The Scottish Renaissance (Scottish Gaelic: Ath-bheòthachadh na h-Alba; Scots: Scots Renaissance) was a mainly literary movement of the early to mid-20th century that can be seen as the Scottish version of modernism. It is sometimes referred to as the Scottish literary renaissance, although its influence went beyond literature into music, visual arts, and politics (among other fields). The writers and artists of the Scottish Renaissance displayed a profound interest in both modern philosophy and technology, as well as incorporating folk influences, and a strong concern for the fate of Scotland's declining languages.
It has been seen as a parallel to other movements elsewhere, including the Irish Literary Revival, the Harlem Renaissance (in the USA), the Bengal Renaissance (in Kolkata, India) and the Jindyworobak Movement (in Australia), which emphasised indigenous folk traditions.
The term "Scottish Renaissance" was brought into critical prominence by the French Languedoc poet and scholar Denis Saurat in his article "Le Groupe de la Renaissance Écossaise", which was published in the Revue Anglo-Américaine in April 1924. The term had appeared much earlier, however, in the work of the polymathic Patrick Geddes and in a 1922 book review by Christopher Murray Grieve ("Hugh MacDiarmid") for the Scottish Chapbook that predicted a "Scottish Renascence as swift and irresistible as was the Belgian Revival between 1880 and 1910", involving such figures as Lewis Spence and Marion Angus.