Kaniyan Poongunranar, also Poongundranar or Pungundranar (Tamil: கணியன் பூங்குன்றனார், Kaṉiyan Pūngunṟanār), was an influential Tamil philosopher from the Sangam age from around 6th century BCE.[1] His name Kaniyan implies that he was an Kaala Kanithar (astronomer) (kaala kanitham in Tamil literally means mathematics of date, time and place). Kaniyan was born and brought up in Mahibalanpatti, a village panchayat in Tamil Nadu's Sivaganga district. He composed two poems in Purananuru and Natrinai.
Kaniyan Pungundranar | |
|---|---|
| Born | Uncertain; probably around 6th century BCE. |
| Notable work | Purananuru Naṟṟiṇai |
| Region | Mahibalanpatti, Sivaganga district, Tamil Nadu, India |
Main interests | Ethics, ahimsa, justice, virtue, politics, education, family, friendship, love |
Notable ideas | Common ethics and morality |
Purananuru (Verse 192)
edit| Tamil | Tamil Romanization | English Paraphrase |
|---|---|---|
| யாதும் ஊரே யாவரும் கேளிர் | Yātum ūrē yāvarum kēḷir | Every city is your city. Everyone is your kin. |
| தீதும் நன்றும் பிறர்தர வாரா | tītum naṉṟum piṟartara vārā | Failure and prosperity do not come to us because others have sent them! |
| நோதலும் தணிதலும் அவற்றோ ரன்ன | nōtalum taṇitalum avaṟṟō raṉṉa | Nor do suffering and end of suffering. |
| சாதலும் புதுவது அன்றே, | cātalum putuvatu aṉṟē, | There is nothing new in death. |
| வாழ்தல் இனிதென மகிழ்ந்தன்றும் இலமே முனிவின் | vāḻtal iṉiteṉa makiḻntaṉṟum ilamē muṉiviṉ | Thinking that living is sweet, we do not rejoice in it. |
| இன்னா தென்றலும் இலமே, மின்னொடு | iṉṉā teṉṟalum ilamē, miṉṉoṭu | Even less do we say, that to live is miserable! |
| வானம் தண்துளி தலைஇ யானாது | vāṉam taṇtuḷi talai'iyāṉātu | Through the vision of those who have understood |
| கல் பொருது மிரங்கு மல்லல் பேரியாற்று | kal porutu miraṅku mallal pēriyāṟṟu | we know that life, with its hardship, makes its way like a raft |
| நீர்வழிப் படூஉம் புணைபோல் ஆருயிர் | nīrvaḻip paṭū'um puṇaipōl āruyir | riding the water of a huge and powerful river roaring |
| முறை வழிப் படூஉம் என்பது திறவோர் | muṟai vaḻip paṭū'um eṉpatu tiṟavōr | without pause as it breaks against rocks because the clouds |
| காட்சியில் தெளிந்தனம் ஆகலின், மாட்சியின் | kāṭciyil teḷintaṉam ākaliṉ,māṭciyiṉ | crowded with bolts of lightning pour down their cold drops of rain, |
| பெரியோரை வியத்தலும் இலமே, | periyōrai viyattalum ilamē, | and so we are not amazed at those who are great, |
| சிறியோரை இகழ்தல் அதனினும் இலமே | ciṟiyōrai ikaḻtal ataṉiṉum ilamē | even less do we despise the weak! |
Themes
editCosmopolitanism
editPoongundranar rejected division of mankind into various categories and emphasised the universality of all humans.[3] The Tamil bards and intellectuals of the time of Poongundranar and those preceding his age considered that all humans, whatever their rank or station in life, were alike.[4]
Natural law
editPoongundranar states that the wooden log is carried by the water in its direction and similarly postulates that everything in life will also follow karma.[5] This he calls 'Way of Order'(Tamil: முறை வழி, muṟai vazhi).
Principles of the Way of Order
editThroughout his poem, Poongundranar lays down the principles of his version of natural law. The first part of the poem deals with the basic principles of the 'Way of Order'(Tamil: முறை வழி, muṟai vazhi) which is his term for natural law.
- Every human of every town is of the same value because they are கேளிர் (related). Hence, all people should be bound by one, same moral and legal code.
- நன்று (good) and தீது (evil) do not come from others. Hence, humans are liable for both the pleasure and suffering they feel.
- Death is a natural part of the cycle of life, it is not new. Hence, this life must be made use of to its full potential.
Allegory of the raft
editPoongundranar further goes onto explain these principles with an example of a raft.
- He compares birth to lightning, suggesting it can happen spontaneously anywhere.
- He gives an example of a raft which is allegorical to human life going downstream a steep hill, having a perilous journey through boulders and faces its climax just as in திறவோர் காட்சியில் (lit. Wisemen's vision means fate) which is death.
