American actor Gary Cooper started his career in 1925 as a film extra and stuntman. He made his official cinematic debut in 1926 in the Samuel Goldwyn production The Winning of Barbara Worth.[1] He went on to become a contract player with Paramount Pictures where he established himself as a popular leading man prior to the end of the silent film era.
Cooper's future in the sound era was assured with the release of The Virginian (1929), his first all-talkie film.[2] For the next 32 years, he would be one of cinema's top money-making stars. From 1936 to 1957, Cooper ranked 18 times among the top ten box office attractions—a record when he died in 1961, and later surpassed only by John Wayne, who ranked among the top ten 25 times, Clint Eastwood (21 times) and Tom Cruise (20 times).
Cooper was nominated for the Best Actor Academy Award five times and won twice, for Sergeant York (1942) and High Noon (1952). The latter film boosted his popularity, resulting in him being the number one box office attraction in 1953. Cooper received a third Academy Award—an honorary one—just prior to his death. His final film, The Naked Edge, was released posthumously.[3]
As of February 2008, more than half of Gary Cooper's feature films are available on DVD, while others not yet on home video are available for television broadcast. Unfortunately, at least two of his silent films—Beau Sabreur (1928) and The Legion of the Condemned (1928)—are now considered lost films.[4][5] Another of his silent films, Wolf Song (1929), was originally released as a part talkie, but survives only as a silent film.[6] One of Cooper's earliest talkies, Paramount on Parade (1930), survives incomplete. The prints that are available for television are missing all but one of the film's Technicolor scenes—a partial restoration of these scenes was done by the UCLA Film Archives.[7]
The filmography contains sections for Cooper's work as an extra in the earliest part of his film career, his feature film appearances, his occasional appearances in short films, and a section for a compilation film. Due to its length (92 films), the listing of his feature films is divided in four sections. Cooper's film roles are listed, as well as the names of each film's director and co-stars. Cooper's awards and nominations are also listed. Except where noted, all of his films were shot in 35mm black and white. All films released prior to Lilac Time (1928) are silent films and all from The Virginian (1929) onward are sound films. The films made during the silent-to-sound transition are noted as being either silent or sound films. As an addendum, Cooper's handful of television appearances are also listed.
Filmography
editFeature films as an extra, 1925–26
editFeature films, 1926–30
editYear | Title | Role | Director | Co-stars | Studio | Notes | Ref |
---|---|---|---|---|---|---|---|
1926 | The Winning of Barbara Worth | Abe Lee | Henry King | Ronald Colman Vilma Bánky |
Goldwyn | [16] | |
1927 | It | Reporter | Clarence Badger | Clara Bow Antonio Moreno |
Paramount | [17] | |
Children of Divorce | Ted Larrabee | Frank Lloyd | Clara Bow Esther Ralston |
Paramount | [18] | ||
Arizona Bound | Dave Saulter | John Waters | Betty Jewel | Paramount | Lost film[1] | [19] | |
Wings | Cadet White | William A. Wellman | Clara Bow Buddy Rogers Richard Arlen |
Paramount | Magnascope sequences | [20] | |
Nevada | Nevada | John Waters | Thelma Todd | Paramount | [21] | ||
The Last Outlaw | Sheriff Buddy Hale | John Waters | Betty Jewel | Paramount | [22] | ||
1928 | Beau Sabreur | Major Henri de Beaujolais | John Waters | Evelyn Brent Noah Beery William Powell |
Paramount | Lost film[4] | [23] |
