|
Low
|
704
|
Poul Kjærholm
|
286
|
9
|
Start
|
Low
|
705
|
Earl R. Dean
|
286
|
9
|
Start
|
Low
|
706
|
Harris Lebus
|
286
|
9
|
Start
|
Low
|
707
|
Tom Hardy (designer)
|
285
|
9
|
Start
|
Low
|
708
|
Bruno Paul
|
284
|
9
|
Stub
|
Low
|
709
|
Andrea Branzi
|
284
|
9
|
Start
|
Unknown
|
710
|
Nina Petronzio
|
283
|
9
|
Start
|
Low
|
711
|
Arco (lamp)
|
283
|
9
|
Start
|
High
|
712
|
World Design Organization
|
282
|
9
|
Start
|
High
|
713
|
Emilio Ambasz
|
279
|
9
|
C
|
Mid
|
714
|
Teague (company)
|
278
|
9
|
Stub
|
Low
|
715
|
USM Modular Furniture
|
277
|
9
|
Start
|
Low
|
716
|
Bruno Mathsson
|
274
|
9
|
Start
|
Low
|
717
|
Moooi
|
274
|
9
|
B
|
Low
|
718
|
Fabio Taglioni
|
273
|
9
|
Stub
|
Low
|
719
|
Cesar Vergara
|
271
|
9
|
Start
|
Low
|
720
|
Quad-edge
|
270
|
9
|
Stub
|
Low
|
721
|
Hans Gugelot
|
270
|
9
|
Start
|
Low
|
722
|
Fuseproject
|
269
|
8
|
Stub
|
Low
|
723
|
Stuart Pugh
|
269
|
8
|
Start
|
Low
|
724
|
Electric guitar design
|
268
|
8
|
Start
|
Low
|
725
|
Piero Lissoni
|
268
|
8
|
Start
|
Low
|
726
|
Isovist
|
267
|
8
|
Stub
|
Low
|
727
|
Tizio
|
265
|
8
|
Stub
|
Mid
|
728
|
Bubble chair
|
264
|
8
|
Stub
|
Low
|
729
|
Kaj Franck
|
261
|
8
|
Start
|
Low
|
730
|
Natural mapping (interface design)
|
261
|
8
|
Start
|
Mid
|
731
|
Howard "Dutch" Darrin
|
261
|
8
|
Stub
|
Unknown
|
732
|
Swedish Centre for Architecture and Design
|
260
|
8
|
C
|
Low
|
733
|
William Lescaze
|
259
|
8
|
B
|
Low
|
734
|
Jens Quistgaard
|
258
|
8
|
Start
|
Low
|
735
|
Forward Look
|
254
|
8
|
Redirect
|
NA
|
736
|
Paul R. Evans
|
254
|
8
|
Start
|
Low
|
737
|
Daniel Marot
|
253
|
8
|
Start
|
Low
|
738
|
Carlton House desk
|
253
|
8
|
Start
|
Unknown
|
739
|
Jonathan Glancey
|
253
|
8
|
Start
|
Low
|
740
|
Unimark International
|
253
|
8
|
Start
|
Low
|
741
|
Constraint (computer-aided design)
|
253
|
8
|
Start
|
Low
|
742
|
Alphonse Chapanis
|
252
|
8
|
Start
|
Low
|
743
|
Mogul lamp
|
252
|
8
|
Start
|
Unknown
|
744
|
International Forum Design
|
252
|
8
|
Stub
|
Low
|
745
|
Helen Dryden
|
251
|
8
|
C
|
Low
|
746
|
Suzie Zuzek
|
251
|
8
|
B
|
Low
|
747
|
Hanssem
|
249
|
8
|
Start
|
Low
|
748
|
Adjustable Table E 1027
|
247
|
8
|
Start
|
Mid
|
749
|
Poggenpohl
|
246
|
8
|
Stub
|
Low
|
750
|
Corrugated box
|
244
|
8
|
Redirect
|
NA
|
751
|
A & M Karagheusian
|
244
|
8
|
Stub
|
Low
|
752
|
Alexander Neumeister
|
244
|
8
|
Stub
|
Low
|
753
|
Zuber & Cie
|
244
|
8
|
Start
|
Mid
|
754
|
Function-Behaviour-Structure ontology
|
244
|
8
|
C
|
Unknown
|
755
|
Alexis de Sakhnoffsky
|
243
|
8
|
Start
|
Low
|
756
|
Rolf Fehlbaum
|
243
|
8
|
C
|
Low
|
757
|
Alma Siedhoff-Buscher
|
239
|
7
|
Stub
|
Unknown
|
758
|
Heller, Inc.
