Wikipedia:Articles for improvement/main page placement

Note:Pages within Wikipedia's Main page space will require development for the random generation of TAFI entries to occur. The Random component appears to not be transferable between namespaces via transclusion (e.g. transcluded from Template namespace to Main namespace). For examples of pages that appear likely to need re-creation within the Main page space, see Template:TAFI Main page, Template:TAFI Main page/box-header, Template:TAFI Main page/Main page queue/1 through Template:TAFI Main page/Main page queue/7 and Template:Random component main namespace for the code that needs to be existent as a separate page in Main page space, from which the (e.g.) {{Random component Main page|max=7|header=|subpage=Main page queue}} reads from via transclusion.

For additional information, please see: User:Northamerica1000/TAFI random generation. Also note that the example article below "Foobar" is not a TAFI selection; it's just an example to demonstrate layout. Northamerica1000(talk) 06:39, 25 January 2013 (UTC)[reply]

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From today's featured article

Jane Austen by her sister Cassandra

The reception history of Jane Austen follows a path from modest fame to wild popularity; her novels are both the subject of intense scholarly study and the centre of a diverse fan culture. Austen, the author of such works as Pride and Prejudice (1813) and Emma (1815), is one of the best-known and widely read novelists in the English language. During her lifetime, Austen's novels brought her little personal fame; like many women writers, she published anonymously. At the time they were published, her works were considered fashionable by members of high society but received few positive reviews. By the mid-19th century, her novels were admired by members of the literary elite, but it was not until the 1940s that Austen was widely accepted in academia as a "great English novelist". The second half of the 20th century saw a proliferation of scholarship exploring artistic, ideological and historical aspects of her works. As of the early 21st century, Austen fandom supports an industry of printed sequels and prequels as well as television and film adaptations, which started with the 1940 Pride and Prejudice and includes the 2004 Bollywood-style production Bride and Prejudice. (Full article...)

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Blaufränkisch grapes growing in the Burgenland region of Austria

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More than 20 video games have been developed since 2008 by Supermassive Games, a British video game developer. Until 2018, they worked almost exclusively with PlayStation, first working on downloadable content for LittleBigPlanet. The studio published their first game, Big Match Striker, in September 2010. Supermassive worked on multiple games that utilised the PlayStation Move motion controller including Start the Party! and Sackboy's Prehistoric Moves, both of which were released in 2010. In 2015, the studio started to focus mostly on interactive-drama, survival-horror video games, starting with their breakout title, Until Dawn, which won the BAFTA Games Award for Original Property in 2016. With the success of Until Dawn, the studio continued to expand the universe, releasing two spin-off titles; Until Dawn: Rush of Blood (2016) and The Inpatient (2018), for the PlayStation VR. In August 2019, Supermassive released Man of Medan, the first game in The Dark Pictures Anthology, and in 2022, they released The Quarry, the spiritual successor to Until Dawn. Supermassive's next game, The Casting of Frank Stone, a game set in the Dead by Daylight universe, is scheduled for release on 3 September 2024. (Full list...)
Princess Ida

Princess Ida is a comic opera with music by Arthur Sullivan and a libretto by W. S. Gilbert. It was Gilbert and Sullivan's eighth operatic collaboration, preceding The Mikado. Princess Ida opened at the Savoy Theatre in 1884 and ran for 246 performances. Based on the narrative poem The Princess by Alfred, Lord Tennyson, the opera concerns a princess who founds a women's university and teaches that women are superior to men and should rule in their stead. Prince Hilarion, to whom she had been betrothed, sneaks into the university, and a war erupts between the two sexes. Princess Ida satirizes feminism, women's education and Darwinian evolution, controversial topics in conservative Victorian England. Princess Ida was only a modest success, and after its initial run, it was not revived in London until 1919. Nevertheless, the piece is performed regularly today by both professional and amateur companies. This watercolour-and-pencil-on-card image by C. Wilhelm shows his costume design for the characters of Arac, Guron and Scynthius in the 1884 production of Princess Ida.

Costume design credit: C. Wilhelm; restored by Adam Cuerden

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