The Legion of the Condemned | Gale Price | William A. Wellman | Fay Wray | Paramount | Lost film[5] | [24] | |
Doomsday | Arnold Furze | Rowland V. Lee | Florence Vidor | Paramount | [25] | ||
Half a Bride | Captain Edmunds | Gregory La Cava | Esther Ralston | Paramount | [26] | ||
Lilac Time | Captain Philip Blythe | George Fitzmaurice | Colleen Moore | First National | Silent film with synchronized music and sound effects[27] | [28] | |
The First Kiss | Mulligan Talbot | Rowland V. Lee | Fay Wray | Paramount | Silent film | [29] | |
The Shopworn Angel | William Tyler | Richard Wallace | Nancy Carroll | Paramount | Silent film with talking sequences, synchronized music, and sound effects[30] | [31] | |
1929 | Wolf Song | Sam Lash | Victor Fleming | Lupe Vélez | Paramount | Silent film with talking sequences, synchronized music, and sound effects[6] | [32] |
Betrayal | Andre Frey | Lewis Milestone | Emil Jannings Esther Ralston |
Paramount | Silent film with talking sequences, synchronized music, and sound effects[33] | [34] | |
The Virginian | The Virginian | Victor Fleming | Mary Brian Richard Arlen Walter Huston |
Paramount | [35] | ||
1930 | Only the Brave | Captain James Braydon | Frank Tuttle | Mary Brian | Paramount | [36] | |
Paramount on Parade | Hunter ("Dream Girl") | Multiple[Note 1] | Mary Brian Fay Wray |
Paramount | Part Technicolor | [37] | |
The Texan | Enrique, The Llano Kid | John Cromwell | Fay Wray | Paramount | [38] | ||
Seven Days' Leave | Kenneth Downey | Richard Wallace | Beryl Mercer | Paramount | [39] | ||
A Man from Wyoming | Jim Baker | Rowland V. Lee | June Collyer | Paramount | [40] | ||
The Spoilers | Roy Glenister | Edward Carewe | Kay Johnson | Paramount | [41] | ||
Morocco | Légionnaire Tom Brown | Josef von Sternberg | Marlene Dietrich | Paramount | [42] |
Feature films, 1931–40
editFeature films, 1941–50
editFeature films, 1951–61
editShort films
editYear | Title | Role | Director | Stars | Studio | Notes | Ref |
---|---|---|---|---|---|---|---|
1926 | Lightnin' Wins | Tom Harding | Hans Tiesler[13] | Eileen Sedgwick | Independent | [11] | |
1931 | The Stolen Jools | Himself | William C. McGann | —[Note 4] | Masquers Club | [11] | |
1932 | The Voice of Hollywood No. 13 (Second Series) | Himself | Mack D'Agostino | — | Louis Lewyn | [11] | |
Hollywood on Parade | Himself | Louis Lewyn | — | Louis Lewyn | [120] | ||
1933 | Hollywood on Parade No. A-13 | Himself | Louis Lewyn | — | Louis Lewyn | [121] | |
1934 | Hollywood on Parade No. B-6 | Himself | Louis Lewyn | — | Louis Lewyn | [121] | |
The Hollywood Gad-About | Himself | Louis Lewyn | — | Louis Lewyn | [122] | ||
Star Night at the Cocoanut Grove | Himself | Louis Lewyn | — | MGM | Technicolor | [11] | |
1935 | Screen Snapshots Series 14, No. 8 | Himself | Ralph Staub | — | Columbia | [123] | |
La Fiesta de Santa Barbara | Himself | — | — | MGM | Technicolor | [124] | |
1937 | Lest We Forget | Himself | Frank Whitbeck | — | MGM | Cooper talking with Harry Carey about Will Rogers | [124] |
1940 | Screen Snapshots: Seeing Hollywood | Himself | Ralph Staub | — | Columbia | Cooper as a rodeo spectator | [123] |
Screen Snapshots Series 19, No 6: Hollywood Recreations | Himself | Ralph Staub | — | Columbia | [123] | ||
1941 | Breakdowns of 1941 | Himself | — | — | Warner Bros. | [125] | |
1944 | Memo for Joe | Himself | Richard O. Fleischner | — | RKO | Cooper with the troops on his USO tour of the Pacific | [124] |
1949 | Screen Snapshots: Motion Picture Mothers, Inc. | Himself | Ralph Staub | — | Columbia | [123] | |
Snow Carnival | Narrator | — | — | Warner Bros. | Technicolor | [126] | |
1955 | Screen Snapshots: Hollywood Premiere | Himself | Ralph Staub | — | Columbia | [123] | |