|
238
|
7
|
C
|
Mid
|
759
|
L. Bruce Archer
|
237
|
7
|
Start
|
Low
|
760
|
Thomas Hayo
|
236
|
7
|
Stub
|
Low
|
761
|
Ton van de Ven
|
235
|
7
|
Stub
|
Low
|
762
|
Industrial Designers Society of America
|
235
|
7
|
Start
|
High
|
763
|
List of Bunnykins figurines
|
234
|
7
|
List
|
Mid
|
764
|
Josef Hartwig
|
234
|
7
|
Start
|
Low
|
765
|
Neil Poulton
|
229
|
7
|
C
|
Low
|
766
|
Braun LE1
|
229
|
7
|
Stub
|
Low
|
767
|
Pierre Frey
|
228
|
7
|
Start
|
Unknown
|
768
|
Studio Alchimia
|
227
|
7
|
Start
|
Unknown
|
769
|
Extreme users
|
227
|
7
|
C
|
Mid
|
770
|
Stehli Silks
|
227
|
7
|
C
|
Low
|
771
|
Idea (disambiguation)
|
225
|
7
|
Disambig
|
NA
|
772
|
Stevengraph
|
225
|
7
|
Start
|
Mid
|
773
|
Alice Rawsthorn
|
224
|
7
|
C
|
Low
|
774
|
Jon Bannenberg
|
223
|
7
|
Stub
|
Low
|
775
|
Museum of Design, Zürich
|
223
|
7
|
Start
|
Mid
|
776
|
Richard Arbib
|
223
|
7
|
Start
|
Low
|
777
|
Design Museum Brussels
|
223
|
7
|
Start
|
Low
|
778
|
Community design
|
220
|
7
|
Start
|
Mid
|
779
|
UNISURF
|
219
|
7
|
Stub
|
Low
|
780
|
Droog (company)
|
219
|
7
|
Start
|
Low
|
781
|
Otto Kuhler
|
218
|
7
|
B
|
Mid
|
782
|
Sonic interaction design
|
218
|
7
|
Stub
|
Low
|
783
|
Furniture screw
|
218
|
7
|
NA
|
NA
|
784
|
Filament tape
|
217
|
7
|
Start
|
Low
|
785
|
Designboom
|
217
|
7
|
Start
|
Low
|
786
|
Marcello Nizzoli
|
216
|
7
|
Start
|
Low
|
787
|
George Sowden
|
216
|
7
|
Start
|
Low
|
788
|
40/4 Chair
|
216
|
7
|
Start
|
Mid
|
789
|
Karlsruhe University of Arts and Design
|
215
|
7
|
C
|
Low
|
790
|
T. H. Robsjohn-Gibbings
|
213
|
7
|
Start
|
Low
|
791
|
Sara Little Turnbull
|
213
|
7
|
Start
|
Low
|
792
|
Eric Stoddard
|
213
|
7
|
Stub
|
Low
|
793
|
Jack Pritchard
|
210
|
7
|
Stub
|
Low
|
794
|
Multi-material injection molding
|
209
|
6
|
Start
|
Unknown
|
795
|
École Camondo
|
208
|
6
|
Stub
|
Low
|
796
|
Tage Frid
|
206
|
6
|
Stub
|
Low
|
797
|
Gilbert Rohde
|
206
|
6
|
Start
|
Low
|
798
|
Tip-top table
|
206
|
6
|
Stub
|
Unknown
|
799
|
Tolomeo desk lamp
|
204
|
6
|
Start
|
Low
|
800
|
Ian Proctor
|
204
|
6
|
Stub
|
Low
|
801
|
École Boulle
|
204
|
6
|
Stub
|
Low
|
802
|
Systems-oriented design
|
203
|
6
|
C
|
Unknown
|
803
|
John Heskett
|
202
|
6
|
Start
|
Low
|
804
|
3D floor plan
|
200
|
6
|
Stub
|
Low
|
805
|
Ovalia Egg Chair
|
200
|
6
|
Stub
|
Low
|
806
|
Pio Manzù
|
200
|
6
|
C
|
Low
|
807
|
Monterey Furniture
|
199
|
6
|
Start
|
Unknown
|
808
|
Easy Edges
|
198
|
6
|
Stub
|
Low
|
809
|
Charles Limbert
|
198
|
6
|
Start
|
Low
|
810
|
African design
|
198
|
6
|
Start
|
Low
|
811
