The 1990s (pronounced "nineteen-nineties"; shortened to "the '90s") was a decade of the Gregorian calendar that began on 1 January 1990, and ended on 31 December 1999.
In the absence of world communism, which collapsed in the first two years of the decade, the 1990s was politically defined by a movement towards the right-wing, including increase in support for far-right parties in Europe[1] as well as the advent of the Hindu nationalist Bharatiya Janata Party[2] and cuts in social spending in the United States,[3] Canada,[4] New Zealand,[5] and the UK.[6] The United States also saw a massive revival in the use of the death penalty in the 1990s, which reversed in the early 21st century.[7] During the 1990s the character of the European Union and Euro were formed and codified in treaties.
A combination of factors, including the continued mass mobilization of capital markets through neo-liberalism, the thawing of the decades-long Cold War, the beginning of the widespread proliferation of new media such as the Internet from the middle of the decade onwards, increasing skepticism towards government, and the dissolution of the Soviet Union led to a realignment and reconsolidation of economic and political power across the world and within countries. The dot-com bubble of 1997–2000 brought wealth to some entrepreneurs before its crash between 2000 and 2001.
The 1990s saw extreme advances in technology, with the World Wide Web, the first gene therapy trial, and the first designer babies[8] all emerging in 1990 and being improved and built upon throughout the decade.
In the years leading up to the dissolution of the Soviet Union in 1991 and for just over a decade thereafter, a particularly large number of Jews emigrated from the Soviet Union and the post-Soviet countries. The majority of these emigrants made aliyah, while a sizable amount immigrated to various Western countries. This wave of Jewish migration followed the 1970s Soviet aliyah, which began after the Soviet government lifted the ban on the country's refuseniks, most of whom were Jews who had been denied permission to leave the country.
Between 1989 and 2006, about 1.6 million Soviet Jews and their relatives left the country. About 979,000, or 61%, were received by Israel under the Law of Return, which allows Jews and their non-Jewish spouses to relocate to Israel and acquire Israeli citizenship. Another 325,000 and 219,000 immigrated to the United States and Germany, respectively. According to the Israel Central Bureau of Statistics, 26% of olim and olot from the former Soviet Union did not have their Jewishness recognized by the halakhic definition, but were still eligible for Israeli citizenship due to patrilineal Jewish descent or through marriage to a Jew. While most of the immigration wave was made up of Ashkenazi Jews, a significant proportion of Mizrahi Jews also made aliyah from the Soviet Union's Asian territories during this time, such as the Mountain Jews, the Georgian Jews, and the Bukharan Jews, among others. The overwhelming majority of these immigrants were successfully integrated into the Israeli economy: in 2012, the average salary of Israelis originating from the post-Soviet aliyah was comparable to that of born-and-raised Israelis. (Full article...)
... that just four days before his death in 2004, David B. McCall received a presidential pardon from George W. Bush for fraud charges dating from the 1990s?
... that Univel was an early-1990s attempt to compete with Microsoft on the desktop, but one industry consultant said of the company's goal, "they're dreaming"?
Image 18Go-go boots became fashionable again in 1995. They were worn by women of the hip-hop, alternative, and dance subcultures. (from 1990s in fashion)
Image 19Group of high school students, 1997. (from 1990s in fashion)
Image 20The catsuit became a trend in the late 1990s. Normally made of latex, PVC, or spandex, it was often worn with high-heeled boots. (from 1990s in fashion)
Image 53D'Angelo is considered a key pioneer of the neo-soul movement. (from 1990s in music)
Image 54Flag map of the world from 1992 (from 1990s)
Image 55Women's rights demonstration in Paris, November 1995 (from 1990s)
Image 56The federal building that was bombed in the Oklahoma City bombing two days after the bombing, viewed from across the adjacent parking lot. (from 1990s)
Image 110Mobile phones gained massive popularity worldwide during the decade. (from 1990s)
Image 111The Nasdaq Composite displaying the dot-com bubble, which ballooned between 1997 and 2000. The bubble peaked on Friday, 10 March 2000. (from 1990s)
Image 112The compact disc reached its peak in popularity in the 1990s, and not once did another audio format surpass the CD in music sales from 1991 throughout the remainder of the decade. By 2000, the CD accounted for 92.3% of the entire market share in regard to music sales. (from 1990s)
Image 117Rwandan genocide: Genocide victims in Murambi Technical School. Estimates put the death toll of the Rwandan genocide as high as 800,000 people. (from 1990s)
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Money No Enough (Chinese: 钱不够用; pinyin: Qián Bǔgòu Yòng) is a 1998 Singaporean comedy film written by Jack Neo, directed by Tay Teck Lock, and produced by JSP films. The movie stars Neo, Mark Lee and Henry Thia as three close and best friends who start a car polishing business together to resolve their financial problems. Released in cinemas on 7 May 1998, the film received mixed reviews from critics but earned over S$5.8 million and was the all-time highest-grossing Singaporean film until 2012. Its success helped revive the Singaporean film industry and pave the way for the emergence of other Singaporean cultural phenomena.
