This article was nominated for deletion on 27 March 2007. The result of the discussion was keep. |
This article was nominated for deletion on 30 January 2010. The result of the discussion was keep. |
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Conflict of interest / sockpuppet discussions
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The following discussion has been closed. Please do not modify it. |
Conflict of interestedit Resolved – I'm boldly archiving this and have removed the COI tag which remains a clean-up tag. That article doesn't read as overly POV, at all. If there is indeed need for COI tagging please start a new thread and clearly spell out what article clean-up needs to take place instead of simply alleging that problems may exist because of potential connections to the subject of the article by one, some or many of those editing the article. -- Banjeboi 02:39, 13 November 2009 (UTC)
I have tagged this article with a COI tag, since an examination of contributions indicates that at least four of the accounts used to edit the article: Helicon Arts Cooperative, Sorrywrongnumber, Boxcarwillie and Filmsnoir are all single purpose accounts used (basically) only to edit this and related articles, such as those of the actors and creative staff involved in the film. In addition, several dozen IPs, all from the same area (69.23x.xxx.xxx), are likely to be COI editors as well. Because of this I have extensively reworked the article, removing promotional language and formatting and generally wikifying it. I have also left COI messages on the talk pages of the above accounts, and on some (but not all) of the IPs. Sach (talk) 07:47, 12 November 2009 (UTC)
(outdent) Just to get back to basics, the state of the article before I worked it is here. I think a comparison to the current state will show that my edits were an improvement, but that's not really the issue here. I've raised what appears to me to be a legitimate COI concern, which is only being confirmed by the actions of the IP editor who is now vandalizing the article to remove the COI tag, and this talk page to remove this discussion. Clearly, there are deep feelings here, which, again, points to a serious COI concern. Sach (talk) 09:23, 12 November 2009 (UTC)
(outdent) I'm responding from the post at WT:FILM. There seems to be a lot of back and forth here. Some of the edits done I support, some I do not. I don't know what particular evidence you have regarding COI, but be sure you've posted your concerns at the article talk page regarding that. I'm not clear why you removed the producer credit, Chase Masterson is in fact credited as a producer on IMDB and on the official web page. The credits order is what is given both on IMDB and on the official webpage and I've verified that the article John Haymes Newton is the James Newton listed on IMDB and the webpage. That there is a disambiguation regarding the actor's name is an internal Wikipedia issue, he doesn't appear to be credited that way all the time and in fact, the "Haymes" is included as an "appeared as" name. The issue there is the actor's article needs to be disambiguated differently. I reinserted the citations you added, but a more specific page is needed for one of them besides the general webpage for the events. The Park City Film Music Festival link does confirm the film ran there and the Director's Choice Award, but not the dates. I found a more supportive cite for WonderCon. Mostly, this needs to be discussed and issues settled. There is nothing productive in edit-warring or the verbal bickering in either direction. File the COI report, let it be investigated and please stop slinging mud both ways. Wildhartlivie (talk) 10:05, 12 November 2009 (UTC)
The discussion above is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.
Sockpuppet-induced consensusedit Resolved – I'm archiving the discussion below, as they involved SPA/COI sockpuppets discussing amongst themselves to establish a bogus "consensus" in order to edit the article in non-neutral manner. Beyond My Ken (talk) 18:11, 27 January 2010 (UTC)ReviewseditRespectfully I think that a bit of bias was introduced into the article re: the Variety review which I am trying to correct. I welcome discussion. Specifically, stating that Variety was critical of the film's plot does not ring true with the review itself, which praises the script as "ambitious" and "refreshingly high-minded." The Lynch quote that you used, and the statement that the film leads to grand yet underwhelming revelations, does not read like a criticism to me (I saw the film two days ago, and indeed, that is kind of the whole point of the movie). Also, while the review criticizes the film's acting style, it then goes on to say it is forgivable. Not presenting both points, I believe, biases this article. Finally, stating that the film received positive reviews "earlier in its festival run" discounts the fact that many, if not most, of the reviews cited occurred after the festival run ended. 2Misters (talk) 07:36, 17 December 2009 (UTC)
The citation link about the Allmovie Blog was broken; can find no citable references to a review there which was subsequently retracted, so I have struck that. Also included some specific critcisms from the negative reviews to provide balance. I do think it's significant to reintroduce the fact that the Weekly blurb was posted by a college student and not a staff critic from the paper, so I have done so (a previous editor erased this line w/o explanation, and I think that biases the article). Finally, I wanna say that I agree with the IP above that Variety isn't necessarily 'more important' than the others. A quick check shows that Epoch Times, for example, has a circulation of 1.4 million, while Variety's is 31,000. Somaterc (talk) 10:08, 18 December 2009 (UTC) ReceptioneditHey I'm new to this, so please forgive me if I'm not going about this correctly. I believe some bias is present in the reception section of this article, particularly in use of the name of the LA Weekly critic, John Wheeler. Mentioning that he is a college student is irrelevant to quoting a review he wrote for the LA Weekly, and citing an article he wrote for a college paper only serves to verify that irrelevant admission. That information seems like an attempt to discredit the critic, which would indicate bias. It is irrelevant in any case. Rollins12 (talk) 05:14, 24 December 2009 (UTC)