|
Color Marketing Group
|
196
|
6
|
Stub
|
Low
|
812
|
Cifra 3
|
195
|
6
|
Start
|
Low
|
813
|
Jack Sangster
|
195
|
6
|
Start
|
Mid
|
814
|
Charles "Chuck" Harrison
|
195
|
6
|
C
|
Low
|
815
|
Bernadotte & Kylberg
|
195
|
6
|
Start
|
Unknown
|
816
|
GRAITEC
|
194
|
6
|
Start
|
Low
|
817
|
Carl Auböck
|
194
|
6
|
Start
|
Mid
|
818
|
Tucker Viemeister
|
192
|
6
|
Stub
|
Low
|
819
|
International Design Excellence Awards
|
190
|
6
|
Stub
|
Mid
|
820
|
Centripetal Spring Armchair
|
189
|
6
|
Start
|
Unknown
|
821
|
Bernhardt Design
|
189
|
6
|
Start
|
Low
|
822
|
Rex (chair)
|
188
|
6
|
Stub
|
Low
|
823
|
Yoichi Ochiai
|
188
|
6
|
C
|
Low
|
824
|
Oliver Lincoln Lundquist
|
186
|
6
|
C
|
Mid
|
825
|
Charley Morgan
|
186
|
6
|
Start
|
Low
|
826
|
Model 60 stacking stool
|
186
|
6
|
Start
|
Low
|
827
|
Geschmacksmuster
|
184
|
6
|
Stub
|
Low
|
828
|
English furniture
|
184
|
6
|
Stub
|
Low
|
829
|
Thomas Humber
|
183
|
6
|
C
|
Low
|
830
|
International Design Awards
|
183
|
6
|
Stub
|
Low
|
831
|
Syd Mead's TerraForming
|
183
|
6
|
Stub
|
Low
|
832
|
Assembly modelling
|
182
|
6
|
Stub
|
Low
|
833
|
Cleo Baldon
|
182
|
6
|
Start
|
Mid
|
834
|
DAC-1
|
182
|
6
|
Start
|
Low
|
835
|
Tony Chambers
|
182
|
6
|
C
|
Low
|
836
|
Flavio Poli
|
182
|
6
|
Stub
|
Low
|
837
|
WorkNC
|
181
|
6
|
Stub
|
Low
|
838
|
Röhsska Museum
|
179
|
5
|
Start
|
Low
|
839
|
Sacha Lakic
|
179
|
5
|
Start
|
Unknown
|
840
|
Onorina Tomasin-Brion
|
179
|
5
|
Start
|
Unknown
|
841
|
James Irvine (designer)
|
178
|
5
|
C
|
Mid
|
842
|
Dror Benshetrit
|
178
|
5
|
Start
|
Low
|
843
|
ADI Design Museum
|
178
|
5
|
Start
|
Mid
|
844
|
Australian Good Design Awards
|
177
|
5
|
Stub
|
Mid
|
845
|
Win Ng
|
177
|
5
|
Start
|
Low
|
846
|
Richard Schultz
|
177
|
5
|
Start
|
Low
|
847
|
Experiential interior design
|
177
|
5
|
Start
|
Mid
|
848
|
Design for lean manufacturing
|
177
|
5
|
Start
|
Mid
|
849
|
Design Exchange
|
176
|
5
|
Start
|
Low
|
850
|
Dorothy Liebes
|
176
|
5
|
C
|
Low
|
851
|
HeeksCAD
|
176
|
5
|
Start
|
Mid
|
852
|
Computer-aided industrial design
|
175
|
5
|
Stub
|
High
|
853
|
PH Artichoke
|
174
|
5
|
Stub
|
Low
|
854
|
Scoring (industrial process)
|
174
|
5
|
Start
|
Unknown
|
855
|
David Roentgen
|
172
|
5
|
Start
|
Low
|
856
|
Sphinx (home automation system)
|
172
|
5
|
Start
|
Mid
|
857
|
Mary Wright (designer)
|
172
|
5
|
B
|
Low
|
858
|
United States House Energy Subcommittee on Environment, Manufacturing, and Critical Minerals
|
171
|
5
|
Start
|
Unknown
|
859
|
Jean Puiforcat
|
171
|
5
|
Start
|
Mid
|
860
