Black film is a classification of film that has a broad definition relating to the film involving participation and/or representation of black people. The definition may involve the film having a black cast, a black crew, a black director, a black story, or a focus on black audiences. Film industries were established in many areas during the colonial era. The Colonial Film Unit was established by Great Britain. It included the Jamaica Film Unit. Filmmaking in Colonial Nigeria was carried out. Orlando Martins became a Nigerian film star. The Golden Age of Nigerian Cinema came later.
United States
editMain article see African American cinema
Academic Romi Crawford said, "I think a black film is a film work that takes into account in some way the relationship of African-Americans or blacks from the African Diaspora to filmmaking practice, means and industry. For me, it's in that relation between blacks and the film industry. How one engages in that relationship can be a mixture of black director and black acting talent; black director and black content in story; black content in story, no black director; black production money, nothing else that reads as black."[1]
Chicago Tribune's Allan Johnson said in 2005 that the definition is blurred by black actors who star in films where their ethnicity is unrelated to their character, such as Denzel Washington, Jamie Foxx, Will Smith, and Halle Berry. Several black directors also have directed films unrelated to their ethnicity, including Antoine Fuqua, Angela Robinson, and Tim Story.[1]
The American Black Film Festival was made by marketing executive Jeff Friday, who created the criteria for a film to qualify as a best picture candidate. A film must have eight points to qualify. Four points are given for each executive producer, producer, writer, director, and lead actor and actress involved with the film. Two points are given for each supporting actor and actress. Friday acknowledged the varied possibilities of the scoring system and said part of the goal of the award ceremony was also to recognize people of color behind the camera.[1]
See also
editReferences
edit- ^ a b c Johnson, Allan (October 19, 2005). "How do you define a 'black' movie". Chicago Tribune. Archived from the original on February 2, 2018. Retrieved February 1, 2018.
Bibliography
edit- Diawara, Manthia, ed. (1993). Black American Cinema. AFI Film Readers. Routledge. ISBN 978-0-415-90397-4.
- Gillespie, Michael Boyce (2016). Film Blackness: American Cinema and the Idea of Black Film. Duke University Press Books. ISBN 978-0-8223-6226-5.
- Gripps, Thomas (1978). Black Film as Genre. Indiana University Press. ISBN 978-0-253-37502-5.
- Reid, Mark A. (1993). Redefining Black Film. University of California Press. ISBN 978-0-520-07902-1.
- Yearwood, Gladstone Lloyd (1999). Black Film as a Signifying Practice: Cinema, Narration and the African American Aesthetic Tradition. Africa World Press. ISBN 978-0-86543-715-9.