An observationeditIt's amazing the incredible attraction of this article to first-time editors! Apparently, people must have seen the movie and been overcome with an irresistible desire to edit the talk page of the Wikipedia article about the film!! Let's see how many brand-new accounts and first-time IP editors we can accumulate, and how many corners of the same mouth they can speak out of. Beyond My Ken (talk) 02:46, 25 December 2009 (UTC)
Sockpuppet complainteditA sockpuppet complaint has been filed here, in which the editing of this and related articles is central. Beyond My Ken (talk) 08:44, 25 January 2010 (UTC) The result of this complaint was:
Changes to this articleeditThis article was under the control of a sockfarm, which has now been blocked. [1] One of the things they did was to attempt to bury an semi-uncomplimentary Variety review deeper into the article, and to substitue higher up less authoritative source. This film is due for home video release soon, and the sockfarm started up again just recently, probably in an attempt to "fix" the article to their liking in time for that release. Now, an IP editor is making similar changes, so I believe that any edits this IP wishes to make should be discussed here first. This article will not be helped by another attempt to re-shape in a non-POV way. Beyond My Ken (talk) 03:05, 31 March 2010 (UTC)
I have made the following changes to the article for the reasons listed below. Please point out any inaccuracies: WikiProject Films says the article needs improvement. I read the deletion nom and I agree it's got inconsistencies. In the nom discussion this was said by the nominater: "Accuracy is in question because there are inconsistencies. Variety review is the most notable review, but the remainder of "Reception" section is wierd: "During the film's earlier festival run it received generally positive reviews." But then the reviews listed as having occurred during the "earlier festival run" include 3 reviews that it looks like were written during the theatrical run according to the cites. Then it says the film got "generally positive reviews" during its festival run "with certain notable exceptions." However, no exceptions are provided. So on second thought maybe there is some COI going on here? I think it needs fresh editors if we're keeping." To this, User:Beyond My Ken answered: "That's a fair point -- the reception section was subject to a good amount of back-and-forth editing as the sockpuppets tried to put the film in the best possible light, and other editors, including myself, tried to keep the section as accurate and neutral as possible. This is almost certainly the cause of the discontinuities that you point out. I agree that fresh editors with fresh eyes would be a good idea." So Beyond agreed that there were what he called "inconsistencies" in the article's data due to "back-and-forth" editing that he was involved in. He agreed that a fresh editor (not him) should fix. I point out that when a fresh editor (me) goes in and corrected these contradictions, Beyond 3RRed me by saying that he will not "allow" the article to be edited that way. "Allow" was the word he used. I feel I accurately and honestly in good faith tried to fix the following contradictions: The Varirety review of the movie was positive. (DeBruge is a Top Critic with RT that means he controls how his reviews are posted.) Before I edited it, this article read like the Variety review was (in Beyond My Ken's words) a semi-uncomplimentary review. Phrses from the review were cherry picked to make it sound bad. (For exmaple, Nothing in the review criticized the movies plot at all, yet Beyond My Ken wrote that it did. That was just bad information. I corrected this and wrote, in good faith, what RT and Metacritic said. Second, Beyond had written it so it said that the film only received positive reviews during it's festival run. But like was pointed out in the deletion nom, the examples given weren't during the fest run. Beyond also said there were notable exceptions, but there aren't. So I fixed this. The result was that Beyond swooped in and 3RRed. Again if my facts are wrong please clarify how. Thank you. DivaOfDan (talk) 04:13, 31 March 2010 (UTC)
Again, please just tell us the honest truth as to why you won't let simple fixes like that through. It's really looking like you hve something personal at stake here. DivaOfDan (talk) 04:33, 31 March 2010 (UTC)
A note to editors about this articleeditI'm more than happy to discuss any changes with those editors at any time here on the talk page, and, of course, I don't interfere with edits made by established editors who are interested in improving it. Again, I don't "own" this article, but I do try to look out for it. Beyond My Ken (talk) 05:56, 31 March 2010 (UTC)
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Broken links
editCitation 18 is a dead link. Citation 19 goes to a totally random website. Article is locked so it can't be edited. Shouldn't someone with edit privileges remove these links? 208.88.120.85 (talk) 05:01, 4 May 2010 (UTC)
- Citation 18 is indeed a dead link, and is labelled as one. Since the Allmovie Blog review of the film that it originally supported seems no longer to be available, I have deleted the mention of it. That citation 19 was originally added by one of Sorrywrongnumber's sockpuppets to show that the reviewer for the LA Weekly was only an intern, in an attempt to downplay that reviewer's opinion. Since that contention is no longer in the article, I have deleted the ref.
