Wikipedia

Yuval Avital

Yuval Avital (born in Jerusalem in 1977) is a multimedia artist, composer and guitarist based in Milan, Italy.[1] His large-scale installations and immersive performances have been presented in prominent museums[2], biennials[3], opera houses[4] and cultural institutions worldwide. Avital’s multidisciplinary practice spans sound, visual art, performance, video-art and theater, often in collaboration with scientific institute such as NASA,[5] ethnographic archives[6], master craftsmen[7], traditional performers and entire entire urban communities[8]. In 2016 his icon-sonic opera Fuga Perpetua received the sponsorship of the UNHCR[9], underscoring his commitment to socially and culturally significant themes.

Yuval Avital
Background information
BornIsrael
Genresmultimedia art, visual art, contemporary music, experimental music, multicultural and multidisciplinary music, video art, sound art
Instrument(s)classical guitar, electric guitar, live electronics, video
Websitewww.yuvalavital.com

Biography

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Born in Jerusalem in 1977 and living in Milan, composer, multimedia artist and guitar player Yuval Avital develops his works in a variety of spaces, including public venues, industrial archaeological sites, theatres and museums, challenging the traditional crystallized categories that separate the arts.

His wide-ranging career includes the realization of monographic exhibitions, massive sonic works, sound and video installations of vast dimensions, collective performances involving sound masses in the creation of contemporary rituals, icon-sonic operas and artworks, complex multimedia frameworks, technological projects with the participation of scientists and usage of artificial intelligence, and compositions for soloists, choirs, orchestras and ensembles involving, sometimes, traditional masters of ancient cultures, dancers, performers and non-musicians.[10]

Works

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Avital’s sound and visual artworks have been presented in museums, art foundations, venues and art events such as MANIFESTA Biennial, GAM - Torino, MACRO Museum of Contemporary Art Rome; OSTRALE Dresden Biennial, La Fabbrica del Cioccolato Foundation in Switzerland, Saint Antoine Church Istanbul, Marino Marini Museum in Florence; National Science and Technology Museum “Leonardo da Vinci” in Milan. He is the author of large-scale Installations such as ALMA MATER - the largest sound installation in Italian history, the artwork covers an area of 1200 sqm with a “forest” of 140 loudspeakers, projections and light (Fabbrica del Vapore, Milan 2015); permanent Sound Sculptures such as THE RATTLES GARDEN - composed of fifty wrought-iron wheat-like sculptures and olive trees on which are hanged 180 bells and rattles from every part of the Mediterranean (Mulinum San Floro, Calabria) and OPEN FENCE - a massive Sound-Sculpture (biggest in Italy), of 320 tubular bells, 64 meters long and 4 meters high, playable by 80 visitors simultaneously (East End Studios, Milan).

Different works of Avital are dedicated to humanitarian issues such as his Opera Fuga Perpetua (2016) whose protagonists are refugees, which is endorsed by United Nations UNHCR; and his Opera Giobbe [Job, 2018 ] (איוב), commissioned by the Italian Government and the Italian the chairmanship of the IHRA (International Holocaust Remembrance Alliance) in occasion of the 80th anniversary of the promulgation of the racial laws, In which he connected the holocaust to the genocides which followed afterwards till today.

His latest sound and visual artwork is HUMAN SIGNS, a Global participatory online dance and voice artwork, conceived in time of COVID-19, with the participation of over 180 artists from over 47 countries presented digitally in MANIFESTA 13 Marseille as a part of Real Utopias exhibition.