Hollywood Mothers | Himself | Ralph Staub | — | Columbia | [126] | ||
1958 | Screen Snapshots: Glamorous Hollywood | Himself | Ralph Staub | — | Columbia | [123] | |
1959 | Premier Khrushchev in the USA | Himself | — | — | NBC | [127] |
Compilation films
editYear | Title | Role | Director | Stars | Studio | Notes | Ref |
---|---|---|---|---|---|---|---|
1939 | Land of Liberty | Multiple | Cecil B. DeMille | Multiple | MGM | Historical events as shown in films[Note 5] | [128] |
Television
editYear | Title | Role | Director | Episode | Studio | Broadcast | Ref |
---|---|---|---|---|---|---|---|
1953 | Toast of the Town | Himself | — | 5.21 | CBS | February 1, 1953 | [129] |
1955 | The Ed Sullivan Show | Himself | — | 8.14 | CBS | December 25, 1955 | [130] |
1956 | Cinépanorama | Himself | Jean Kerchbron | 9 | — | December 9, 1956 | [131] |
1957 | Cinépanorama | Himself | Jean Kerchbron | 15 | — | May 16, 1957 | [132] |
1957 | The Ed Sullivan Show | Himself | — | 9.41 | CBS | July 7, 1957 | [130] |
1958 | Wide Wide World | Himself | Van Fox | 3.20 | NBC | June 6, 1958 | [133] |
1958 | The Jack Benny Program | Himself | Seymour Berns | 95 | CBS | September 21, 1958 | [134] |
1959 | The Perry Como Show | Himself | — | — | NBC | February 27, 1959 | [135] |
1959 | What's My Line? | Himself | Franklin Heller | 487 | CBS | October 18, 1959 | [136] |
1961 | Project 20: The Real West | Host and narrator | Donald B. Hyatt | 20 | NBC | March 29, 1961 | [137] |
Radio appearances
editYear | Program | Episode | Ref |
---|---|---|---|
1937 | Lux Radio Theatre | Mr. Deeds Goes to Town | [138] |
References
editNotes
edit- ^ Paramount on Parade was directed by Dorothy Arzner, Otto Brower, Edmund Goulding, Victor Heerman, Edwin H. Knopf, Rowland V. Lee, Ernst Lubitsch, Lothar Mendes, Victor Schertzinger, A. Edward Sutherland, and Frank Tuttle.
- ^ If I Had a Million was directed by James Cruze, H. Bruce Humberstone, Ernst Lubitsch, Norman Z. McLeod (who did the sequence with Cooper), Stephen Roberts, William A. Seiter, Norman Taurog, and Lothar Mendes.
- ^ It's a Big Country was directed by Clarence Brown (who did the sequence with Cooper), Don Hartman, John Sturges, Richard Thorpe, Charles Vidor, Don Weis, and William A. Wellman.
- ^ The Stolen Jools, released in the United Kingdom as The Slippery Pearls, was a two-reel short made by the Masquers Club, which enlisted stars from the major studios to make appearances and donate their salaries to charity. The film features appearances by Norma Shearer, Irene Dunne, Buster Keaton, Barbara Stanwyck, Joan Crawford, Laurel and Hardy, Loretta Young, and Fay Wray.[11]
- ^ Land of Liberty includes three film clips with Cooper from Operator 13, The Plainsman, and The Adventures of Marco Polo.
Citations
edit- ^ Dickens 1970, p. 29.
- ^ Dickens 1970, p. 8.
- ^ Dickens 1970, p. 278.
- ^ a b "Beau Sabreur". Silent Era. Retrieved February 9, 2015.
- ^ a b "The Legion of the Condemned". Silent Era. Retrieved February 9, 2015.
- ^ a b "The Wolf Song". Silent Era. Retrieved February 9, 2015.
- ^ Bradley 1996, pp. 268–271.
- ^ Kaminsky 1979, p. 232.
- ^ a b c d Swindell 1980, p. 63.
- ^ a b c d e f g h Dickens 1970, p. 22.
- ^ a b c d e f Dickens 1970, p. 23.
- ^ a b Meyers 1998, p. 62.
- ^ a b Kaminsky 1979, p. 233.
- ^ Meyers 1998, p. 28.
- ^ Swindell 1980, p. 308.
- ^ Dickens 1970, pp. 29–30.
- ^ Dickens 1970, pp. 31–32.
- ^ Dickens 1970, pp. 33–34.
- ^ Dickens 1970, pp. 35–36.
- ^ Dickens 1970, pp. 37–38.
- ^ Dickens 1970, pp. 39–41.
- ^ Dickens 1970, pp. 42–43.
- ^ Dickens 1970, pp. 44–46.
- ^ Dickens 1970, pp. 47–49.
- ^ Dickens 1970, pp. 50–51.
- ^ Dickens 1970, pp. 52–53.
- ^ "Lilac Time". Silent Era. Retrieved April 2, 2014.
- ^ Dickens 1970, pp. 54–56.