|
Chicken harvester
|
170
|
5
|
Start
|
Low
|
861
|
David Ogle
|
169
|
5
|
Start
|
Low
|
862
|
Nanna Ditzel
|
169
|
5
|
Stub
|
Low
|
863
|
Smart Design
|
169
|
5
|
Start
|
Mid
|
864
|
Edward Wormley
|
168
|
5
|
Stub
|
Low
|
865
|
Satyendra Pakhale
|
168
|
5
|
Start
|
Low
|
866
|
Isokon Long Chair
|
168
|
5
|
Stub
|
Unknown
|
867
|
Carl Gustav Magnusson
|
168
|
5
|
Start
|
Low
|
868
|
Douglas Darden
|
167
|
5
|
B
|
Unknown
|
869
|
Yuri Suzuki (designer)
|
167
|
5
|
C
|
Low
|
870
|
Metamorphic library steps
|
164
|
5
|
Start
|
Unknown
|
871
|
Geoff Apps
|
164
|
5
|
Stub
|
Low
|
872
|
Studio Drift
|
164
|
5
|
Start
|
Low
|
873
|
Custom-fit
|
163
|
5
|
Start
|
Mid
|
874
|
Polypropylene stacking chair
|
163
|
5
|
Stub
|
Low
|
875
|
Paola Navone
|
163
|
5
|
Start
|
Unknown
|
876
|
David Pye (furniture designer)
|
161
|
5
|
Stub
|
Low
|
877
|
Barnsley brothers
|
161
|
5
|
Start
|
Low
|
878
|
Roger Tallon
|
160
|
5
|
Start
|
Mid
|
879
|
Christian Dell
|
159
|
5
|
Stub
|
Low
|
880
|
Objet Geometries
|
159
|
5
|
Stub
|
Low
|
881
|
Sustainable furniture design
|
159
|
5
|
Stub
|
Unknown
|
882
|
Smyk (car)
|
159
|
5
|
Start
|
Low
|
883
|
Franco Lodato
|
159
|
5
|
Start
|
Unknown
|
884
|
Gerd A. Müller
|
157
|
5
|
Start
|
Low
|
885
|
Marva Griffin
|
157
|
5
|
C
|
Unknown
|
886
|
Clement Meadmore
|
156
|
5
|
C
|
Low
|
887
|
Applicon
|
156
|
5
|
Stub
|
Low
|
888
|
Grete Jalk
|
156
|
5
|
Start
|
Low
|
889
|
David Caon
|
156
|
5
|
C
|
Low
|
890
|
Jean Bérain the Elder
|
155
|
5
|
Start
|
Low
|
891
|
Ammunition Design Group
|
155
|
5
|
Start
|
Low
|
892
|
Inga Sempé
|
155
|
5
|
Start
|
Low
|
893
|
Pier Giacomo Castiglioni
|
154
|
5
|
C
|
High
|
894
|
Rover T3
|
154
|
5
|
C
|
Low
|
895
|
Alan Peters
|
153
|
5
|
Stub
|
Low
|
896
|
Harley-Davidson Motorcycle Factory Building
|
153
|
5
|
B
|
Low
|
897
|
List of STEP (ISO 10303) parts
|
152
|
5
|
List
|
Mid
|
898
|
Frederick Meyer
|
152
|
5
|
Start
|
Low
|
899
|
Jimmyjane
|
152
|
5
|
Stub
|
Low
|
900
|
Collaborative product development
|
150
|
5
|
Start
|
Low
|
901
|
Bruno Rey
|
150
|
5
|
Start
|
Unknown
|
902
|
Arne Vodder
|
149
|
4
|
Stub
|
Low
|
903
|
Jacques Adnet
|
148
|
4
|
Stub
|
Low
|
904
|
Naoki Sakai (industrial designer)
|
148
|
4
|
Start
|
Low
|
905
|
Diamond chair
|
147
|
4
|
Stub
|
Unknown
|
906
|
Kazuo Kawasaki
|
147
|
4
|
Stub
|
Low
|
907
|
Charles Radtke
|
147
|
4
|
Stub
|
Low
|
908
|
Michael Lax
|
147
|
4
|
Start
|
Unknown
|
909
|
Giulio Cappellini
|
146
|
4
|
Start
|
Low
|
910
|
Betty Thatcher Oros
|
146
|
4
|
Start
|
Mid
|
911
|