Monographic exhibitions

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  • BOSCO DI LECCE (FOREST OF LECCE) (19/11/2023 - 4/02/2024) - A relational art project that brings the artist and the city into dialogue in a process of collective creation, performances, art rituals, materio compositions and works conceived together with citizens and artisans, ideally transforming the inhabitants of Lecce into trees and the city into a human forest. The restitution of the process was presented as a monographic exhibition in MUST Museum in Lecce.
  • LUCUS - (15/07/2023 - 7/01/2024) - Through ninety works, some of them created for the exhibition, Lucus, “the sacred forest”, unfolds in four moments between the spaces of the Biscozzi | Rimbaud Foundation in Lecce. Archaic forms, dreamlike drawings, technological plastic-sound assemblages, surreal plaster figurines and lightboxes suggest a metaphor of the Mediterranean landscape, lost but persistent in memory.
  • ABOUT BIRDS - (23/03/2023 - 10/06/2023) - The exhibition presented in FMAV, Modena, was created in close correlation with the world premiere of the homonymous icon-sonic string quartet, conceived by Avital, that took place at the Pavarotti-Freni Municipal Theatre in Modena. Among the numerous artworks on show, a series of watercolors depicting birds, created by the artist during the first lockdown and a photographic series depicting the performance that took place during the artistic seclusion in an old villa in the Modenese hills, where, under the artist's direction, Meitar Ensemble while learning the score, slowly experienced a metamorphosis into birds.
  • LESSICO ANIMALE. MYSTERION - (25/02/2023 - 23/04/2023) - 2000 square meters exhibition inside the subterranean the Baths of Caracalla in Rome, presenting Lessico Animale, a cross-media art opus investigating the relationship between man and animal through the mediums of performance, video art, photography, sound sculptures and sound. Opening with two days of live performances in the spaces of the Mithreum, Lessico Animale. Mysterion ties in with the symbolism of the Mithra cult.
  • MEMBRANE - (1/10/2022 - 13/11/2022) - The exhibition in the Chiostri di San Pietro in Reggio Emilia is the fourth of the meta-opera Il Bestiario della Terra (Reggio Parma Festival 2022) and represents the cry of the last man on Earth, adult and aware of his separation from the state of Nature. Membrane presents the 3 chapters of the opus Foreign Bodies through photography and 14 parallel projections in close dialogue with a visual apparatus composed of paintings, drawings and sound sculptures that are both an invitation to break the rigid boundaries between man and nature.
  • PERSONA - (10/09/2022 - 30/10/2022) - The exhibition is a journey through the magnificent halls and collections of Palazzo Marchi, Parma, in which, in a dialogue with the space, the artist has created site-specific installations including a variety of artworks featuring Avital's Sonic Masks, sound art, video art, photography and performance.
  • LESSICO ANIMALE. PROLOGO 7/07/2022 - 16/10/2022 - The exhibition is part of “Il Bestiario della Terra” (Reggio Parma Festival 2022) and presents the creative process of Lessico Animale a complex exploration and investigation of the relationship between Man and Animality through video projections, photographic prints, plaster casts and other objects related to the performance which took place over six immersive days with nineteen actors from the Casa degli Artisti at the Teatro Due in Parma in May 2022.
  • ANATOMIE SQUISITE - (8/06/2022 - 27/11/2022) - “Anatomie Squisite" is one of the four exhibition of “Il Bestiario della Terra” (Reggio Parma Festival 2022) created in close dialogue with the Reggio Emilia Civic Museums' collections, especially the Spallanzani Collection. It features Avital's "Cadavres Exquis”, hybrid and fantastical creatures in vivid colors, inspired by Surrealist games. These drawings lead to collaborative artworks with local artists, showcasing Avital's relational approach to art.
  • HUMAN_SIGNS_LOOP/ED - (13-22/11/2021) - HUMAN SIGNS LOOP/ED is the first physical exhibition of HUMAN SIGNS since its creation during the first Covid-19 lockdown in March 2020. This global participatory voice and gesture artwork is presented on the occasion of LOOP Festival City Screen 2021 as an immersive polyptych installation with 7 parallel projections and a site-specific installation made of daily objects allowing viewers to merge into their own emotional worlds, surrounded by the choral work of 218 artists from over 50 countries.
  • E T E R E - 8/04/22 – 26/06/2021 - E T E R E is an exhibition project specifically designed for the four floors of BUILDING that gathers more than a hundred works, many of them presented for the first time. It is a dream-like narrative divided into four sections, in which each space becomes a microcosm that encloses and reflects a defined environment, connected to the others by an upward path.
  • ICON-SONIC POSTCARDS N.2 – POSTCARDS FROM ROME - (2018-2019)- The exhibition of Postcards from Rome presents all the material collected by Avital during the year long process in Macro Asilo (MACRO Museum of Contemporary Art Rome) through icon-sonic artwork divided into 7 chapters that recall the 7 Lightbox scores inside the exhibition. Each scene has been processed in terms of image and sound and related to the others up to a maximum of 9 scenes simultaneously.
  • GRADES OF FOREIGNNESS V.2 - (3/07/2019 – 1/09/2019) -  As main Installation of Ostrale Art Biennale in Dresden 2019 was made of two different but interconnected part: Lands v.2 and Foreign Bodies (n.1 Valle di Blenio, n.2 Saxony)
  • NEPHILIM - (3/10/219 – 31/12/2019) - a solo exhibition of 60 Singing Masks sound sculptures created in dialogue with 24 Tuscan master artisans. Marino Marini Museum, Florence;
  • VARIATIONS ON HARMONIC TREMOR: ICON-SONIC ETNA (09/11/2017 - 30/11/2017) - exhibition of two installations with a video polyptych, a sound sculpture and hundreds of icon-sonic postcards. Hosted by the National Museum of Science and Technology "Leonardo da Vinci" in Milan, this exhibition is a tribute to the multifaceted beauty of the territory around the Etna volcano, and to the people that have learnt how to co-exist with this tumultuous and incredible land.
  • THREE GRADES OF FOREIGNNESS (22/04/2017 - 30/09/2017) - exhibition of three installations with a video polyptych of 7 parallel video projections, a land installation, a sonic camera obscura and visual artworks. Extended over the 2300sqm of the Fabbrica del Cioccolato Foundation in Switzerland, the exhibition explores the difficult relationship between man and nature, more specifically how they are alienated from one another, in conflict and then reunited.

