Woolly Mammoth Theatre Company is a non-profit theatre company located at 641 D Street NW in the Penn Quarter neighborhood of Washington, D.C. Founded in 1980, it produces new plays which it believes to be edgy, challenging, and thought-provoking.[1] Performances are in a 265-seat courtyard-style theater.[2]
 Company logo | |
| Formation | 1980 |
|---|---|
| Type | Theatre group |
| Purpose | New Plays/World Premieres |
| Location | |
Artistic director(s) | Maria Manuela Goyanes |
| Website | http://www.woollymammoth.net |
Woolly Mammoth is led by Artistic Director Maria Manuela Goyanes, a celebrated American theatre producer, and Managing Director Kimberly E. Douglas.[3]
History
edit
Woolly Mammoth was founded by Howard Shalwitz, Roger Brady, and Linda Reinisch in 1980.[4] "While working odd jobs to make money, we held our first auditions outdoors in Glover Park and started improvisatory workshops in the auditorium of the HHS building."[5] It opened its first season in The Church of the Epiphany parish hall near Metro Center.[5] Outgrowing this initial home, the company rented a warehouse in the 14th Street corridor, where it performed for 13 years. When that space ceased to be available, Woolly Mammoth became a nomad company, performing in various venues in the DC area. During this period the company worked with the Pennsylvania Avenue Development Corporation to acquire space for and to outfit a new theatre.[6]
"Woolly's goal is to challenge our artists and our audiences in ways that are fun and exciting and theatrically adventurous. People can enjoy Woolly who are Democrats or Republicans, liberals or conservatives, because we're trying to come at audiences from unexpected points of view. We would rather be politically challenging and uncomfortable and prickly and put images in front of people that make them think and surprise them, rather than just congratulating our audience for being the people they are."[7]
Opened in 2005, its permanent home is a $9 million, 265-seat courtyard-style theater. It was designed by Washington-based architect Mark McInturff[8] in association with Theatre Project Consultants.[9] The space has won local, regional, and national awards for innovative architectural design, including the American Institute of Architects 2006 Institute Honor Award for Interior Architecture[10] and the US Institute for Theatre Technology Honor Award.[11]
In 2018, Woolly Mammoth hired Maria Manuela Goyanes as its artistic director, succeeding founder Howard Shalwitz. Goyanes is known for her production successes at the Public Theater in New York as well as for being a theater educator and leader.
Plays that have premiered at Woolly Mammoth have been produced in more than 200 theaters in 39 states and 12 countries.[12]
The theatre's education and outreach programs include "Pay-What-You-Can" (PWYC) performances providing access to all residents regardless of economic means,[13][14] and "Playmaking," which pairs students with professional playwrights.[15] "Woolly D.C." is a program where a neighborhood joins to create an original production based on an issue of common community concern, and there are internships, workshops, and theater classes, including a partnership with the University of Maryland, College Park.[16]
Current and recent productions
editFor resident theatre companies "repertory is destiny" – a theatre company acquires its audience by the productions it presents.[17] Woolly Mammoth's productions are new plays that "explore the edges of theatrical style and human experience."[18]
Notable playwrights and productions
editWoolly Mammoth has produced works by the following playwrights in the seasons indicated:[19]
- David Adjmi: Stunning (2007–08)[20]
- Robert Alexander: The Last Orbit of Billy Mars (1998–99)
- Sheila Callaghan: Fever/Dream (2008–09)
- Bridget Carpenter: The Faculty Room (2005–06)
- Ian Cohen: Lenny & Lou (2004–05)
- Mike Daisey: If You See Something Say Something (2007–08); How Theater Failed America (2008–09); The Last Cargo Cult (2009–10); The Agony and the Ecstasy of Steve Jobs (2010–11); The Trump Card (2016–2017)
- Amy Freed: Psychic Life of Savages (1994–95); Freedomland (1998–99)
- Melissa James Gibson: Current Nobody (2007–08)
- Jason Grote: Maria/Stuart (2008–09); Civilization: all you can eat (2011–2012)
- Danai Gurira: Eclipsed (2009–10); The Convert (2012–13); Familiar (2017–2018)
- Samuel D. Hunter: A Bright New Boise (2011–2012)[21]
- Michael R. Jackson: A Strange Loop (2021-2022)
- Sherry Kramer: David's Redhaired Death (1990–91)
- Tracy Letts: Bug (1999–2000)
- David Lindsay-Abaire: Wonder of the World (1999–2000)
- Bruce Norris: The Unmentionables (2007–08); Clybourne Park (2009–10), winner 2011 Pulitzer Prize for Drama