François-Honoré-Georges Jacob-Desmalter
|
145
|
4
|
Start
|
Low
|
912
|
Dunne & Raby
|
145
|
4
|
Stub
|
Low
|
913
|
Mundus furniture
|
144
|
4
|
Stub
|
Low
|
914
|
Imm Cologne
|
144
|
4
|
Start
|
Mid
|
915
|
Ambrose Heal
|
143
|
4
|
Stub
|
Low
|
916
|
Horia Creangă
|
143
|
4
|
Start
|
Low
|
917
|
1970s in furniture
|
143
|
4
|
Stub
|
Low
|
918
|
Tear tape
|
143
|
4
|
Stub
|
Low
|
919
|
Projection augmented model
|
142
|
4
|
Start
|
Low
|
920
|
École nationale supérieure des arts appliqués et des métiers d'art
|
142
|
4
|
Start
|
Low
|
921
|
Design competition
|
141
|
4
|
Start
|
Unknown
|
922
|
Nanny Still
|
140
|
4
|
C
|
Low
|
923
|
Office of the future
|
139
|
4
|
Start
|
Low
|
924
|
Bergen Academy of Art and Design
|
139
|
4
|
Stub
|
Low
|
925
|
Sheex
|
139
|
4
|
Start
|
Low
|
926
|
Ayse Birsel
|
136
|
4
|
Start
|
Unknown
|
927
|
Ralph Osterhout
|
135
|
4
|
Start
|
Low
|
928
|
Ravi Sawhney
|
135
|
4
|
Stub
|
Low
|
929
|
Powder coating on glass
|
135
|
4
|
Start
|
Unknown
|
930
|
Astro Studios
|
133
|
4
|
Stub
|
Unknown
|
931
|
Wilkhahn
|
132
|
4
|
Start
|
Low
|
932
|
Design of plastic components
|
132
|
4
|
C
|
Unknown
|
933
|
Nathan George Horwitt
|
131
|
4
|
Start
|
Low
|
934
|
Feature recognition
|
131
|
4
|
Stub
|
Low
|
935
|
Carl-Axel Acking
|
131
|
4
|
Stub
|
Low
|
936
|
Integrated Computer-Aided Manufacturing
|
129
|
4
|
Start
|
Low
|
937
|
Green Building XML
|
129
|
4
|
Stub
|
Low
|
938
|
GenerativeComponents
|
129
|
4
|
Stub
|
Low
|
939
|
Jerome and Evelyn Ackerman
|
129
|
4
|
C
|
Mid
|
940
|
Wim Rietveld
|
129
|
4
|
Start
|
Low
|
941
|
Before Yesterday We Could Fly
|
129
|
4
|
B
|
Low
|
942
|
Anna Pottery
|
129
|
4
|
Stub
|
Mid
|
943
|
Discbox slider
|
128
|
4
|
Stub
|
Unknown
|
944
|
Cyber manufacturing
|
128
|
4
|
Start
|
Unknown
|
945
|
111 Navy Chair
|
128
|
4
|
Start
|
Low
|
946
|
Olivier Mourgue
|
127
|
4
|
Stub
|
Low
|
947
|
Ericsson Dialog
|
127
|
4
|
Start
|
Low
|
948
|
Gettysburg furniture companies
|
127
|
4
|
Start
|
Low
|
949
|
Sergio Rodrigues (architect)
|
127
|
4
|
Start
|
Low
|
950
|
Anthony Andre
|
127
|
4
|
Start
|
Unknown
|
951
|
Jon Marshall
|
127
|
4
|
Start
|
Unknown
|
952
|
Helena Tynell
|
127
|
4
|
B
|
Unknown
|
953
|
Floor marking tape
|
126
|
4
|
Stub
|
Low
|
954
|
Franklin D. Israel
|
126
|
4
|
Start
|
Unknown
|
955
|
Wood family
|
126
|
4
|
Start
|
Low
|
956
|
IKEA Lack
|
126
|
4
|
Stub
|
Low
|
957
|
Ole Wanscher
|
125
|
4
|
Stub
|
Low
|
958
|
John Saladino
|
125
|
4
|
Start
|
Low
|
959
|
ROR (design company)
|
125
|
4
|
Stub
|
Low
|
960
|
McKinley Thompson Jr.