Installations and permanent sculptures

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  • IL CANTO DELLO ZOOFORO - (10/06/2022 - 9/10/2022) - As the starting point of the macro-opera Il Bestiario della Terra (Reggio Parma Festival 2022) Avital has realised "Il canto dello Zooforo”, an unprecedented icon-sonic installation for the Casa del Suono in Parma[11]. The composition is strongly inspired by the bas-reliefs of Benedetto Antelami's Zooforo carved on the walls of the Baptistery of Parma.
  • THE RATTLES GARDEN - permanent sound sculptures. A 1500-square-meter kinetic sound-art work featuring hundreds of bells and rattles from Mediterranean lands on wheat-like metallic sculptures. Played by the wind and visitors, it creates a contemporary yet ancestral symbol. This participative sound sculpture embodies Mediterranean traditions, rebirth, and collective responsibility, uniting the diverse voices of the sea connecting three continents. - Created in collaboration with Cittadellarte Fondazione Pistoletto at Mulinum San Floro, Catanzaro, Italy - 2019.
  • LANDS - ring of loudspeakers and soil. The second installation of Avital's Three Grades of Foreignness.
  • REH'EM - sonic camera obscura. Third installation of Avital's Three Grades of Foreignness, it was realised in an old elevator shaft, filled with sounds of the heartbeats of Avital's newborn and seismic vibrations of the earth.
  • OPEN FENCE[12] - permanent sound sculpture: 12 tons of weight, 64 metres of length, 4 metres of height, over 320 tubular bells. Inauguration: 21 June 2017 at the East End Studios of Milan.[13]
  • ALMA MATER - in dialogue with “Il Terzo Paradiso” by Michelangelo Pistoletto: massive sonic work consisting of a forest of 140 loudspeakers, legendary étoiles of Teatro alla Scala and lacemakers.[14] First edition under the patronage of EXPO 2015 and the city of Milan,[15] July 8 - August 29, La Fabbrica del Vapore, Milan, Italy. Duration: unlimited.