- He concludes that since everyone's life is like the raft's journey, it is irrational to magnify the பெரியோ[ர்] (accomplished people) and even worse to diminish சிறியோ[ர்](less accomplished people), because everyone goes through similar tribulations whatever their social estate might be.
Influence
editPoongundranar was extremely influential in the revivalist Self-respect movement.[6] The sentence "Yaadhum Oore Yaavarum Kelir" has been adopted as the motto of the World Thamizh Confederation to represent Tamil people.[citation needed]
The quote "Yaadhum Oore Yaavarum Kelir" is at present depicted in the United Nations Organisation.[7] G. G. Ponnambalam concluded his 1966 address to the 21st session of the United Nations General Assembly by invoking this quote.[8] A. P. J Abdul Kalam was the first one to quote this famous quote in European Union Historical Speech by Abdul Kalam in European Union, another one is Narendra Modi who quoted it in 74th Session of the UN General Assembly.
The first musical form of Yaadhum Oore poem was composed by composer Rajan Somasundaram and was chosen as the theme song of 10th World Tamil Conference. It has been sung by Academy nominated singer Bombay Jayashri and Karthik (singer) among other international artists.[9] It was part of the album Sandham: Symphony Meets Classical Tamil and became commercially successful, featuring in Amazon's Top#10 International Music albums.[10]
Natrinai (Verse 226)
edit| Tamil | Tamil Romanization | English Paraphrase |
|---|---|---|
| "மரஞ்சா மருந்தும் கொள்ளார் மாந்தர்
உரம் சாச் செய்யார் உயர்தவம் வளம் கெடப் பொன்னும் கொள்ளார் மன்னர் நன்னுதல் நாந்தம் உண்மையின் உளமே அதனால் தாம் செய் பொருளன அறியார் தாம் கசிந்து என்றூழ் நிறுப்ப நீளிடை ஒழியச் சென்றோர் மன்ற நம் காதலர் என்றும் இன்ன நிலைமைத்து என்ப என்னோரும் அறிப இவ்வுலகத்தானே". |
"Marañcā maruntum koḷḷār māntar
uram cāc ceyyār uyartavam vaḷam keṭap poṉṉum koḷḷār maṉṉar naṉṉutal nāntam uṇmaiyiṉ uḷamē ataṉāl tām cey poruḷaṉa aṟiyār tām kacintu eṉṟūḻ niṟuppa nīḷiṭai oḻiyac ceṉṟōr maṉṟa nam kātalar eṉṟum iṉṉa nilaimaittu eṉpa eṉṉōrum aṟipa ivvulakattāṉē". |
The Hero asks permission from the Lady Love for seeking wealth.
The Lady Love refuses. She goes on to explain to her friend who is a good man, who is a good king and what is superior. We are good because he is. (Wouldn't the nut be pleasing if he broke up) So he himself did not realize the usefulness of the thing he was doing. Is he going to go the long way of burning the sweat-soaked sun, is it fair to say I'm been here and my boyfriend went? She says everyone knows that there should be no division, no matter what condition they live in, in the world. Indicates wilting in order of separation. |
See also
edit
References
edit- ^ "Why PM Modi Quoted Ancient Tamil Poet Kaniyan Pungundranar At UN Meet".
- ^ Hart, George L.; Heifetz, Hank (1999). The four hundred songs of war and wisdom : an anthology of poems from classical Tamil : the Puṟanāṉūṟu. New York: Columbia University Press.
- ^ Pillai, Jaya (1972). Educational system of the ancient Tamils. Tirunelveli: South India Saiva Siddhanta Works Pub. Society.
- ^ Ma̲raimalaiyạtikạl (1971). Ancient and modern Tamil poets. Tirunelveli: South India Saiva Siddhanta Works Pub. Society.
- ^ Civacaṅkari. Knit India Through Literature: The South. 1998: Eastwest Books. p. 288.
{{cite book}}: CS1 maint: location (link) - ^ Bharathi, S. Lakshmirathan. History and growth of rationalist movement in Thamizh Naadu.
- ^ His poems never praised any kings as that was a practice on those times."United Nations Day celebrated". The Hindu. Retrieved 27 June 2017.
- ^ United Nations General Assembly, Twenty First Session, Official Records, 1446th Plenary Meeting, 18 October 1966, New York. http://undocs.org/en/A/PV.1446
- ^ "உலக கலைஞர்களின், கணீர் குரலில் உலகத் தமிழ் ஆராய்ச்சி மாநாட்டு பாடல்". 4 June 2019.
- ^ "புகழ்பெற்ற சங்கத் தமிழ்ப் பாடல்களுக்கு சிம்பொனி இசை!". 20 February 2020.