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Hefker
- ... that hefker, unowned property in Talmudic law, came to express both personal freedom and societal abandonment in 20th C. Yiddish poetry?
- Source: Brenner, Naomi. "Milgroym, Rimon and Interwar Jewish Bilingualism." Journal of Jewish Identities 7, no. 1 (2014): 23-48, including "in Yiddish modernism hefker becomes a new mode of poetic identity that at once celebrates and suffers from this lack of belonging" " In contrast to Bergelson and Markish’s freedom and movement, Stencl’s hefker-yung is no free modernist spirit, but rather a crucified Jesus" Murav, Harriet. "David Hofshteyn’s Poetry of Listening." Lyre–Studies in Poetry and Lyric 1 (2023) including: "This essay examines the multiple resonances of the Jewish term hefker (literally,“unclaimed, abandoned, or neglected property”)... The pogrom cycle, as a whole, is a journey through the broken time and space of antisemitic violence."
- Reviewed: Template:Did you know nominations/René Vallon
- Comment: While there are potential hooks from ancient Jewish law alone, the use of this dry legal principle in modernist Yiddish poetry is pretty amazing IMO and new to me. If we're concerned people won't know words like Talmudic and Yiddish, the hook can substitute 'Jewish' for either or both. Thanks.
ProfGray (talk) 21:30, 29 November 2024 (UTC).
Gonna suggest an alt :)
- ALT0a: ... that some 20th century Yiddish poetry incorporates the Talmudic concept of hefker?
Mm, not quite. Trying to figure out how to emphasize the time disparity. theleekycauldron (talk • she/her) 14:06, 4 December 2024 (UTC)