Massive Sonic Works

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  • URLA- Massive sonic work N.6, Geographic musical score for over 300 traditional and contemporary musicians of Basilicata region, electronic and theatrical actions. Open Sound Festival – Matera European Capital of Culture 2019, September 2019.[16]
  • REQUIEM MONUMENTALE: PART I - two parallel compositions: choir of 14 voices and marching brass band of 100 elements. Commissioned by Amici del Monumentale. Premiere: 14 May 2017, Monumental Cemetery of Milan.[17]
  • REKA[18] - massive sonic work n.4. For six traditional singers, two percussions and a crowd of hundreds of people.[19] Commissioned by Warsaw Autumn Festival. Premiere: September 2014 | MITO SettembreMusica & Warsaw Autumn Festivals | Milan, Italy & Warsaw, Poland. Duration: 70–75 minutes.
  • KARAGATAN - massive sonic work n.3. For 100 traditional gong & bamboo performers. Premiere: 21/01/2013 | Closing concert of Tunog Tugan Festival| Dipolog City| Mindanao, Philippines. Conductor: Chino Toledo. Duration: 30–40 minutes.[20]
  • GARON - massive sonic work n.2. For 40 tubas, 5 contrabass tuba soloists, 6 percussions, choir, extended vocal technique soloists & live electronics. (2012), a dialogue between instruments that amplify spectator's experience, dedicated to Anish Kapoor.[21] Duration - 57 minutes approx. Premiere : 26/01/2012 | Closing concert Dirty corner by Anish Kapoor | La Fabbrica del Vapore | Milan, Italy. Conductors: Sandro Gorli, Dario Garegnani, Elena Casella.
  • MISE EN ABÎME - massive sonic work n.1. For a crowd of 100 people, 34 accordions, 2 bass tuba, bass clarinet, soprano, percussions, didgeridoo & four conductors (2011). Premiere: March 2011 | Recording in RAI (Italian National Broadcast Network) studios in Milan, Italy. Conductors: Sandro Gorli, Pilar Bravo, Nicola Scaldaferri, Dario Garegnani. Duration: 70 minutes.

Icon-Sonic Operas

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  • ABOUT BIRDS: icon-sonic string quartet N.2, for a String quartet with live electronics, live performance, live video projection (back screen), software programming. Premiere: L'Altro suono Festival - Modena UNESCO City of Media Arts, Teatro Comunale “L. Pavarotti” Modena, Italy, 2023. Performing: Meitar Ensemble.[22]
  • JOB: icon-sonic Opera N.6, for String quintet (2 violins, viola, 2 cellos), 5 soloist voices (2 soprano, tenor, 2 basses), 2 percussions, 3 cantors of the 3 monotheistic religions, live electronics 2 narrators and visuals; Performing: PMCE Parco della Musica Contemporanea Ensemble. Conductor: Tonino Battista and Auditivvokal Dresden. conductor: Olaf Katzer Libretto by: Haim Baharier and Magda Poli. Duration: 85 minutes. Terme di Diocleziano, Rome, Italy, 2018[23]
  • SILENT QUARTET: icon-sonic opera for a string quartet and video art. Performing: Quartetto Lyskamm. Duration: 60 minutes. Premiere: Anteo spazioCinema, 31 May 2016, Milan, Italy.[24]
  • FUGA PERPETUA:[25] icon-sonic Opera for an ensemble, visuals, mobile sound theater and a vocal crowd.[26] Performing: Meitar Ensemble, with the sponsorship of UNHCR and of the International Theatre Institute, UNESCO. Duration: 82 minutes.[27] Premiere: Teatro Comunale “L. Pavarotti” Modena, Italy 12 March 2016. UK Premieres: Brighton Festival, Brighton, May 2016 and NEAT Festival, Nottingham, May 2016.[28]
  • NOISE FOR SYD:[29] icon/sonic opera N.4 for 7 musicians, light designer, visual artist, 2 dancers, video & electronics. Premiere: Festival Aperto, Cavalerizza reale, Reggio Emilia, Italy, 2013.[30] Duration: 30 minutes.
  • LEILIT: nocturno icon/sonic opera N.3 for a recorders consort: contrabass in F, bass in C, bass in F, tenor, soprano & 2 sopranino; accordion consort (7 elements); piano; bowed piano; guitar soloist; 2 Keis cantors & Video (2011). Duration: 40 minutes.
  • SAMARITANS: icon/sonic opera N.2, for a soloists ensemble, Samaritans choir, video & electronics. Conductor: Massimo Mazza. Premiere: MiTo SettembreMusica Festival, Teatro Nuovo, Milan, Italy, September 2010.
  • KOLOT: icon/sonic opera N.1, for 12 traditional singers, soloists ensemble, video & electronics. Premiere: Opening event of REC festival, Cavalerizza reale, Reggio Emilia, Italy; Teatro dal Verme, Milan, Italy; opening event of the XXVI edition of the European Theatre Festival, Teatro Due, Parma, Spazio Grande Teatro 2 Parma, Italy 2008. Conductors: Yuval Avital, Nori Jacoby. Duration: 70 minutes.