It was followed by a second standalone installment titled Money No Enough 2, which was directed by Neo, and also starring Thia, Lee and Neo himself, and was released during the National Day period on 31 July 2008. A third standalone installment titled Money No Enough 3, was also directed by Neo and also stars Lee, Thia and Neo himself, and is released during Chinese New Year period on 1 February 2024. (Full article...)
The film was released to mainly positive reviews, and was generally considered a moderate financial success at both the box office and in home video sales. In 1998, it was followed by a direct-to-video sequel, FernGully 2: The Magical Rescue, although none of the original voice cast reprised their roles. (Full article...)
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The Frighteners is a 1996 supernaturalcomedy horror film directed by Peter Jackson and co-written with Fran Walsh. The film stars Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Dee Wallace Stone, Jeffrey Combs, R. Lee Ermey and Jake Busey. The Frighteners tells the story of Frank Bannister (Fox), an architect who develops psychic abilities allowing him to see, hear, and communicate with ghosts after his wife's murder. He initially uses his new abilities to befriend ghosts, whom he sends to haunt people so that he can charge them handsome fees for "exorcising" the ghosts. However, an entity posing as the Grim Reaper appears, able to attack the living and the dead, prompting Frank to investigate the supernatural presence.
Jackson and Walsh conceived the idea for The Frighteners during the script-writing phase of Heavenly Creatures. Executive producer Robert Zemeckis hired the duo to write the script, with the original intention of Zemeckis directing The Frighteners as a spin-off film of the television series, Tales from the Crypt. With Jackson and Walsh's first draft submitted in January 1994, Zemeckis believed the film would be better off directed by Jackson, produced by Zemeckis and funded/distributed by Universal Studios. The visual effects were created by Jackson's Weta Digital, which had only been in existence for three years. This, plus the fact that The Frighteners required more digital effects shots than almost any movie made until that time, resulted in the eighteen-month period for effects work by Weta Digital being largely stressed. (Full article...)
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Strange Days is a 1995 American science fiction thriller film directed by Kathryn Bigelow, from a screenplay by James Cameron and Jay Cocks, and based on a story by Cameron. The film stars Ralph Fiennes, Angela Bassett, Juliette Lewis, Tom Sizemore, Michael Wincott, and Vincent D'Onofrio. Set in Los Angeles on the last two days of 1999, the film follows Lenny Nero (Fiennes), a black marketeer of an electronic device that allows a user to experience the recorded memories and physical sensations of other people, and Lornette "Mace" Mason (Bassett), a bodyguard and limousine driver, as they are drawn into a criminal conspiracy involving Nero's ex-girlfriend Faith Justin (Lewis) and the murder of a prostitute.
Paramount Pictures sought a change of pace after Star Trek: First Contact (1996). Michael Piller was asked to write the script of the next installment, which was created from story ideas by Piller and producer Rick Berman. The story's first drafts featured the Romulans, and the Son'a and Ba'ku were introduced in its third draft. After Ira Steven Behr reviewed the script, Piller revised it and added a subplot involving a romantic interest for Jean-Luc Picard. The film's ending was further revised after test screenings. The special effects depicting outer space were completely computer generated, a first for a Star Trek film. The Ba'ku village was fully built on location at Lake Sherwood, California, but suffered weather damage. Sets from the television series Star Trek: Voyager and Star Trek: Deep Space Nine were reused and redressed. Michael Westmore created the make-up for the new alien races, and Robert Blackman revised the Starfleet dress uniform designs. Sanja Milkovic Hayes created costumes for the Ba'ku from cellulose fibers, which were baked and glued together. Jerry Goldsmith produced the film's score, his fourth for the franchise. (Full article...)