- Robert O'Hara: Antebellum (2008–09); Bootycandy (2010–11); Zombie: The American (2014–15)
- Philip Ridley: The Pitchfork Disney (1994–95)
- Sarah Ruhl: The Clean House (2004–05); Dead Man's Cell Phone (2006–07), which subsequently was produced at Playwrights Horizons in New York[22] and Steppenwolf Theatre Company in Chicago[23]
- Laura Schellhardt, The K of D (2008)
- Nicky Silver: Fat Men in Skirts (1990–91); Free Will & Wanton Lust (1992–93); The Food Chain (1993–94); Raised in Captivity (1996–97)
- Anne Washburn: Mr. Burns, a post-electric play (2011–12)[24]
- Craig Wright: Recent Tragic Events (2002–03); Grace (2003–04)
- Doug Wright: Watbanaland (1995–96); Quills (1996–97)
Awards
editIn 2014 Howard Shalwitz was awarded the Margo Jones Award for his founding and direction of the Woolly Mammoth Theatre Company[25]
Overall, the company has earned over 130 Helen Hayes nominations and won 35 Helen Hayes Awards.[26][27] Its more prestigious awards include:
- 2013 The Charles MacArthur Award for Outstanding New Play or Musical, Stupid Fucking Bird[28]
- 2013 Outstanding Resident Play, Stupid Fucking Bird[28]
- 2008 The Charles MacArthur Award for Outstanding New Play or Musical, Dead Man's Cell Phone.[26]
- 2007 Outstanding Non-Resident Production, In the Continuum.[26]
- 2006 Outstanding Resident Play, The Clean House.[26]
- 2006 The Charles MacArthur Award for Outstanding New Play or Musical, Starving.[26]
- 1996 Outstanding Resident Play, The Pitchfork Disney.[26]
- 1994 The Charles MacArthur Award for Outstanding New Play or Musical, Free Will and Wanton Lust.[26]
- 1991 Outstanding Resident Musical, The Rocky Horror Show.[26]
- 1988 Outstanding New Play, National Defense.[26]
- 1987 Outstanding New Play, New York Mets.[26]
- 1986 Outstanding New Play, Metamorphosis.[26]
Affiliations
editWoolly Mammoth is a member of the National New Play Network,[29] Theatre Communications Group, the League of Washington Theaters, and the Cultural Alliance of Greater Washington. The theatre's programs are supported by the National Endowment for the Arts, the D.C. Commission on the Arts and Humanities, and the National Capital Arts and Cultural Affairs Program of United States Commission of Fine Arts.
Notes
editWoolly Mammoth is a Blue Star Theatre – part of a collaboration between the Theatre Communications Group and Blue Star Families offering discounted admission to all military personnel, their families and U.S. veterans.[30]
See also
edit
References
edit- ^ Yee, Roger (2007). Lighting Spaces. Visual Reference Publications. ISBN 978-1-58471-116-2.
- ^ "Woolly Mammoth Theatre Company | Washington DC". washington.org. Retrieved 2022-06-29.
- ^ "Kimberly E. Douglas Named Woolly Mammoth Managing Director". AMERICAN THEATRE. 2022-06-22. Retrieved 2023-04-03.
- ^ Pressley, Nelson. "How Howard Shalwitz led Woolly Mammoth's stampede". The Washington Post.
- ^ a b Wooly Mammoth Famous Puppet Death Scenes Program Book. Washington DC: Woolly Mammoth Theatre Company. December 9, 2012. p. ii.
- ^ Woolly Mammoth website
- ^ Dicker, Matthew (February 27, 2014). "Woolly Mammoth is 'Proud to Present'". Washington Times. Retrieved March 8, 2014.
- ^ McInturff Architects website
- ^ Theatre Project Consultants website
- ^ American Institute of Architects website
- ^ United States Institute for Theatre Technology website
- ^ Woolly Mammoth website
- ^ TheEagleOnline.com
- ^ Michael O'Sullivan (November 13, 2009). "Weekend-Frugal Fun-Theater". The Washington Post. p. 27. Retrieved November 15, 2009.
- ^ StudioTheatre.org
- ^ University of Maryland website
- ^ TCG.org
- ^ "About Woolly". Woolly Mammoth Theatre Company. Retrieved March 13, 2013.
- ^ Woolly Mammoth production history
- ^ Horwitz, Jane (March 12, 2008). "Playing With Provocation". The Washington Post.
- ^ Marks, Peter (October 22, 2011). "A Bright New Boise". The Washington Post. Archived from the original on April 12, 2013.
- ^ BroadwayWorld.com
- ^ ChicagoTheaterBlog.com
- ^ Marks, Peter (June 5, 2012). "Mr. Burns, A Post-Electric Play". The Washington Post. Archived from the original on April 12, 2013.
- ^ "Margo Jones Award Recipients". Jerome Lawrence and Robert E. Lee Theatre Research Institute. Ohio State University Libraries. Retrieved July 31, 2014.
- ^ a b c d e f g h i j k "Helen Hayes Awards Search Recipients – Woolly Mammoth". Archived from the original on January 30, 2010. Retrieved February 16, 2010.
- ^ Goodman, Lawrence, "Making Audiences Think," Brown Alumni Monthly, March/April 2014, p. 43
- ^ a b "2014 Helen Hayes Awards Nominees". Theatre Washington.
- ^ National New Play Network website
- ^ "Blue Star Theatres". Theatre Communications Group. Retrieved June 1, 2013.
External links
edit