Compositions for indigenous ensemble

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Works for indigenous ensembles involve contemporary music and ancient traditions, they are a big part of Avital’s creations and researches. These projects seek a dialogue between cultures that seem distant in the common perception and the enhancement of unknown traditions. They enrich the contemporary musical language by presenting exciting sonorities, diverse esthetics, new instruments and vocal styles. Hence, contemporary works with ancient traditions or indigenous ensembles bring with them a meaningful value from a social, ethical, cultural and musical point of view.

  • Slow Horizons: music for 12 Kazakh indigenous players, storyteller, 2 dancers, Almaty, Kazakhstan, "Nauryz 21" Central Asia 21 century music in May 2006.
  • After the darkness: closing event for the 2nd International Rondalla Festival, Bogio, Philippines, February 2007. Yuval Avital - composition, direction, Yizhar Karshon - harpsichord; male choir, indigenous gongs & bamboo ensemble from the town of Bogio.
  • Lefkara Moirai: for traditionals ensemble, 2 singers, guitar, 12 craftsmen, video, narrator, and live electronics. Premiere: Lefkara Festival, Lefkara, Cyprus 2009.

Chamber/Orchestra/Soloists

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His Operas, symphonic and chamber works were performed by numerous soloists and ensembles, presented in concert halls and festivals such as London Design Festival, Brighton Festival, Warsaw Autumn Festival, MiTo SettembreMusica Milan, Tel Aviv Museum, Opera House L.Pavarotti, Musiktheater im Revier Gelsenkirchen, RomaEuropa, National Conservatory of China, Centre Pompidou, Palazzo Reale of Milan, and Quinta da Regaleira Palace (Portugal).

Orchestra

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  • OTOT:[31] icon-sonic symphony for extended chamber orchestra, 5 percussions, 3 accordions, visuals & live electronics. World premiere: opening of the symphonic season of Teatro Sociale di Como, Italy, January 2013. Duration: 55–65 minutes.

Soloist with orchestra

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  • Hope studies
  • Concert for viola & orchestra (2010-2012)