However, since you mention it, I've run down the links for the reviews in the LA Times and LA Weekly, which were categorized in the article as negative capsule reviews, and have seen that they are, in fact, somewhat more than that, so I've included them in the article, with pull quotes from the reviews -- since the LA Times and LA Weekly are important media outlets and should be included.
Thanks for the heads up. Beyond My Ken (talk) 05:37, 4 May 2010 (UTC)
- Incidentally, Sorrywrongnumber, the blocked sockfarmer I mentioned above, has in the past used IP addresses in the range 208.88.120.0/21 for his sockpuppetry, which I believe includes the IP you've just posted from. However, if you have other suggestions about the article, I'll be glad to consider them. Beyond My Ken (talk) 05:45, 4 May 2010 (UTC)
- No problem. Glad to know I'm living rent-free in that head of yours. And for the record, it's hilarious how you refer to LA Weekly, an alt-culture paper with a circulation of 193,714, as "mainstream," in order to justify it as an "important" media outlet ("important" meaning "it gave the film a bad review so therefore it should be quoted in full." Of course, had it given the film a good review, you would consider it a "minor" outlet and try to bury it.) Just like it's hilarious how you go to great efforts to quote everything negative about your film in the body of the article, while erasing everything positive - including the part of the Variety quote which praises the film's plot. Including the part about how Rotten Tomatoes actually counts that review you keep calling "negative" as "positive" (you certainly wouldn't want readers to know that, would you). And how you keep inserting the sentence "During the film's earlier festival run it received generally positive reviews, with certain notable exceptions" back into the article, with no explanation for the fact that there are no exceptions listed, not to mention the fact that the positive reviews given as examples didn't occur during the festival run. But what do we expect. We all know you'd never allow the facts to get in the way of your agenda. 208.88.120.86 (talk) 05:51, 4 May 2010 (UTC)
- Thanks for the comments, Sorrywrongnumber. Please remember that posting using an IP while you're blocked is block evasion -- so I'm afraid I can't enourage you to post here again. However, if you can get over your ridiculous idee fixe that I'm biased against the film, and would like to post suggestions about the article on your talk page at User talk:Sorrywrongnumber, I'll be glad to consider them for the article. Please be civil, though, since I'll simply ignore harangues and such. Beyond My Ken (talk) 05:55, 4 May 2010 (UTC)
- OK Ed, discussion moved to here. 208.88.120.84 (talk) 06:16, 4 May 2010 (UTC)
- Fine, I've looked at your comments and responded there. Incidentally, although I'm happy if we can come to some accomodation that brings a little peace around here, I do not know you, we are not friends, and I have not given you permission to refer to me by my actual first name. Please be kind enough to address me as "Beyond My Ken" or "BMK". Thanks. Beyond My Ken (talk) 06:33, 4 May 2010 (UTC)
- I've moved the discussion to User talk:Sorrywrongnumber as the most appropriate place. Beyond My Ken (talk) 08:01, 4 May 2010 (UTC)
Song
editYesterday was a Lie is a song on the album Genetic World by the band Telepopmusik. The band and album are somewhat innovative and important. Both band and album already have their own Wikipedia aritcles. — Preceding unsigned comment added by 99.65.2.67 (talk) 00:46, 17 January 2019 (UTC)
- There is a conceptual resonance here. The song is inventive and strange even by the standards of Telepopmusik, and the film is inventive and strange even by the standards of a somewhat low budget indie film. I am curious whether the title has an earlier source, or if the band and the film makers came up with the title independently. I placed the info in the talk page because I was not willing to advocate that it was important enough to add to the article.
- If you want even a scintilla of this stuff to get into the article, you're going to have to find a reliable source that says it. We're not allowed to add opinions, interpretations or analyses to any Wikipedia article unless it's supported by a citation from a reliable source; otherwise, it's considered to be original research, which is absolutely not allowed. Beyond My Ken (talk) 03:17, 17 January 2019 (UTC)
- I agree with that conclusion. I will note that some articles contain disambiguation information without a separate disambiguation page, or something like the "In Popular Culture" section of the page for a song I like (Lux Aeterna (Mansell)). I do not advocate for moving any of this information into this article. — Preceding unsigned comment added by 99.65.2.67 (talk) 23:25, 16 January 2019 (UTC)