- ^ Dickens 1970, pp. 57–58.
- ^ "Shopworn Angel". Silent Era. Retrieved April 2, 2014.
- ^ Dickens 1970, pp. 59–61.
- ^ Dickens 1970, pp. 62–64.
- ^ "Betrayal". Silent Era. Retrieved April 2, 2014.
- ^ Dickens 1970, pp. 65–67.
- ^ Dickens 1970, pp. 68–70.
- ^ Dickens 1970, pp. 71–72.
- ^ Dickens 1970, pp. 73–74.
- ^ Dickens 1970, pp. 75–77.
- ^ Dickens 1970, pp. 78–79.
- ^ Dickens 1970, pp. 80–82.
- ^ Dickens 1970, pp. 83–84.
- ^ Dickens 1970, pp. 85–88.
- ^ Dickens 1970, pp. 89–91.
- ^ Dickens 1970, pp. 82–84.
- ^ Dickens 1970, pp. 95–96.
- ^ Dickens 1970, pp. 97–98.
- ^ Dickens 1970, pp. 99–100.
- ^ Dickens 1970, pp. 101–103.
- ^ Dickens 1970, pp. 104–105.
- ^ Dickens 1970, pp. 106–108.
- ^ Dickens 1970, pp. 109–112.
- ^ Dickens 1970, pp. 113–114.
- ^ Dickens 1970, pp. 115–116.
- ^ Dickens 1970, pp. 117–118.
- ^ Dickens 1970, pp. 119–122.
- ^ Dickens 1970, pp. 123–125.
- ^ Dickens 1970, pp. 126–128.
- ^ Dickens 1970, pp. 129–131.
- ^ Dickens 1970, pp. 132–135.
- ^ Dickens 1970, pp. 136–138.
- ^ "The 9th Academy Awards, 1937". Academy of Motion Picture Arts and Sciences. Retrieved January 5, 2015.
- ^ "Mr. Deeds Goes to Town (1936): Awards". Movies & TV Dept. The New York Times. 2014. Archived from the original on December 19, 2014. Retrieved December 26, 2014.
- ^ Dickens 1970, pp. 139–141.
- ^ Dickens 1970, pp. 142–143.
- ^ Dickens 1970, pp. 144–146.
- ^ Dickens 1970, pp. 147–149.
- ^ Dickens 1970, pp. 150–152.
- ^ Dickens 1970, pp. 153–155.
- ^ Dickens 1970, pp. 156–158.
- ^ Dickens 1970, pp. 159–161.
- ^ Dickens 1970, pp. 162–165.
- ^ Dickens 1970, pp. 166–168.
- ^ Dickens 1970, pp. 169–173.
- ^ Dickens 1970, pp. 174–177.
- ^ Dickens 1970, pp. 178–180.
- ^ "The 14th Academy Awards, 1942". Academy of Motion Picture Arts and Sciences. Retrieved January 5, 2015.
- ^ a b c d Erickson, Hal (2013). "Gary Cooper: Full Biography". Movies & TV Dept. The New York Times. Archived from the original on November 17, 2013. Retrieved September 18, 2014.
- ^ Dickens 1970, pp. 181–183.
- ^ Dickens 1970, pp. 184–186.
- ^ "The 15th Academy Awards, 1943". Academy of Motion Picture Arts and Sciences. Retrieved January 5, 2015.
- ^ Dickens 1970, pp. 187–189.
- ^ "The 16th Academy Awards, 1944". Academy of Motion Picture Arts and Sciences. Retrieved January 5, 2015.
- ^ Dickens 1970, pp. 190–193.
- ^ Dickens 1970, pp. 194–196.
- ^ Dickens 1970, pp. 197–198.
- ^ Dickens 1970, pp. 199–200.
- ^ Dickens 1970, pp. 201–203.
- ^ Dickens 1970, pp. 204–205.
- ^ Dickens 1970, pp. 206–208.
- ^ Dickens 1970, pp. 209–210.
- ^ Dickens 1970, pp. 211–213.
- ^ Dickens 1970, pp. 214–217.
- ^ Dickens 1970, pp. 218–219.
- ^ Dickens 1970, pp. 220–222.
- ^ Dickens 1970, pp. 223–224.
- ^ Dickens 1970, pp. 225–226.
- ^ Dickens 1970, pp. 227–228.
- ^ Dickens 1970, pp. 229–230.