The film's plot revolves around the assassination of billionaire Sir Robert King by the terrorist Renard, and Bond's subsequent assignment to protect King's daughter Elektra, who was previously held for ransom by Renard. During his assignment, Bond unravels a scheme to increase petroleum prices by triggering a nuclear meltdown in the waters of Istanbul. (Full article...)
Disney came up with the idea to make a theatrical animated film starring Goofy while considering ideas for a potential Goof Troop TV special. Lima wanted to expand Goofy as a character and "give him an emotional side" that would resonate with audiences. Most of the cast from the show, including Farmer, Paulsen, and Cummings, reprised their roles while Dana Hill was replaced by Marsden as Max's voice due to the character's age difference. Furthermore, R&B artist Tevin Campbell provided the vocals for Powerline, a fictional celebrity musician who prominently appears in the film, performing the songs "Stand Out" and "I 2 I". (Full article...)
George Lucas began development for the film in the 1970s, originally attached as director for Willard Huyck and Gloria Katz's script, from a story by Lucas. Universal Pictures commenced pre-production and both Steve Martin and Cindy Williams had already been approached for the two leads before Radioland Murders languished in development hell for over 20 years. In 1993, Lucas told Universal that advances in computer-generated imagery from Industrial Light & Magic (owned by Lucasfilm), particularly in digital mattes, would help bring Radioland Murders in for a relatively low budget of about $10 million, which eventually rose to $15 million. Mel Smith was hired to direct and filming lasted from October to December 1993. Radioland Murders was released on October 21, 1994, to negative reviews from critics and bombed at the box office, only grossing $1.37 million in the United States. (Full article...)
Initially, The Lion King was supposed to be a non-musical, leaning towards a style similar to that of a documentary. George Scribner, who had made his feature directorial debut with Oliver & Company (1988), was hired to direct, with Allers joining him soon after following his work as a story artist or head of story on Oliver & Company, The Little Mermaid (1989), Beauty and the Beast (1991), and Aladdin (1992). Allers brought in Brenda Chapman and Chris Sanders, whom he had worked with on Beauty and the Beast and Aladdin, to serve as head of story and production designer, respectively. (Full article...)
Following the success of the 1993 television adaptation of the stage musical Gypsy (1959), Houston approached Gypsy's producers Craig Zadan and Neil Meron about starring in a remake of Rodgers & Hammerstein's Cinderella for CBS. However, development was delayed for several years, during which time the network grew disinterested in the project. By the time the film was greenlit by Disney for ABC, Houston felt that she had outgrown the title role, which she offered to Brandy instead. The decision to use a color-blind casting approach originated among the producers to reflect how society had evolved by the 1990s, with Brandy becoming the first black actress to portray Cinderella on screen. Among the most significant changes made to the musical, several songs from other Rodgers and Hammerstein productions were interpolated into the film to augment its score. With a production budget of $12 million, Rodgers & Hammerstein's Cinderella ranks among the most expensive television films ever made. (Full article...)
While promoting Stargate in Europe, Emmerich conceived the film while answering a question about his belief in the existence of alien life. Devlin and Emmerich decided to incorporate a large-scale attack having noticed that aliens in most invasion films travel long distances in outer space only to remain hidden when reaching Earth. Shooting began on July 28, 1995, in New York City, and the film was completed on October 8, 1995. (Full article...)
Ideas for a film about the Schindlerjuden (Schindler Jews) were proposed as early as 1963. Poldek Pfefferberg, one of the Schindlerjuden, made it his life's mission to tell Schindler's story. Spielberg became interested when executive Sidney Sheinberg sent him a book review of Schindler's Ark. Universal Pictures bought the rights to the novel, but Spielberg, unsure if he was ready to make a film about the Holocaust, tried to pass the project to several directors before deciding to direct it. (Full article...)
Bound was the first film directed by the Wachowskis, and they took inspiration from Billy Wilder to tell a noir story filled with sex and violence. Financed by Dino De Laurentiis, the film was made on a tight budget with the help of frugal crew members including cinematographer Bill Pope. The directors initially struggled to cast the lesbian characters of Violet and Corky before securing Tilly and Gershon. To choreograph the sex scenes, the directors employed sex educator Susie Bright as an ad hocintimacy coordinator, and she also made a cameo appearance in the film. (Full article...)
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