Libuše (pronunciation) is a "festival opera" in three acts, with music by Bedřich Smetana. The libretto was originally written in German by Josef Wenzig, and was then translated into Czech by Ervín Špindler [cs]. In Czech historical myth, Libuše, the title character, prophesied the founding of Prague. The opera was composed in 1871–72 for the coronation of Franz Josef as King of Bohemia. This did not happen and Smetana saved Libuše for the opening of the National Theatre in Prague, which took place nine years later on 11 June 1881. After the destruction of the National Theatre in a fire, the same opera opened the reconstructed theatre in 1883. The first US performance was reported to have occurred March 1986, in a concert version at Carnegie Hall with Eve Queler and the Opera Orchestra of New York.[1] In the UK, it was first staged by University College Opera in 2019.[2]

Libuše
Opera by Bedřich Smetana
Smetana in 1854, painting by Geskel Saloman
LibrettistJosef Wenzig
LanguageCzech
Premiere
11 June 1881 (1881-06-11)

Commentators have noted the pageant-like nature of the opera and the influence of Richard Wagner in the music.[3]

Roles

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Eva Urbanová as Libuše (2010)
Role Voice type Premiere cast, 11 June 1881
(Conductor: Adolf Čech)
Queen Libuše soprano Marie Sittová
Chrudoš bass Karel Čech
Sťáhlav, younger brother of Chrudoš tenor Antonín Vávra
Radmilla, sister to Chrudoš and Sťáhlav contralto Betty Fibichová
Krasava soprano Irma Reichová
Lutobor, father to Krasava bass František Hynek
Přemysl, a farmer from Stadice baritone Josef Lev
Radovan baritone Leopold Stropnický

Synopsis

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Act 1

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At the majestic castle of Vyšehrad, the Czech princess Libuše is set to adjudicate a dispute between two brothers, Chrudoš and Šťáhlav, over their father's legacy. Czech law dictates either co-management or equal division of the land. German law, which Chrudoš, the elder, favours, would demand primogeniture, where the elder sibling would inherit the entire property. Libuše prays to the gods for her people's unity. At the same time, Krasava confides to Radmila, the brothers' sister, with her concerns about the dispute's outcome. Libuše's judgment stipulates an equal division of the estate between the two brothers. Hot-blooded Chrudoš refuses to accept the verdict, claiming that it's not for a woman to judge in a men's dispute. Feeling humiliated, the princess decides to give the Czechs a male prince, and to become his consort. She sends out a deputation to Přemysl of Stadice, with whom she has long been in love.

Act 2

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At the burial mound of the two brothers' father, Krasava confesses to her father, Lutobor, that she is the true reason behind the dispute, as she has kindled Chrudoš's jealousy by feigning her love of Šťáhlav. Obeying Lutobor's order, she becomes reconciled with Chrudoš, and presently also has the two brothers make peace between themselves. Meanwhile in Stadice, as the air fills with farmhands' song Přemysl is immersed in loving memories of Libuše. Libuše's deputation arrives, headed by Radovan, to guide Přemysl to Vyšehrad as the princess's future husband and prince of the Czechs.

Act 3

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At Vyšehrad, Libuše, welcoming peace being restored between the two brothers, gives Krasava to Chrudoš as his wife. Now at Libuše's side, Přemysl assumes his princely powers and calls on Chrudoš to apologize to the princess for the offence. The young hotspur, who has so far stubbornly declined, is now ready to yield. Přemysl gives him a brotherly embrace. All present rejoice at the reconciliation. Under the impact of the auspicious moment, Libuše utters a prophecy envisioning a bright future for the Czech nation (including union with Moravia under Břetislav l; the salvaging of Moravia from Tartar invasion through the endeavour of Jaroslav ze Šternberka; the Kingdom of Bohemia's prosperity during the rules of Přemysl Otakar II and Charles IV; the Hussite era; and the rule of the peacemaker King Jiří z Poděbrad). In her prophecy, Libuše does not fail to mention also the dark periods looming ahead for the Czech nation, but she stays firmly convinced of its perseverance with which it will gloriously prevail even over the “horrors of hell”.

Orchestration

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Piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, four trumpets, three trombones, tuba, timpani, triangle, cymbals, bass drum, harp, strings. Onstage trumpets.[4]

Recordings

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References

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Notes

  1. ^ Donal Henahan (14 March 1986). "Beňačková in Smetana's Libuše". The New York Times. Retrieved 2007-09-06.
  2. ^ Anna Picard (19 March 2019). "Review: Libuse at the Bloomsbury Theatre, WC1". The Times. Retrieved 2019-03-21.
  3. ^ Helm, Everett, "Reports from Abroad: Prague" (1959). The Musical Times, 100 (1392): p. 97.
  4. ^ Bennett, John Reginald (1974). Smetana on 3000 Records. Blandford: Oakwood Press. p. 136. ISBN 0853611580. Retrieved 2023-10-07.
  5. ^ Graeme, Roland (1997). "Libuše. Bedřich Smetana". The Opera Quarterly. 13 (3): 186–189. doi:10.1093/oq/13.3.186.

Sources

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