- ^ Dickens 1970, pp. 231–232.
- ^ Dickens 1970, pp. 233–234.
- ^ "The 25th Academy Awards, 1953". Academy of Motion Picture Arts and Sciences. Retrieved January 5, 2015.
- ^ Dickens 1970, pp. 235–237.
- ^ Dickens 1970, pp. 238–240.
- ^ Dickens 1970, pp. 241–242.
- ^ Dickens 1970, pp. 243–244.
- ^ "Fiche Film". Allocine. Retrieved December 10, 2015.
- ^ Dickens 1970, pp. 245–247.
- ^ Dickens 1970, pp. 248–251.
- ^ Dickens 1970, pp. 252–254.
- ^ Dickens 1970, pp. 255–258.
- ^ Dickens 1970, pp. 259–261.
- ^ Dickens 1970, pp. 262–264.
- ^ Dickens 1970, pp. 265–266.
- ^ a b Hoffmann 2012, p. 41.
- ^ Dickens 1970, pp. 267–268.
- ^ Dickens 1970, pp. 269–270.
- ^ Dickens 1970, pp. 271–273.
- ^ Dickens 1970, pp. 274–275.
- ^ Dickens 1970, pp. 276–278.
- ^ "Hollywood on Parade 1932". Turner Classic Movies. Archived from the original on February 13, 2015. Retrieved February 12, 2015.
- ^ a b "Paramount "live action" shorts: 1933-1934". Turner Classic Movies. Archived from the original on February 17, 2015. Retrieved February 15, 2015.
- ^ The Hollywood gad-about. WorldCat. 1934. OCLC 422996329.
- ^ a b c d e f "Screen Snapshots (1922-1958)". The Columbia Shorts Department. Retrieved February 14, 2015.
- ^ a b c Dickens 1970, p. 24.
- ^ "Breakdowns of 1941". Turner Classic Movies. Retrieved February 15, 2015.
- ^ a b Dickens 1970, p. 25.
- ^ "Premier Khrushchev in the USA". NBC Universal Archives. September 19, 1959. Archived from the original on March 4, 2016. Retrieved February 15, 2015.
- ^ Dickens 1970, pp. 25–26.
- ^ "Toast of the Town". TV.com. Archived from the original on March 19, 2018. Retrieved February 15, 2015.
- ^ a b "The Ed Sullivan Show". TV.com. Archived from the original on March 19, 2018. Retrieved February 15, 2015.
- ^ "Cinépanorama". Television Telerama. December 9, 1956. Retrieved February 15, 2015.
- ^ "Cinépanorama". Television Telerama. May 16, 1957. Retrieved February 15, 2015.
- ^ "Wide Wide World". Archive of American Television. Retrieved February 15, 2015.
- ^ Meyers 1998, pp. 298–299.
- ^ Kaminsky 1979, p. 212.
- ^ "What's My Line?". Turner Classic Movies. October 18, 1959. Archived from the original on February 13, 2015. Retrieved February 12, 2015.
- ^ Meyers 1998, pp. 308, 310–312.
- ^ "Those Were the Days". Nostalgia Digest. 40 (1): 32–39. Winter 2014.
Bibliography
edit- Bradley, Edwin M. (1996). The First Hollywood Musicals. Jefferson, NC: McFarland & Company. ISBN 978-0-786-42029-2.
- Dickens, Homer (1970). The Films of Gary Cooper. New York: Citadel Press. ISBN 978-0-806-50010-2.
- Hoffmann, Henryk (2012). Western Movie References in American Literature. Jefferson, NC: McFarland & Company. ISBN 978-0-786-46638-2.
- Kaminsky, Stuart (1979). Coop: The Life and Legend of Gary Cooper. New York: St. Martin's Press. ISBN 978-0-312-16955-8.
- Meyers, Jeffrey (1998). Gary Cooper: American Hero. New York: William Morrow. ISBN 978-0-688-15494-3.
- Swindell, Larry (1980). The Last Hero: A Biography of Gary Cooper. New York: Doubleday. ISBN 978-0-385-14316-5.
Further reading
edit- Carpozi Jr., George (1970). The Gary Cooper Story. New Rochelle, New York: Arlington House. ISBN 978-0-870-0-0075-1.
External links
edit- Gary Cooper at IMDb
- Gary Cooper at AllMovie
- Gary Cooper at the TCM Movie Database