Paul Kowert (born July 18, 1986) is an American bassist and composer. His styles include classical, bluegrass, and progressive bluegrass. He is a member of the progressive acoustic quintet Punch Brothers and a founding member of Hawktail, an acoustic supergroup composed of Kowert, fiddler Brittany Haas, guitarist Jordan Tice, and mandolinist Dominick Leslie.[1]
Paul Kowert | |
---|---|
Born | July 18, 1986 |
Origin | Madison, Wisconsin, US |
Genres | Classical Bluegrass Progressive bluegrass |
Occupation | Musician |
Instrument(s) | Double Bass, Mandolin, Guitar, Violin, Piano |
Years active | 2008-present |
Labels | Nonesuch Records, Padiddle Records |
Biography
editKowert grew up in Middleton, Wisconsin. He transitioned to playing bass from violin at age 9. He studied under Edgar Meyer at the Curtis Institute of Music, graduating in 2009.[2][3] While still pursuing his degree at Curtis, Kowert was recruited to join Punch Brothers. Bandmate Chris Thile said of Kowert's arrival, "that’s when the band really became a band."[3] He remained the only non-founding member of the ensemble until Brittany Haas joined in 2023.
Equipment
editKowert plays a double bass made by luthier Daniel Hachez in 2006 ("Daniel Hachez Bass #28").[4] Inspired by mentor Edgar Meyer, Kowert plays in an unconventional tuning that combines orchestral tuning and solo tuning.[4] In orchestral (or "standard") tuning, the bass is tuned in ascending fourths from E to G (i.e., E, A, D, G). In solo tuning, the bass is also tuned in fourths but begins a major second above orchestral tuning, running from F# to A (i.e., F#, B, E, A). Kowert's tuning adheres to solo tuning for the instrument's three highest strings but reverts to orchestral tuning for the lowest string (i.e., E, B, E, A). Additionally, Kowert regularly uses a C extension, resulting in an even wider range of pitch (i.e., C, B, E, A).[5]
In addition to his Hachez bass, Kowert regularly plays a Shen SB-180 bass modified by luthier Arnold Schnitzer to include a removable neck.[6][7] This modification, Kowert claims, has proven indispensable for the demands of touring, particularly with Punch Brothers. "The way we traveled on the Who's Feeling Young Now? tour," Kowert explains, "would not have been possible without this thing."[7]
Since 2021, Kowert exclusively uses a bass made by Nick Lloyd (#55, 2021).[citation needed]
Kowert uses a bow made by Reid Hudson.[8]
Discography
edit- With Punch Brothers
- Antifogmatic (2010)
- Who's Feeling Young Now? (2012)
- Ahoy! (2012)
- The Phosphorescent Blues (2015)
- All Ashore (2018)
- Hell on Church Street (2022)[9]
- Mike Marshall's Big Trio (2009)
- With Haas Kowert Tice
- You Got This (2014)
- With Hawktail
- Unless (2018)
- Formations (2020)
- Place Of Growth (2022)
References
edit- ^ "A Long, Musical Friendship: A Conversation With Hawktail". The Bluegrass Situation. May 18, 2018. Archived from the original on December 4, 2023. Retrieved October 18, 2021.
- ^ "Back to Aspen, and playing with new Punch | AspenTimes.com". Archived from the original on August 10, 2016. Retrieved January 6, 2012.
- ^ a b Allen, Dave. "Meet the Alumni - Endless Curiosity." Overtones, Fall 2019, 26-27.
- ^ a b "Daniel Hachez #28 2006 —". www.padiddlerecords.com. Retrieved October 18, 2021.
- ^ "Daniel Hachez #28 2006 —". www.padiddlerecords.com. Archived from the original on October 19, 2021. Retrieved October 19, 2021.
- ^ "Arnold E. Schnitzer, luthier". cellobass.com. Archived from the original on July 13, 2023. Retrieved October 19, 2021.
- ^ a b "Shen Removable Neck Bass —". www.padiddlerecords.com. Archived from the original on October 19, 2021. Retrieved October 19, 2021.
- ^ "Reid Hudson Bow —". www.padiddlerecords.com. Archived from the original on October 19, 2021. Retrieved October 18, 2021.
- ^ "Punch Brothers' 'Hell on Church Street' Due January 14 on Nonesuch; Reimagining of, Homage to Tony Rice's 'Church Street Blues' - Nonesuch Records". Nonesuch Records Official Website. Archived from the original on September 25, 2023. Retrieved October 18, 2021.