Chamber music

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  • Music for 7 N.1 - "Cycles" for seven tenor recorders ensemble. In memory of Jose Monserrat Maceda. Premiere: RomaEuropa Festival, Teatro Palladium, Rome, Italy, October 2011. Performing: The Running Seven Recorders Ensemble. Duration: 17 minutes.
  • Music for 7 N.2 - "Modus benedictus" for seven cellos. In memory of Nusrat Fateh Ali Khan, 2009. Unperformed works. Duration: 22 minutes approx.
  • Music for 7 N.3 - "Un porto griggio" for seven contrabass tuba. Dedicated to Bjork (2009/2014). Conductor: Antonio Macciomei. Premiere: 4° Italian Low Brass Festival, Auditorium G.Verdi, Segrate, Italy, April 2014. Duration: 30 minutes.
  • Music for 7 N.4 - "Al mishkavi" for 7 copper plates and seven voices. Dedicated to Shlomo Avital (2008 - 2009). Unperformed works. Duration: 27 minutes approx.
  • Music for 7 N.5 - "Sunset" for 7 violins. In memory of Abel Ehrlich (2010). Unperformed works. Duration: 22 minutes approx.
  • Music for 7 N.6 - "Horror vacui" for seven accordions. Dedicated to Pauline Oliveros (2011). Premiere: RomaEuropa Festival, Teatro Palladium, Roma, Italy, October 2011. Performing: Sergio Scappini, Michele Bracciali, Nadio Marenco, Giancarlo Calabria, Augusto Comminesi, Paolo Vignani. Duration: 15.30 minutes.
  • Seven demons of drought for piano and percussions, 2010.
  • HORIZON & SIREN for alto sax & viola. Premiere: Cantiere Internazionale d'Arte, Montepulciano, Italy July 2015. Duration: 25 minutes.
  • Kolà (her voice) for violin and piano. Duration: 18 minutes.

Solo works

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  • BDIDUT for scordatura guitar. Premiere. Toronto Performing Arts Center, George Washington hall, Canada, October, 2007. Duration: 12 minutes.
  • ENVIRONMENTS EXPLORATION solo performance. Premiere Miami Art Basel, Casa Fendi, Miami, USA, December 2007.
  • DIMDUM for bass flute (2010). Premiere: Frazione Saliana, Pianello del Lario, Como, 2011. Soloist: Gianluigi Nuccini. Duration: 17 minutes.
  • "Dream, shadows and passages", piano sonata (2010-2011). Premiere: RomaEuropa Festival, Teatro Palladium, Roma, Ottobre 2011. Performing: Maria Grazia Bellocchio. Duration: 21 minutes.
  • Utopie N.1 for percussions, video & Tape. Premiere: Conservatorio G. Verdi, Milan, Italy. 04/09/2013. Performing: Lorenzo Colombo. Duration: 27 minutes.
  • KANAF for Bass clarinet, tape & live electronics (2011–13). Premiere: Spain 2015. Performing: Paolo de Gaspari. Duration: 21 minutes.

Electro-acoustic & multimedia works

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Electro-acoustic composition

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Global Multimedia Participatory artwork

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  • HUMAN SIGNS - Global Multimedia Participatory artwork of voice and gesture - with over 180 artists from over 46 countries, presented online through audiovisual ensembles on different formats and platforms, March 2020 - Ongoing. Opening at MANIFESTA 13 Biennial, Real Utopias exhibition as “A Door to Human Signs” (2020, Marseille).

Installations & live performance

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  • “Background” for ensemble and tape, Biella, 2006.
  • Cariatidi Sonore Premiere: special production for the Notte Bianca festival, Stazione Ostiense, Roma, Italy, 2007.
  • Masà for Tape, live electronics, guitar, and various electro-acoustic instruments. Premiere: Sala Puccini, Milan 2008, in collaboration with Riccardo Sinigaglia.
  • Kanaf for elaborated bass clarinet & taper. Clarinet: Paolo de Gasperi (2011).
  • Alpha - Uniform infinite sonic tree for 8 speakers and artificial intelligence system in collaboration with Giovanni Cospito, 2012.
  • Spaces Unfolded for infinite sonic tree for 8 speakers (in collaboration with Giovanni Cospito). Premiere: Bergamo science festival, December 2012. Duration: unlimited.
  • Unfolding Space: Concerto for electric & classic guitar, live electronics, video and sonic translations of the cosmic space. In collaboration with NASA & ESA scientists. Duration 60 minutes. Premiere BergamoScienza, Italy, October 2012. Duration 60 minutes.
  • Utopie N.1 for percussions, video & Tape. Soloist: Lorenzo Colombo. Premiere: Conservatorio G. Verdi, Milan, Italy, September 2013.
  • Silent Quartet: Icon-sonic chamber work for string quartet, video, tape & live electronics. Performers: Xenia Ensemble. Premiere: Est-Ovest Festival (commission), Turin & Genoa, Italy, October 2014.
  • FIELDS - installation for tape. Premiere: I Maestri del Paesaggio, Piazza Vecchia & Giardino Tresoldi, Bergamo, Italy 05-20 September 2015.
  • MULTIPLICATIONS N.1 for viola, Saxophone, Percussions, analogue synthesizer & live mixing. Commission: Tempo Reale Premiere: Closing event of Tempo Reale Festival, Florence, Italy 10 October 2015. Duration: 21+ minutes.
  • FOREIGN BODIES ICONS - Opening performance at Woolbridge Gallery[32] with Accademia Teatro alla Scala dancers 2020, Dresden Biennial Ostrale 2019.
  • RIVERS: performance for a vocal crowd of refugees and loudspeakers. Premiere: Opening of Terzo Paradiso Center by Michelangelo Pistoletto, Biella, Italy 26 September 2015; Museo Marino Marini, Florence, Italy 04 May 2019; GAM - Torino and Barriera di Milano, Tourin, Italy 29 - 30 September 2020. Duration: unlimited.