|
125
|
4
|
Start
|
Low
|
961
|
Desk and bench
|
124
|
4
|
Stub
|
Unknown
|
962
|
Hille (furniture)
|
124
|
4
|
Start
|
Mid
|
963
|
Flexform
|
124
|
4
|
Start
|
Low
|
964
|
Design Museum of Chicago
|
124
|
4
|
B
|
Low
|
965
|
Luud Schimmelpennink
|
123
|
4
|
Start
|
Low
|
966
|
Roger C. Field
|
123
|
4
|
Stub
|
Low
|
967
|
Weissenhof chair
|
123
|
4
|
Stub
|
Mid
|
968
|
Arflex
|
122
|
4
|
Stub
|
Low
|
969
|
Architectural animation
|
122
|
4
|
Stub
|
Low
|
970
|
Lurelle Guild
|
122
|
4
|
Start
|
Low
|
971
|
Nigel Coates (architect)
|
122
|
4
|
Start
|
Low
|
972
|
Sky-Sailor
|
122
|
4
|
Start
|
Low
|
973
|
Davis Allen
|
121
|
4
|
Start
|
Mid
|
974
|
RKS Design
|
121
|
4
|
Stub
|
Unknown
|
975
|
Nondestructive Evaluation 4.0
|
121
|
4
|
C
|
Unknown
|
976
|
Michelotti Shellette
|
121
|
4
|
C
|
Low
|
977
|
Jean-Marie Massaud
|
120
|
4
|
C
|
Low
|
978
|
Design and Industries Association
|
120
|
4
|
Stub
|
Low
|
979
|
Performance management work
|
120
|
4
|
C
|
Unknown
|
980
|
Hans Olsen (furniture designer)
|
119
|
3
|
Stub
|
Low
|
981
|
Coat rack
|
118
|
3
|
Redirect
|
NA
|
982
|
Alfonso Iannelli
|
118
|
3
|
Stub
|
Low
|
983
|
Garden Egg chair
|
118
|
3
|
Stub
|
Low
|
984
|
Gianfranco Frattini
|
117
|
3
|
C
|
Mid
|
985
|
Jonathan Olivares
|
116
|
3
|
C
|
Low
|
986
|
Corin Mellor
|
115
|
3
|
Start
|
Unknown
|
987
|
Davison Design & Development
|
115
|
3
|
Start
|
Low
|
988
|
Zeev Aram
|
115
|
3
|
Start
|
Low
|
989
|
Nika Zupanc
|
115
|
3
|
Start
|
Low
|
990
|
Maria Cristina Didero
|
114
|
3
|
C
|
Mid
|
991
|
Arturo Vittori
|
113
|
3
|
Stub
|
Low
|
992
|
Sam Hecht
|
113
|
3
|
Stub
|
Low
|
993
|
Britain Can Make It
|
113
|
3
|
Start
|
Low
|
994
|
Swing tag
|
113
|
3
|
Start
|
Low
|
995
|
Core77
|
112
|
3
|
Stub
|
Low
|
996
|
Jay Doblin
|
112
|
3
|
Stub
|
Unknown
|
997
|
Giovanni Pintori
|
112
|
3
|
Start
|
Low
|
998
|
Allen Boothroyd
|
111
|
3
|
Stub
|
Low
|
999
|
Joseph Claude Sinel
|
111
|
3
|
B
|
Low
|
1000
|
Maarten van Severen
|
111
|
3
|
Stub
|
Low
|