Electronic works

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  • Yom (2007)
  • Ensof (2007)
  • Caves of Winds (2008)
  • Voices never-ending (2008)
  • Shir leShlomo (2014)

Music for Dance/Theater

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  • Bdidut: with choreographer & Dancer Chiara Rosenthal, Insoliti International Festival and the XXVII International Review of Integrated Arts and Dance “Il gesto e l'anima”, Teatro nuovo, Turin, Italy 2004.
  • Hamesh: for two actors, guitar, percussions, winds and electronic music (composed by Y.A, texts curated by A. Mazzolotti), World Premiere: 4 September 2005, Vercelli, Italy.
  • PACKMAN VS. ESCHER for 16 dancers. Performances at Biarteca festival, Biella, Italy, 2006, 2007.
  • Music for choreography of Cave Canem by Avi kaisere and Sergio Antonino, for guitar, electronics and dancer choir. Germany, 2007.
  • Music for the theater show "L’ultimo viaggio di Sinbad" by Erri De Luca, Italy, 2009. Live electronics. Director: Marcello Zagaria. Premiere “Festa del teatro 2009” - IV edition, Spazio MIL, Milan, Italy.
  • Corpo: installation for two dancers, video & live electronics, Fondazione A. Pomodoro, Milan, Italy, 2010.
  • Music for the theater show "Una notte in Tunisia" by Vitaliano Trevisan. Director: Andrée Ruth Shammah. Italy, 2011.[33]

Guitar

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Graduated in the Jerusalem music Academy and later a part of Angelo Gilardino soloists class, under the tutorship of M° Angelo Gilardino & M° Luigi Biscaldi, Avital performed around the world for several years. After that he has focused on creating his own original compositions and on collaborations with masters and soloists of both creative and traditional music. Avital uses elements from the tradition of stringed instruments in the Middle East, Central Asia and Far East, combined with extended techniques for classical guitar.

Collaborations

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Yuval Avital’s work is focused on the research of intercultural relations, based on dialogue as a way to show hidden symmetries and complementarity inherent in the culture. Avital’s operas try to unite, through an ideal “bridge”, non-western musical cultures, traditional artists and custodians of ancient cultures around the world. His research of new forms of musical expressions through dialogue gave birth, in 2006, to Trialogo Festival,[34] where masters of ancient traditions, dance, jazz, classical and electric music and many other discipline meet to create a new opera or a common project.

References

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  1. ^ "Yuval Avital - interview - Art Theorema #3". Fondazione Imago Mundi. Retrieved 2024-11-22.
  2. ^ "Lessico Animale, Mysterion: la mostra nei sotterranei delle Terme di Caracalla". Ministero per i Beni e le Attività culturali e per il Turismo (in Italian). 2023-02-23. Retrieved 2024-11-22.
  3. ^ Internazionale, Ministero degli Affari Esteri e della Cooperazione. "Italian Pavillion – 14th Gwangju Biennale 2023". iicseoul.esteri.it (in Italian). Retrieved 2024-11-22.
  4. ^ "Mostrario. Parte I di Yuval Avital". Teatro Regio di Parma (in Italian). Retrieved 2024-11-22.
  5. ^ Redazione (2012-09-13). "Yuval Avital a Bergamo Scienza 2012". ArtsLife (in Italian). Retrieved 2024-11-22.
  6. ^ "Samaritans". Leav - AudioVisual Ethnography Lab. Retrieved 2024-11-22.
  7. ^ "Nephilìm. Una moltitudine di maschere sonore, di Yuval Avital". Museo Marino Marini. 2019-10-01. Retrieved 2024-11-22.
  8. ^ "Presentato "Bosco di Lecce" di Yuval Avital, progetto di arte relazionale che mette in dialogo l'artista e la città". www.comune.lecce.it (in Italian). Retrieved 2024-11-22.
  9. ^ "Pacefuturo about Fuga Perpetua and UNHCR".
  10. ^ C., Cupchik, Gerald (2016-07-28). The aesthetics of emotion : up the down staircase of the mind-body. Cambridge, United Kingdom. ISBN 9781107024458. OCLC 953582218.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors list (link)
  11. ^ "Il Canto dello Zooforo". www.lacasadellamusica.it (in Italian). Retrieved 2024-11-25.
  12. ^ "Open Fence - Interni Magazine". Interni Magazine (in Italian). 2017-06-19. Retrieved 2017-09-04.
  13. ^ Italia, Rolling Stone. "'Open Fence', dodici tonnellate di suono". Rolling Stone Italia (in Italian). Retrieved 2017-09-04.
  14. ^ Espoarte Magazine - "Il Respiro della Grande Madre"
  15. ^ INEXHIBIT - ALMA MATER
  16. ^ Paolo. "Edizione 2019". Open Sound Festival (in Italian). Retrieved 2024-11-25.
  17. ^ ViviMilano. "Requiem Monumentale | ViviMilano". ViviMilano (in Italian). Retrieved 2017-09-04.
  18. ^ France Musique about REKA
  19. ^ Amadeus about Reka
  20. ^ "Fondazione Amadeus".
  21. ^ The Yuval Avital’s 45 tubas - Abitare
  22. ^ "About Birds - Teatro Comunale Modena Pavarotti-Freni" (in Italian). Retrieved 2024-11-25.
  23. ^ "Yuval Avital - Giobbe | Artribune" (in Italian). 2018-05-30. Retrieved 2024-11-25.
  24. ^ Corriere della Sera
  25. ^ THE METROPOLIST - FUGA PERPETUA
  26. ^ "L'Arte che restituisce dignità" - Repubblica
  27. ^ "Fuga Perpetua at Brighton Festival".
  28. ^ Brighton & Hove Independent - Fuga Perpetua
  29. ^ La Repubblica XL
  30. ^ Il Corriere Musicale - Noise for Syd
  31. ^ IL SOLE 24 ORE about OTOT
  32. ^ Giraud, Claudia (2020-10-10). "Un ex lanificio biellese diventa un nuovo polo culturale". Artribune (in Italian). Retrieved 2020-11-19.
  33. ^ Una Notte in Tunisia - Il Fatto Quotidiano
  34. ^ Trialogo Festival on Behance

Bibliography

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  • Borio, Gianmario; Scaldaferri, Nicola (2015), "21", Musical Listening in the Age of Technological Reproduction, Musical Cultures of the Twentieth Century, vol. 1, Pavia: University of Pavia and Giorgio Cini Foundation, ASHGATE, pp. 373–393, ISBN 9781472442178
  • C. Cupchik, Gerald (2016), "Creative Practices of Contemporary Artists: Yuval Avital", The Aesthetics of Emotion: Up the Down Staircase of the Mind-Body, Cambridge University Press, ISBN 978-1-107-02445-8
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